I saw Native in action yesterday in a meeting with Avid and I was blown away. The card doesn't have DSP, but it does manage the efficiency of the machine. During the demo they were using an Imogen Heap tune with 150 instances, or tracks, running simultaneously with Waves G-channel on every track, as well as 50 or 60 other plugs. The Mac Pro it was running on was idling at 50% while this was going on and didn't break a sweat!
One huge thing I think people look over when considering PT9 versus PT 9 HD (Native & TDM) is delay compensation on hardware inserts, which for me is a deal breaker, as well as VCA mixing. As much as I love TDM systems, I really feel HD Native is the future.
Quote:
Originally Posted by
nukmusic
This is why I never update to the "latest greatest" as soon as it comes out. I've learn years ago that's its best to have patience.
Someone else also recommended the Symphony card option for the Apogee line and Protools combo. It is less expensive than going the Native card route. But again, IMO I feel its good to wait and see what bugs pop up and can be illuminated.
Thx