The No.1 Website for Pro Audio
 All  This Thread  Reviews  Gear Database  Gear for sale     Latest  Trending
CM4 Is Here. Let's start a thread for it and let the CM3 go on
Old 30th August 2019
  #61
Lives for gear
Quote:
Originally Posted by jpgerard View Post
No, the OM1 is a pure Omni, nothing in common with the CM3/CM4. To date there are no news of a potential shortage of those parts.
Thanks for confirmation JP
Old 4 weeks ago
  #62
Here for the gear
 

Which are the CM3's, which the CM4's?

Hi!

I had the chance to make a live recording with both a CM3 pair and a CM4 pair (women's barbershop quartet)

- Microphones in NOS setting.
- CM3 and CM4 close to each other in MS clamps.
- About 3m from the floor.
- Stand about 3m from the singers.
- Recorder: zoom H6

The pictures will give an idea of the location and setting.

- A sample of the CM3's and one of the CM4's
- Samples only made equal in RMS, no EQ or whatever.
- Sample Type converted from 96/24 wave to 44/16, saved ass mp3 320kbps

I am curious if anyone can distinguish the microphones.

Peter.
Attached Thumbnails
CM4 Is Here.  Let's start a thread for it and let the CM3 go on-waalse_kerk.jpg   CM4 Is Here.  Let's start a thread for it and let the CM3 go on-statief.jpg   CM4 Is Here.  Let's start a thread for it and let the CM3 go on-mic_setting.jpg  
Attached Files

CM3orCM4_1.mp3 (2.65 MB, 3410 views)

CM3orCM4_2.mp3 (2.65 MB, 2637 views)

Old 4 weeks ago
  #63
Gear Maniac
 
Stradivariusz's Avatar
Quote:
Originally Posted by hendriks View Post
Hi!

I had the chance to make a live recording with both a CM3 pair and a CM4 pair (women's barbershop quartet)

- Microphones in NOS setting.
- CM3 and CM4 close to each other in MS clamps.
- About 3m from the floor.
- Stand about 3m from the singers.
- Recorder: zoom H6

The pictures will give an idea of the location and setting.

- A sample of the CM3's and one of the CM4's
- Samples only made equal in RMS, no EQ or whatever.
- Sample Type converted from 96/24 wave to 44/16, saved ass mp3 320kbps

I am curious if anyone can distinguish the microphones.

Peter.
Beautiful! Plesure to listen (laughing with the text message though )

Second sample is tighter, more focused, less wide. I guess it's CM4.
Ther first sounds more "omni".
Old 4 weeks ago
  #64
Lives for gear
 

Like the 2nd more. What it is, don't know (as I haven't used the CM mics) but as a preference the second.
Old 4 weeks ago
  #65
Lives for gear
Both sound great, I think _2 sounds a little more 'omni' so maybe that's the CM3, if the CM4 is claimed to have a slightly tighter cardioid pattern, but there's not a lot of difference in it ? Opposite conclusion to Stradivariusz lol !....will be interesting to read which is which after more people have posted their guesses ?

In the 2nd photo (side on) it looks as if one pair of mics is pointing quite differently than the other (one set points down, the other closer to horizontal, as if pulled by the tension of the cables)....yet the 3rd picture MS clips you used to join the mics together would seem to prevent this ? Maybe it's just the NOS spacing confusing me...which is the correct depiction of their 'pointing angles' ?
Old 3 weeks ago
  #66
Lives for gear
 
jpgerard's Avatar
When there's so much confusion, the logical conclusion is that there's not enough of a difference to be heard I guess an in depth analysis might reveal something. But as far as telling them apart by listening, as many customers pointed out already - it's difficult indeed.
Old 3 weeks ago
  #67
Gear Head
 

Quote:
Originally Posted by hendriks View Post
Hi!

I had the chance to make a live recording with both a CM3 pair and a CM4 pair (women's barbershop quartet)

- Microphones in NOS setting.
- CM3 and CM4 close to each other in MS clamps.
- About 3m from the floor.
- Stand about 3m from the singers.
- Recorder: zoom H6

The pictures will give an idea of the location and setting.

- A sample of the CM3's and one of the CM4's
- Samples only made equal in RMS, no EQ or whatever.
- Sample Type converted from 96/24 wave to 44/16, saved ass mp3 320kbps

I am curious if anyone can distinguish the microphones.

Peter.
Very nice! Waalse kerk Delft?
I think the second track is the cm4. I hear a little more low in it, approx 2db about 30-50Hz (space resonans).
Old 3 weeks ago
  #68
Lives for gear
 
Earcatcher's Avatar
Quote:
Originally Posted by Stradivariusz View Post
Second sample is tighter, more focused, less wide. I guess it's CM4.
Ther first sounds more "omni".
This is what I hear too. Plus a lot of very annoying noise from the air system. Hendriks, couldn't you ask them to turn it off for the concert? It was a perfect temperature day anyway, so the blowers didn't make much sense.
Old 3 weeks ago
  #69
Gear Maniac
 
Stradivariusz's Avatar
Quote:
Originally Posted by studer58 View Post
Both sound great, I think _2 sounds a little more 'omni' so maybe that's the CM3, if the CM4 is claimed to have a slightly tighter cardioid pattern, but there's not a lot of difference in it ? Opposite conclusion to Stradivariusz lol !....will be interesting to read which is which after more people have posted their guesses ?

In the 2nd photo (side on) it looks as if one pair of mics is pointing quite differently than the other (one set points down, the other closer to horizontal, as if pulled by the tension of the cables)....yet the 3rd picture MS clips you used to join the mics together would seem to prevent this ? Maybe it's just the NOS spacing confusing me...which is the correct depiction of their 'pointing angles' ?
Haha, I see what you mean. Listening today again makes me hesitate a little, but when I listen louder I have an impression that the second sample is slightly closer sounding, so might be more cardioidish CM4? :D Funny though, difference is small. Also what dingenus writes about the resonanse is true, stereo image in the first is very equal from left to right, but the second example does not have it, some freqs sound suddenly closer than others - maby through this resonance or more directivity in the pattern...
Old 3 weeks ago
  #70
Gear Nut
 

OT: I would never have expected hear a barbershop version of a classic Beach Boys hit sung in the Netherlands. Very cool.
Old 3 weeks ago
  #71
So which was which here?
Old 3 weeks ago
  #72
Quote:
Originally Posted by John Willett View Post
Looking at the specs - the CM4 does look like a real cardioid mic. - the CM3 was more of a wide-cardioid.


.
Does Line Audio make a hypercardioid?
Old 3 weeks ago
  #73
Lives for gear
 
jpgerard's Avatar
Quote:
Originally Posted by IronFilm View Post
Does Line Audio make a hypercardioid?
This has been addressed. No and if Roger manages to come up with a Super or Hyper it won't be tomorrow. If it happens, that's a big if, I can't imagine a commercial product being released before 2021. But I keep bugging him about it

Last edited by jpgerard; 3 weeks ago at 08:43 AM.. Reason: butterfingers
Old 2 weeks ago
  #74
Gear Maniac
 
Dr. Jule's Avatar
 

Quote:
Originally Posted by hendriks View Post
Hi!

I had the chance to make a live recording with both a CM3 pair and a CM4 pair (women's barbershop quartet)

- Microphones in NOS setting.
- CM3 and CM4 close to each other in MS clamps.
- About 3m from the floor.
- Stand about 3m from the singers.
- Recorder: zoom H6

The pictures will give an idea of the location and setting.

- A sample of the CM3's and one of the CM4's
- Samples only made equal in RMS, no EQ or whatever.
- Sample Type converted from 96/24 wave to 44/16, saved ass mp3 320kbps

I am curious if anyone can distinguish the microphones.

Peter.
I'd say 1 are CM4s and 2 are CM3s.
2 Sounds like I would guess my CM3s would sound - natural and a bit smoth/soft/cloudy. 1 sounds cleaner and more even.
I don't know which I prefer though!
Old 2 weeks ago
  #75
So witch was witch her?

Quote:
Originally Posted by king2070lplaya View Post
So which was which here?
Old 2 weeks ago
  #76
Lives for gear
Quote:
Originally Posted by king2070lplaya View Post
So witch was witch her?
https://www.youtube.com/watch?v=E4HHaspKL_4
Old 2 weeks ago
  #77
Here for the gear
 

Quote:
Originally Posted by hendriks View Post
Hi!

I had the chance to make a live recording with both a CM3 pair and a CM4 pair (women's barbershop quartet)

- Microphones in NOS setting.
- CM3 and CM4 close to each other in MS clamps.
- About 3m from the floor.
- Stand about 3m from the singers.
- Recorder: zoom H6

The pictures will give an idea of the location and setting.

- A sample of the CM3's and one of the CM4's
- Samples only made equal in RMS, no EQ or whatever.
- Sample Type converted from 96/24 wave to 44/16, saved ass mp3 320kbps

I am curious if anyone can distinguish the microphones.

Peter.
Hi all,
Thanks for your patience.
The microphones in sample 1 were the CM3's, in sample 2 the CM4's.
@ Stradivariusz : you were right (but what was so funny?)
@ studer58 : I don't have a picture to prove, but the microphones were not pointing differently. Trust me, I check.
@ dingenus : yes, Waalse kerk in Delft. Did you hear or measure the "approx 2db about 30-50Hz"?
@ Earcatcher : It was actually rather hot in the church by direct sunlight and a lot of people. Besides that it was a performance during "open monumentendagen", not a regular concert; I had to improvise. I think that it's not important for this comparison though.
Regards,
Peter.
Old 2 weeks ago
  #78
Here for the gear
 

More comparisons CM3/CM4

Different place, same microphones, variety of performances.
1. Bassoon and Grand Piano
2. Flute and Grand Piano
3. Grand Piano
4. String Quartet
5. Violincello Duo
1,2,3,4,5. Airco
Microphones in NOS, between 3 and 3,5m from the floor.
Distance mic-stand duo and quartet about 3m.
See the pictures for the placement of the grand piano. Flute and bassoon a bit to the right in front of the piano.
CM3 and CM4 randomly sample 1 or sample 2. You can't win great prizes
Enjoy!

Regards,
Peter.

NB Only theCM3's or the CM4's in the samples. No other microphones mixed.
Attached Thumbnails
CM4 Is Here.  Let's start a thread for it and let the CM3 go on-0_mic_setting.jpg   CM4 Is Here.  Let's start a thread for it and let the CM3 go on-3_grandpiano.jpg   CM4 Is Here.  Let's start a thread for it and let the CM3 go on-4_stringquartet.jpg   CM4 Is Here.  Let's start a thread for it and let the CM3 go on-5_vcduo.jpg  
Attached Files

1_Bassoon_GrandPiano_1.mp3 (1.34 MB, 1367 views)

1_Bassoon_GrandPiano_2.mp3 (1.34 MB, 1351 views)

2_Flute_GrandPiano_1.mp3 (1.72 MB, 1350 views)

2_Flute_GrandPiano_2.mp3 (1.72 MB, 1346 views)

3_GrandPiano_1.mp3 (2.91 MB, 1348 views)

3_GrandPiano_2.mp3 (2.91 MB, 1333 views)

4_StringQuartet_1.mp3 (1,017.5 KB, 1369 views)

4_StringQuartet_2.mp3 (1,017.5 KB, 1357 views)

5_VcDuo_1.mp3 (1.41 MB, 1333 views)

5_VcDuo_2.mp3 (1.41 MB, 1343 views)


Last edited by hendriks; 2 weeks ago at 10:43 AM.. Reason: To be precise ...
Old 2 weeks ago
  #79
Lives for gear
 

Curious if you have any of the more classically used cardioids available? (DPA 4011, Schoeps CMC6MK4, Sennheiser MKH 40/8040)

So far I've thought the CM4 is really good but would like to compare it to a reference-level mic in the same position.
Old 2 weeks ago
  #80
Gear Head
 

[QUOTE=hendriks;14235960]Hi all,

@ dingenus : yes, Waalse kerk in Delft. Did you hear or measure the "approx 2db about 30-50Hz"?

First-- I heard, second I remembered the difference in the plots of Lineaudio. That confirmed what I heard.
Old 2 weeks ago
  #81
Gear Maniac
 
Stradivariusz's Avatar
*funny was my psychoacoustic hesitation.

Edit: didn't get "randomly"

1) 1 - CM3, 2 - CM4
2) 1 - CM4, 2 - CM3
3) 1 - CM4, 2 - CM3
4) 1 - CM3, 2 - CM4
5) 1 - CM3, 2 - CM4

Amazing how close is the sound of these two sets of microphones. I can't hear much difference in the color of the captured instruments, to get the model used I'm trying to listen just to the amount of the acoustics...

Last edited by Stradivariusz; 2 weeks ago at 12:59 PM..
Old 2 weeks ago
  #82
Lives for gear
 
jpgerard's Avatar
Roger's goal was to make the CM4 as close as possible to the CM3. So you can bet that it will be difficult to tell them apart if you ignre the output levele (2dBs) difference, IOW just by listening, not looking at meters or analyzers. But I can give a little hint. On top of the acoustics balance, which can be hard to judge, listen to the sub 100Hz region. The CM4 is a bit fuller there. Not a lot, it's a slightly more linear shelf, if that makes sense, compared to the CM3's. So you're listening to, including tolerances, a 1 to 2 dB max. difference. Needless to say, taking proximity effect into consideration, placement, distance, comparing them becomes a tricky game. I don't think the CM3 will be missed but the CM4 is a little bit different, yes. However slight position differences blur the differences with the CM3 to where, as mentioned before, you would only hear/measure the differences in a close A/B test. In real life recording scenarios, the differences are then negligible. I hope we can quickly move on to the merits of the CM4 proper rather than keep comparing the CM3 and CM4 trying to establish which is better... my opinion, for what it's worth, is that they're twins - born 2 minutes apart, but twins still

The bonus, apparently, is that the consistency of the new capsule design should save Roger some time manufacturing the CM4's. The CM3's have sometimes been "difficult" due to some capsule components. The next, oh... 6 to 12 months, will give him a good idea of what lies ahead for the coming years of production. This is really interesting for me as it might, with some luck, allow the return of a multi pattern model which has been impossible given the sometimes dramatic technical difficulties manufacturing CM3 capsules, maybe a SuperCardioid for which there is a growing demand. I think buyers are mostly blind to how much work goes into those little mics. Roger is working around the clock with great pride and dedication on CM, OM and X-MP models. So anything that saves him some time either for further R&D or for the occasional (rare) rest day, is more than welcome. All hail Roger Jönsson!
Old 2 weeks ago
  #83
Gear Maniac
 
Stradivariusz's Avatar
I don't know others, but for me this comparison is not about "better" or "worse", but just a great test of careful listening, learning and comparing details of the two very similar yet slightly different tools. I would not dare to say, taht one of them is better since both are amazingly close to eachother as not almost the same! There ar engineers who can guess the which mics were used in one recording after hearing the color of it, there are others who can do it with a spacing between the omni microphones set in AB (Onne Shultze and Tony Faulkner famous meeting).
My personal feeling.
Old 2 weeks ago
  #84
Lives for gear
 

I had preferences on all 5. Some I had stronger preferences than others. They are different enough though.
I'm now curious if all my preferences aligned to one mic or it varied.
But it's not "better or worse" -- if my preferences varied, my conclusion will be I like that mic on that source and that mic on the other. Just like any other two mics (I like the DPA 4011 on the piano but like the Senn 8040 on the strings, for instance.)

If my preferences all aligned to one mic and it's the CM4, then from a buyer standpoint, I might order 8-10 because they are cheap as chips. Which is why I wonder how they compare to the classical choices used for high-end orchestral recording.
Old 1 week ago
  #85
Lives for gear
 
fred2bern's Avatar
Quote:
Originally Posted by pentagon View Post
If my preferences all aligned to one mic and it's the CM4, then from a buyer standpoint, I might order 8-10 because they are cheap as chips. Which is why I wonder how they compare to the classical choices used for high-end orchestral recording.
This is what I did and in my orchestral setup I have all the woodwinds with Line audio CM-3/4. I did some tests on several sessions and Line audio is my final choice, regarding the price and the sound I don't need anything else to do this job to my taste.
I have other microphones (really more expansive) for the strings. For this job I found the line audio not to my taste (but also the 8040).
Once again it depends how it mixes in the main and what one is looking for.

Fred.
Old 1 week ago
  #86
Here for the gear
I'm very impressed with the CM4 -

I just used pairs of both the CM4 and OM1 mics (ala Faulkner) a couple of days ago, on a string quartet, and the results were surprisingly good. The preamp was the DAV BG2, and recorded on a pair of Tascam DA-3000 at 192/24.

I found both mics to have quite similar timbre overall, probably because they both have such flat response, but the OM1 obviously brings in more reflections in the room (which in this case, was welcome).

I'm thinking about ordering a pair of Rode TF-5 mics, after the glowing reports I've heard, and of course the T. Faulkner involvement, but I'm wondering now if that is even necessary, given the results with the CM4.

I never had the CM3, so I can't compare those.

Parenthetically, I also had the musicians compare a pair of AEA R84 ribbons (which I've used on strings successfully a number of times) to both the CM4 and OM1 results, and a slight majority chose either of the Line Audio mics.

I've never seen such bang-for-the-buck value in any other recording equipment.
Old 1 week ago
  #87
Lives for gear
 
James Lehmann's Avatar
 

Acoustic Guitar duet...

  • Pair of CM4s in ORTF
  • DAV Preamps
  • Metric Halo 2882 interface
Obviously if you have two right-handed players it means the pick-up angle of two mics in ORTF is completely different, but for better or for worse I was determined to try to do this as a coherent live stereo track rather than mic-ing the instruments separately.

I've deployed a hint of EQ, some light compression, and a touch of Valhalla Room reverb.

Feedback welcome...

Last edited by James Lehmann; 1 week ago at 09:02 PM..
Old 1 week ago
  #88
Lives for gear
Quote:
Originally Posted by James Lehmann View Post
Acoustic Guitar duet...

Pair of CM4s in ORTF...



Obviously if you have two right-handed players it means the pick-up angle of the two mics is really completely different, but for better or for worse I was determined to try to do this as a coherent stereo track rather than mic-ing the instruments separately.

I've deployed a hint of EQ, some light compression, and the faintest touch of Valhalla room reverb.

Feedback welcome...
Works a treat ! Even collapses down to mono well, as I can follow the individual lines on an old iPad with single speaker
Old 1 week ago
  #89
Lives for gear
 

Quote:
Originally Posted by hendriks View Post
Different place, same microphones, variety of performances.
1. Bassoon and Grand Piano
2. Flute and Grand Piano
3. Grand Piano
4. String Quartet
5. Violincello Duo
Long enough for the reveal of which was which?

Last edited by pentagon; 1 week ago at 03:34 AM..
Old 1 week ago
  #90
Gear Maniac
 
Stradivariusz's Avatar
Quote:
Originally Posted by James Lehmann View Post
Acoustic Guitar duet...

  • Pair of CM4s in ORTF
  • DAV Preamps
  • Metric Halo 2882 interface
Obviously if you have two right-handed players it means the pick-up angle of two mics in ORTF is completely different, but for better or for worse I was determined to try to do this as a coherent live stereo track rather than mic-ing the instruments separately.

I've deployed a hint of EQ, some light compression, and a touch of Valhalla Room reverb.

Feedback welcome...
Love it! Since I'm classical music guy, I would place the guitars slightly more to the center to get a little space left and right more, but it's about a very subjective choice. Otherwise sounds very "real" to me. Classe.
Topic:
Post Reply

Welcome to the Gearslutz Pro Audio Community!

Registration benefits include:
  • The ability to reply to and create new discussions
  • Access to members-only giveaways & competitions
  • Interact with VIP industry experts in our guest Q&As
  • Access to members-only sub forum discussions
  • Access to members-only Chat Room
  • Get INSTANT ACCESS to the world's best private pro audio Classifieds for only USD $20/year
  • Promote your eBay auctions and Reverb.com listings for free
  • Remove this message!
You need an account to post a reply. Create a username and password below and an account will be created and your post entered.


 
 
Slide to join now Processing…
Thread Tools
Search this Thread
Search this Thread:

Advanced Search
Forum Jump
Forum Jump