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| Thread | Thread Starter | Forum | Replies | Last Post |
| CONVERTERS SSL ITB AND C1 MIX... CAN YOU TELL??? | cap217 | Work in progress / advice requested / Show & Tell / Artist showcase | 33 | 26th March 2006 07:56 PM |
| Alt Rock Mix ITB | echodog | Work in progress / advice requested / Show & Tell / Artist showcase | 8 | 5th January 2006 08:33 PM |
| POP-ROCK mix done ITB... | mixman499 | Work in progress / advice requested / Show & Tell / Artist showcase | 25 | 8th June 2005 01:31 AM |
| ITB Pop Rock mix. Let me have it. | Telecastr | Work in progress / advice requested / Show & Tell / Artist showcase | 14 | 28th December 2004 08:24 AM |
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| | #1 |
| Lives for gear Join Date: Mar 2004 Location: San Francisco, CA
Posts: 1,960
| Hard Rock - ITB Mix, SSL 2buss This mix was recorded to my PTLE system, and then mixed In The Box...I summed the master channel internally and then sent it to my SSL comp which was shaving maybe 1db or 2 in the heavy passages. Looking for any comments mix-wise on this tune. Haven't been recording live drums for very long, so I think I'm still getting the hang of it... shied away from both samples and auto-tune in this mix. Download here ---->>>Index A - War |
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| | #2 |
| Gear addict Join Date: Jan 2005
Posts: 340
| Norman, call me non-critical I guess but that's a quality recording and mix. somebody with more experience I'm sure could pick it apart but if it were my band I'd be damn happy with it......... |
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| | #3 | |
| Lives for gear Join Date: Mar 2004 Location: San Francisco, CA
Posts: 1,960
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| | #4 | |
| Gear addict Join Date: Jan 2005
Posts: 340
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| | #5 |
| Lives for gear Join Date: Sep 2004 Location: kansas city
Posts: 1,594
| Damn that sounds kick ass man. I think the vocal mix is just right in the verses, possibly a tad hot in the heavy parts, but it's perfectly fine how it is. nice flavors with the doubles popping in and out excellent work feel like posting some signal chains? I'd love to hear more from them (you?)
__________________ Dave |
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| | #6 | |
| Lives for gear Join Date: Mar 2004 Location: San Francisco, CA
Posts: 1,960
| Quote:
As far as the signal chains goes.. I'll start with the drums. They were tracked through an Octopre. Here's the setup: Overheads --> SM81's (recorderman micing method) Snare Top --> SM 57 Snare Bottom --> MD421 Kick --> D6 Toms --> 421's That's it. No room, or hat/ride mic. There's a lot going on ITB as far as routing and plug in chains go. I'd be glad to post more if people are actually interested. ?? Other comments/questions about the mix are welcome. - Damon | |
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| | #7 |
| Gear interested Join Date: Apr 2005
Posts: 7
| WOW yea im curious about more i run a pro tools digi 001 and i am new and just geting into tracking drums and for the most part im gona be doing itb too so im real curious cause this is an exelent recording to my ears and i hope to strive for these. Are you clocking your rig to the octopre instead??? im really interested in alot like what kind of room did you track drums in a real dead room??? and im curios of signal chain itb. |
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| | #8 |
| Lives for gear Join Date: Mar 2004 Location: San Francisco, CA
Posts: 1,960
| Hey Broken, I was gonna post a some mix details but I think it's just easier if I post some pics. Basically I use aux busses, and effect individual parts of the kit separately then buss these channels to a master drum buss aux where the drums see even more processing, this is then sent to the 2-buss. I primarily use the Sonalksis and the Uad plugs for Comp and EQ. Convolution Reverb and Digital Fish Phones plugs for gates and transient modulator. The Waves Trans Mod snuck it's way onto the kick drum in this mix. The drums were tracked in a large and VERY "live" sounding room. 25' x 40' with 25' ceilings. One happy accident was that the gates allowed the some of every snare hit through, which, due to the compression on the toms buss, gave the snare some extra thwack along with a little more room sound. Here are some picks. Hope this is somehow useful. Glad to answer any questions on vox, guitar, and bass if you have any. |
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| | #9 |
| Gear interested Join Date: Apr 2005
Posts: 7
| hey if im gona use these vst plugins, i have vst/rtas wraper thing and i was wondering exactly how i install and get them to work on protools cause i thought you had to put a file in the vst/rtas wrapper folder and im just a little lost any help could be nice thanks!!! |
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| | #10 | |
| Lives for gear Join Date: Mar 2004 Location: San Francisco, CA
Posts: 1,960
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| | #11 | |
| Lives for gear Join Date: Mar 2005
Posts: 778
| Cool song and really nice mix, I like it! Quote:
Don't get me wrong, it sounds more dramatic than it is! These are more subtile things or may be just my taste. I attached you a mp3 where I'd tried to simulate. Andreas | |
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| | #12 | |
| Lives for gear Join Date: Mar 2004 Location: San Francisco, CA
Posts: 1,960
| Quote:
Thanks for the insight. I must admit that I have a tendancy to scoop some of the lower mids when using middle of the road pre's.. I find the octropre tends to sound a bit muddy in this area. I do like the mix you posted! I think your mix has a little more "meat" to it. What did you do.. just a small broad Q boost around 500hz? | |
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| | #13 |
| Lives for gear Join Date: Mar 2005
Posts: 778
| Hi Norman, it was all done quickly ITB. First I pushed 5db at 90Hz, than I've done some multiband compressing, at last I used a little L2 threshold at -3db I think. When I'm back in the studio, I'll make some screenshots of the plugins and post it for you. btw. the vocals are still sounding to thin/equed to me, I think they are missing some dbs around 100-200Hz. Couldn't do that overall because the mix would be affected to much. Andreas |
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| | #14 |
| Gear interested Join Date: Apr 2005
Posts: 7
| some of my vst plugins wana install themselfs, Now do i just install then find folder and steal the dll file and switch it to the fxexpansion folder how do i go about that if vst has to be instaled?? |
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| | #15 |
| Lives for gear Join Date: Jul 2003 Location: Netherlands
Posts: 1,467
| Not bad at all! I'm listening on crappy puter speakers so can't comment too much on the mix, although I have the feeling that a little more lowend, more "harmony" between kick and bass could help. The singer sounds awsome, great voice. Did you use an under snare mic? Sounds like that, or it's from the overheads, but it makes the snare a little too acoustic sounding for my taste. I'd try lowering the overheads a little (too loud for my taste, but they sound nice) and have the snare a little fatter, perhaps some compression with fast attack, fast release. Or if the snare is peaking in the overheads, try a fast compressor on the overheads. Cool song... Greetings, Dirk
__________________ -progress takes away what forever took to find- Dave Matthews |
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| | #16 | |
| Lives for gear Join Date: Mar 2004 Location: San Francisco, CA
Posts: 1,960
| Quote:
Yeah the singer sometimes sounds like Gavin dead on. I had some fun with the band and had them all sit around the computer to listen to the final mixes then I played "Everything Zen". haha.. good times. Anyways.. back to the mix... you're right, the SSL isn't a 384 exactly... it's a clone that I built which employs a very similar topology to the 384. The components, such as the caps and VCA's are different, mostly standard-fare modern stuff. Panasonic FC series and whatnot. I think it sounds a little too hi-fi sometimes, and might have contributed a bit to the over brightness of the mix. As far as the plate, delay swell thing on the vox, I actually am doing a little bit of that... maybe not enough? In my recent vocal mixes I've been getting way into setting up a verb, delay, chorus, random effect on different auxes and riding these for certain phrases, words, parts throughout the mix. I'll try to work on a better balance in my next mix. Thanks for the comments! | |
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| | #17 | |
| Lives for gear Join Date: Mar 2004 Location: San Francisco, CA
Posts: 1,960
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| | #18 |
| Gear interested Join Date: Apr 2005
Posts: 7
| cool i did and all worked out great!!!!! thanks bro |
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| | #19 |
| Lives for gear Join Date: Mar 2005
Posts: 778
| here the screenshots... Andreas |
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| | #20 | |
| Lives for gear Join Date: Mar 2004 Location: San Francisco, CA
Posts: 1,960
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| | #21 | |
| Lives for gear Join Date: May 2005 Location: good ol´germany
Posts: 644
| Quote:
problem with the singer sounding like Gavin. I dig the song!
__________________ Just to keep it light, none of us can really claim to be engineers unless we know how to drive a steam locomotive. Now those were engineers! Ethan Winer / april 08 I always thought the "New York Trick" was a girl named Roxie who I met at The Temple Bar. max cooper / september 2006 | |
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| | #22 |
| Gear addict Join Date: Feb 2004 Location: Birthplace of the Soundblaster
Posts: 371
| Hi Norman! I just spent a few hours digging through these pages and listening to over 20 mixes-in-progress, and yours was the last I chanced upon. I must say it is also the BEST! May I ask what is the recording/mixing hardware/software chain for the vocals? The way the vocal sits in the mix is soooooooo PRO! It makes the whole song sound like a finished record already, despite a few minor room for improvements in the other intruments. I have been searching for the way to make vocals sound like this......sounds dry and warm, not overly-compressed but dynamically well-controlled, sounds naturally un-eq'ed but that's quite unimaginable given the fact it still sits prettily in its "sonic throne" in the passages when the heavy guitars come in. WOW! Makes me think you got the magic vocal chain that happen to fit this singer like a glove!!! Or could it be just that the vocal performance is definitely good? Great song, great work! |
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| | #23 | |
| Lives for gear Join Date: Mar 2004 Location: San Francisco, CA
Posts: 1,960
| Quote:
Thanks for the comments. My hardware vocal chain for this singer was -> SM7 -> Chandler TG2 -> A/D. ITB chain was -> UAD 140 Plate (small space settings, mixed VERY low) -> UAD Pultec -> Elemental Audio Neodynium (vocal 2 preset) -> UAD 1176 -> Digital Fish Phones "Spitfish" Desser. On auxes I also set up a main vocal: verb, delay, chorus, misc effect. I ride the fiders on all of these auxes for different parts of the mix. I tend to bump the delay in louder passages or held notes... you get the picture. The vocals are actually VERY compressed, but they don't sound too squashed .. and this has everything to do with setting up the Neodynium before a more traditional compressor like the 1176. The Neodynium acts as an "upwards" compressor pulling low level information up while the 1176 pulls louder passages down. The result is a VERY controlled vocal, which needs little volume automation to get it to sit right in a heavy mix. The singer is also very good... which makes my job a lot easier! ![]() | |
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| | #24 |
| Gear addict Join Date: Feb 2004 Location: Birthplace of the Soundblaster
Posts: 371
| Grooooovy baby! I have the UAD-1 but still saving up to buy the 140. It is item 243 on my shopping list. I tried some free convolution impulses of the actual UAD-1 140 itself, and was completely bowed over by the sound! It is really has that vintage vibe. I was just reading about the Neodynium the other day and wonder if all that trouble to struggle with such a cryptic user interface would be worth it. But you have just proven the point. Looks like it's not on of those "would be great if it actually works" concept products after all! And the Chandler TG-2........aaaahhhhh.....my dream mic pre for years now since I read about it in this forum......now you have just made me lust after it even more...........way out of my budget though for amateurs like me Is the SM7 a dynamic or a condenser? I searched the web and found contradictory reports, especially with the 7a and 7b models adding to the confusion. What A/D were you using btw? Sorry for probing....just wanted some reassurance that a non-top shelf A/D won't compromise my quest for the golden vocal sound too much! Thanks for the insight into your gear/techniques! |
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| | #25 |
| Lives for gear Join Date: May 2005 Location: Hillsboro, OR
Posts: 894
| Great mix, I really love the bass guitar, but that kick drum drives me nuts. I think this D6 is a plague. Maybe if you rolled off some of the high-end, it wouldn't stand out so much. Everything else sounds great though, vocals are mixed perfectly as far as I'm concerned. The part where the vocal goes "you,you,you,you", that's totally a bush song though. Nice job. |
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| | #26 | |
| Lives for gear Join Date: Mar 2004 Location: San Francisco, CA
Posts: 1,960
| Quote:
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| | #27 | |
| Lives for gear Join Date: Mar 2004 Location: San Francisco, CA
Posts: 1,960
| Quote:
Hope this helps! | |
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| | #29 |
| Lives for gear
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