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sound devices mix 3 comparative preamps and converter quality
Old 16th September 2019
  #31
Lives for gear
 
DirkP's Avatar
Quote:
Originally Posted by apple-q View Post
AFAIK the MP3 & 6 derive the internal clock from the incoming TC when it's present so it's actually not pure time-stamping but includes clocking. I'm not sure where I read this. Could have been in one of the early videos with Paul in it from the trade show when they first came out.
Could be wrong but I do remember thinking that that's pretty great.
The first generation MixPre's (the non-M models!!!) receive timecode via a hdmi-input or a 3.5 mm input. The Musician models didn't have a TC in. If you use the hdmi input for timecode, the display of many cameras stays black because the camera thinks it is connected to a HDMI-monitor :-) Just saying...

Made where? I was a bit surprised 'cause my Mixpre doesn't have a made in or assembled in ... sticker anywhere on the unit itself.
Old 16th September 2019
  #32
Gear Head
As the Made in USA label is pretty stringent and filled with pride when marked with, I would believe a lot of the manufacturing is done abroad.
Old 4 weeks ago
  #33
Lives for gear
 

Quote:
Originally Posted by DirkP View Post
The first generation MixPre's (the non-M models!!!) receive timecode via a hdmi-input or a 3.5 mm input. The Musician models didn't have a TC in. If you use the hdmi input for timecode, the display of many cameras stays black because the camera thinks it is connected to a HDMI-monitor :-) Just saying...

Made where? I was a bit surprised 'cause my Mixpre doesn't have a made in or assembled in ... sticker anywhere on the unit itself.
?. I was responding to someone asking about clocking on the MPs. anyway...
Old 4 weeks ago
  #34
Gear Guru
Guys they are "made" in the midwest US and probably have parts from other countries inside as do a gazilion other products.....No real mystery surrounding the company....
Old 4 weeks ago
  #35
Gear Guru
 
John Willett's Avatar
 

Exclamation

The IPS (Institute of Professional Sound) sent a film crew to IBC in Amsterdam and were interviewing various companies about new products.

The interview with Paul Isaacs of Sound Devices is HERE

If you want to see the other videos, the landing page is HERE
Old 4 weeks ago
  #36
Lives for gear
 
Don S's Avatar
 

For those interested, I inquired which preamps would be better suited to classical recording and I got a pretty "corporate" answer:

"Now is definitely an exciting time to upgrade with all the new products available. I can certainly understand your question about which Mic Pre will be “better”, but honestly the preamps in both the MixPre II Series and the 833 are more similar than they are different. That’s because Sound Devices does not compromise when it comes to the quality of preamps that are in our products. Also, “better” is very subjective and up to personal interpretation. A lot of people have stated their preference for the MixPre preamps over their 7-Series, but others have stated the exact opposite opinion as well."


Oh Well!
Old 3 weeks ago
  #37
Gear Head
 
nebus's Avatar
I talked to Paul at IBC (and Dan D too) and after describing the Mixpre as ENG and the Scorpio as EFP he kinda shrugged his shoulders as to say 'yea'. end of the day only your ears will tell you what you have.

I still think my Nagra pres on my 4.2 sound slightly better. I must be old.
Old 3 weeks ago
  #38
AB3
Lives for gear
 

And the source, mic position and the actual microphones used can all be factors on a mic pre - making it all even more complicated - let alone a user's ability.

Maybe we are getting to the point where we are straying at gnats? (I do not want to start that entire 788 versus Nagra debate!) And maybe there are other features that are now more important?
Old 3 weeks ago
  #39
Quote:
Originally Posted by celticrogues View Post
Yes. Sound Devices stated when the Gen I MixPre-3, and -6 and -10T were released that those were the best microphone preamps they had ever made. That may have changed now with the release of the Scorpio, but according to the company anyway that MixPre amps are still better than the 700 series.

-Mike
Yes, Scorpio / Sound Devices 833 is even "better". But we're splitting hairs here!

The MixPre series is still the 2nd best pre amps they have ever made, and are very very good.

Zoom F series (F8/F8n/F4) are also very good as well if you're looking at another lower cost solution to consider.
Old 3 days ago
  #40
Hi friends!
So, we just bought a Mixpre-6,
I was surprised at how much self noise the preamps has, and are wondering if our unit is broken?

When turning up the gain without any xlrs connected the noise is getting redicilously loud.
If I remember correctly, the preamp noise level went up to something between -20 and -10db. (Dont have it in front of me as I write)

Even my old 50’s tube preamps doesnt get that loud in noise.

Any ideas?
Thank you!
Old 3 days ago
  #41
Gear Addict
 
withintheflux's Avatar
Quote:
Originally Posted by Ted Krotkiewski View Post
Hi friends!
So, we just bought a Mixpre-6,
I was surprised at how much self noise the preamps has, and are wondering if our unit is broken?

When turning up the gain without any xlrs connected the noise is getting redicilously loud.
If I remember correctly, the preamp noise level went up to something between -20 and -10db. (Dont have it in front of me as I write)

Even my old 50’s tube preamps doesnt get that loud in noise.

Any ideas?
Thank you!
Does it happen when there's an actual mic plugged in? I believe some circuits are noisy until they've got a mic plugged in. Give it a try.

Blake
Old 3 days ago
  #42
You should have a "shorting XLR plug" in the input if you are going to turn up the gain to listen/measure the S/N ratio. FWIW

A reminder do not have the phantom on if you short all three pins
Old 3 days ago
  #43
Quote:
Originally Posted by Thomas W. Bethe View Post
You should have a "shorting XLR plug" in the input if you are going to turn up the gain to listen/measure the S/N ratio. FWIW

A reminder do not have the phantom on if you short all three pins
Interesting! please elaborate on what a "Shorting XLR plug" is for me please sir.

Thank you for your time.
//Ted
Old 3 days ago
  #44
Gear Maniac
 

Shorting XLR; solder pin 2 and 3 together.
To get a ”truer result” to a microphone, solder a 50 Ohm or 150 Ohm metalfilm resistor between pin 2 and 3.
Old 3 days ago
  #45
Gear Head
Quote:
Originally Posted by Ted Krotkiewski View Post
Hi friends!
When turning up the gain without any xlrs connected the noise is getting redicilously loud.
SD says: https://www.sounddevices.com/microphone-preamp-noise/
Old 3 days ago
  #46
Gear Head
 

Quote:
Originally Posted by hipporu View Post
Exactly - read this. Cranking up unloaded preamps is meaningless. If you've got a resistor (anything between 50 and 300 ohms will do, really) then you can amuse yourself making an XLR test plug. Or, just plug in a mic and relax.

The MixPre preamps are excellent - there may be a musical case for using something else from time to time, but noisy they are not.
Old 3 days ago
  #47
Gear Guru
If someone is saying that Nagra près are slightly better than MB that’s high praise indeed!
Old 3 days ago
  #48
Gear Guru
There is a shootout between a Miktek and MP In a MB thread. The Miktek has more detail but also is a $1K converter. The guy said he uses the MB as a backup and was fine delivering a final result for classical music....
Old 3 days ago
  #49
Quote:
Originally Posted by ljudatervinning View Post
Shorting XLR; solder pin 2 and 3 together.
To get a ”truer result” to a microphone, solder a 50 Ohm or 150 Ohm metalfilm resistor between pin 2 and 3.
Excellent info everyone!
I will solder an xlr with a resistor this weekend and try it out.

Thank you for your time.

//Ted
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