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8 Different dynamic mics as overheads

...Gear: Neotek Elan II mic pres on all inputs. Antelope Orion 32 converters. Mics: BD Sennheiser e602 II SD Audio Technics ATM23he Rack Tom Beyer M88 Floor 1 Beyer M88 Floor 2 Beyer TGX 50 Room EV 635a (2) taped to the floor Overheads: Beyer M201, Beyer M88, EV 635a, EV RE10, sE V7, Audio Technic ATM25, AKG D119es, Sennheiser 421 U5. The method: I used...

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Pictures Of Mic'ed Up Drum Kits In The Studio

...ULN8 Kick : MD421 - VP26 - BT50 - Rosetta 800 Snare : Sm57 - VP26 - BT50 - Rosetta 800 Toms : M88 - ULN8 Right Knee : M88 - Zod IDDI - ULN8 The room is pretty narrow but it sounds pretty good (I think) I removed a few dbs around 450Hz with the MIO eq on the...

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Pictures Of Mic'ed Up Drum Kits In The Studio

That sounds not half-bad. The snare rings too much for me - not sure how much of that is the room, or the snare itself.

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Product Description

Vocals, bass drum, bass amp, cajón, studio Some products are born classics and the M 88 has to take centre-stage for being far ahead of its time when it was first introduced in the 1960`s. Incorporating a new low-mass diaphragm element, the M 88 TG has earned its place in history in the Kick Drum (for this application, the use of an external popshield like PS 88 or WS 59 is strongly recommended). Sound engineers have found that the lightning-fast transient response of the microphone reproduces the complex sound patterns of this instrument resulting in the tight `thump` without the need for complex signal processing. This characteristic works equally well on other instruments especially where intricate low frequencies and their harmonics need to be captured. The M 88 TG is one of the most frequently specified microphones by sound engineers worldwide and heralded a beyerdynamic contemporary classic as this microphone becomes renown for capturing emotive audio signals.