Improvising with a percussion patch (Bamboo Chimes Duet) from Takeover live on video. Patch description from the PDF: Quote: Two bamboo chime textures in two OSC 1/2 (routed to FX1) with inverted auto-panning, key tracking for pitch is set to 50%, 1 octave -> 6 semitones. OSC3 (routed to FX2) adds a re-synthesized bamboo sound with formant/X-Side/LP filter modulation and octave changes every 4 beats via ARP1, AT increases unison detune in OSC3. M1 controls volume of OSC3, M2 sets the range of randomized sample start, M3 introduces HP filtering/wave-shaping in the bamboo samples, MW adds FM mayhem in OSC1/2, pitch mayhem in OSC3 and also increases feedback in the flanger which is processing OSC3 in FX2. ---- EDIT Ambient demo track featuring three patches from Takeover, some Macro/modwheel/volume automation and a limiter on the master output. ---- EDIT Demonstrating the patch Dual Dream Guitar live on video, tweaking the available Macro controls on the fly. Patch description from the PDF: Quote: Multi-sampled nylon guitar (15 pitches sampled between E1 – A#4) meets multi-sampled flageolet guitar (10 pitches sampled between A2 – E4), each oscillator has it’s dedicated volume control (M1/2), MB1 randomizes sample start and fine tuning and engages pan spread, MB2 decreases release time/sustain level, increases filter drive and activates a velocity sensitive LP filter envelope, M3 adds wave-shaper distortion and slow, free running LP filter modulation in Filter 2, MW controls chorus FX mix, VEL controls loudness and spike amount. ---- EDIT Dark ambient demo track using the drone patch Metusa Drone from Takeover, some Macro/modwheel/aftertouch automation. ---- EDIT Improvising with the patch Cello Pad, some modwheel action. Patch description from the PDF: Quote: Re-synthesized/wave-tabled cello sound meets FFT synth, WT scanning speed, voice detune in OSC1, unison detune/vibrato speed in OSC2 are modulated via random LFO1, MB1 transposes OSC1 up an octave. Unipolar LFO2 modulates unison mix in OSC1 and spectral sweeping/vibrato amount in OSC2, M1/2 are individual volume controls for each oscillator. AT adds vibrato, MW adds FM in both oscillators, adds wave-shaper distortion in OSC1, introduces an octave (Voicing section) and shifts X-Mid in OSC2. M3 controls chorus FX mix (with modulated speed via LFO3), MB2 controls delay mix.