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Description

8-channel Microphone Preamplifier and 44.1/48kHz 24-bit AD/DA Converter Ultra-high quality 8-channel A/D and D/A converter for virtually any digital recording/mixing environment 8 state-of-the-art, studio-grade IMP “Invisible” Mic Preamps Phantom power on all microphone inputs Audiophile 24-bit A/D and D/A converters for ultimate signal integrity Processes 44.1 and 48 kHz sample rates External sample rate synchronization via wordclock or ADAT input Optical ADAT in/out interface for ultimate compatibility All mic/line inputs are routed to the ADAT output ADAT input can be routed to all Line outputs

Discussions

Evaluating AD/DA loops by means of Audio Diffmaker

...clocked by Lynx Aurora8 (cylens) Corr Depth: 24,4 dB (L), 25,9 dB (R) Difference: -44.0 dBFS (L) -44.9 dBFS (R) Behringer ADA8000 clocked by RME Fireface UFX (Krisprolls on Pragmatic Audio) minimum gain : 13,4 dB (L), 13,4 dB (R)..Corr Depth: 24,4 dB (L), 25,9 dB (R) Diff. -44,0 dBFS (L) , -45,3 dBFS (R) gain @...

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Behringer RD-909 Rhythm Designer

Uli thank you for continuing to be cordial and professional in the face of unrelenting haters.

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Audio quality differences between models in same series?

The 8000 isn’t a current product. The current 8200 specs better and sounds better than the 8000, and is a good low budget choice if you need to add 8 decent pres. Neither of those Behringer ADAT models is a pony in this race. But it seems unfair to the brand to dis their...

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