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Old 7th September 2008, 04:35 AM   #1
luctellier
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15-17 years old kids (Emo Rock)
Here's a young band aged between 15 years old and 17 years old. The drummer is the youngest and the tightest in the band. He was incredible.. They came to record 2 demo songs that we end up re-writing together from scratch. It was their first experience in a recording studio. I produced, co-wrote, recorded, mixed and master the song. This project was done 4 or 5 months ago.. Feel free to comment!

Fall Again

Thanks
LT
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“A lot of engineers think the mix is about the gear, but it's not — it's about your gut instinct. The gear is just there to help you. The most important thing is to make the song work for those who are going to buy it. Period. You're not the artist; it's not your song. If the artist is happy and the label is happy and people respond to the music, then you have done your job. Sitting around playing with your toys isn't going to help make the song a hit.” - CLA
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Old 7th September 2008, 09:24 AM   #2
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You did a great job with them, as always killer mix. made them sound more mature then their ages.
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Old 8th September 2008, 09:59 PM   #3
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Care to tell any details on the guitar tone?
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Old 8th September 2008, 10:08 PM   #4
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DRUM TAYE TOUR PRO
=================================
kick -> shure beta52a -> console preamps-> dbx160x vintage (radio 3:1, 3dB GR)
snare top -> shure sm57 -> SPL TrackOne Preamp, no compression
oh -> rode nt1000 -> console preamps
room -> rode nt1000 -> console preamps
toms -> md421 vintage -> console preamps

Console Alesis X2 24 channels
MOTU 896 et MOTU 828

SNARE LUDWID LM 402 14X6
TOM 10x8
FLOOR 14x16
KICK 22x20

HIHAT SABIAN HAND HAMMERED HH REGULAR HATS 14"
CHINA 14" ZILDJIAN ORIENTAL CHINA TRASH
CHINA 20" ZILDJIAN ORIENTAL CHINA TRASH
CRASH SABIAN AAX EXPLOSION CRASH 16"
CRASH SABIAN AAX DARK CRASH 18"


BASS
==============
IBANEZ SR-1000 EWN (4 CORDES DADARIO ROUND WOUND)
BASS-SANSAMP AFFECTED TO DAW
BASS-SANSAMP UNAFFECTED INTO PEAVY 6505 ON RYTHM CHANNEL
BRIGHT ON
CRUNCH ON
PRE 3.5
LOW 7.5
MID 6
HIGH 6
POST 2.5
RESONANCE 6
PRESENCE 6.5
MIC'd with a MD421
DI signal compressed into DBX 160 using ratio 4:1 with about 4db of GR.


GUITARS
=========
GIBSON LESPAUL FADED
GIBSON LESPAUL CUSTOM

PEAVY 6505+
CAB TRAYNOR YCS412 (260 WATTS)
Mic'd with a single AT4050 straight in the center
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Quote:
“A lot of engineers think the mix is about the gear, but it's not — it's about your gut instinct. The gear is just there to help you. The most important thing is to make the song work for those who are going to buy it. Period. You're not the artist; it's not your song. If the artist is happy and the label is happy and people respond to the music, then you have done your job. Sitting around playing with your toys isn't going to help make the song a hit.” - CLA
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Old 10th September 2008, 03:13 AM   #5
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what are those kids doing with those guitars? :D either way sounds fantastic. would loved to have seen their faces on the first play back of the mix...
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Old 10th September 2008, 03:21 AM   #6
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what are those kids doing with those guitars? :D either way sounds fantastic. would loved to have seen their faces on the first play back of the mix...
They have worked at McDonald's to pay those guitars, can you believe it? e
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“A lot of engineers think the mix is about the gear, but it's not — it's about your gut instinct. The gear is just there to help you. The most important thing is to make the song work for those who are going to buy it. Period. You're not the artist; it's not your song. If the artist is happy and the label is happy and people respond to the music, then you have done your job. Sitting around playing with your toys isn't going to help make the song a hit.” - CLA
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Old 18th September 2008, 03:10 AM   #7
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sounds awesome. Really no compression on the snare?
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Old 18th September 2008, 03:11 AM   #8
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Originally Posted by soundsundergroun View Post
sounds awesome. Really no compression on the snare?
Not on the way in.
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“A lot of engineers think the mix is about the gear, but it's not — it's about your gut instinct. The gear is just there to help you. The most important thing is to make the song work for those who are going to buy it. Period. You're not the artist; it's not your song. If the artist is happy and the label is happy and people respond to the music, then you have done your job. Sitting around playing with your toys isn't going to help make the song a hit.” - CLA
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Old 18th September 2008, 03:12 AM   #9
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Nice mix. McDonald's huh... wow... that's a loott of hours.
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Old 18th September 2008, 03:45 AM   #10
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Nice mix! Too much reverb though for my taste.
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Old 18th September 2008, 09:55 PM   #11
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awesome job! do I hear some Slate in there?
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Old 18th September 2008, 09:56 PM   #12
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Originally Posted by LSD-Studio View Post
awesome job! do I hear some Slate in there?
Thanks! Nope! You're hearing my 150 feet hall.
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“A lot of engineers think the mix is about the gear, but it's not — it's about your gut instinct. The gear is just there to help you. The most important thing is to make the song work for those who are going to buy it. Period. You're not the artist; it's not your song. If the artist is happy and the label is happy and people respond to the music, then you have done your job. Sitting around playing with your toys isn't going to help make the song a hit.” - CLA
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Old 18th September 2008, 09:58 PM   #13
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Thanks! Nope! You're hearing my 150 feet hall.
sounds cool!
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Old 18th September 2008, 10:10 PM   #14
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Here's a example of how the room sounds using 2 Rode NT-1000 about 6 feet from the snare..
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File Type: mp3 LucTellier_Room.mp3 (325.4 KB, 167 views)
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Quote:
“A lot of engineers think the mix is about the gear, but it's not — it's about your gut instinct. The gear is just there to help you. The most important thing is to make the song work for those who are going to buy it. Period. You're not the artist; it's not your song. If the artist is happy and the label is happy and people respond to the music, then you have done your job. Sitting around playing with your toys isn't going to help make the song a hit.” - CLA
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Old 19th September 2008, 12:15 AM   #15
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in scotland we would use the term "minted" to describe that room sound. if i'm ever over in your country i would hope to be invited in for coffee and a snare session :D

outstanding mon frere

xx
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Old 24th September 2008, 05:00 AM   #16
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HUGE SOUND in that room! Lucky you, good job.
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Old 24th September 2008, 09:56 AM   #17
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good mix!

snare sound cool!
just i found the kick a little too tic tic!
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Old 25th September 2008, 07:56 PM   #18
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Cute kids.

Sounds great, did not fall in love with vocals though - too anemic (is that how you put it in english; lack of cojones?) I would like to hear them with less washy reverb, more agressive compression, and maybe som distortion.
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Old 26th September 2008, 10:10 AM   #19
Razzaq
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wow....

sounds awesome....

Good Job


:)
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Old 1st October 2008, 08:47 PM   #20
MrJulius
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Great sound, sounds very very very late 90's Southeast US "emo-rock." Good sounds, man your room sounds amazing. I'm planning on going to McGill for University, I'll be up there in again in January. Montreal = Amazing city :-).
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Old 5th October 2008, 03:57 AM   #21
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Originally Posted by MrJulius View Post
Great sound, sounds very very very late 90's Southeast US "emo-rock." Good sounds, man your room sounds amazing. I'm planning on going to McGill for University, I'll be up there in again in January. Montreal = Amazing city :-).
Come visit me ;)
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Quote:
“A lot of engineers think the mix is about the gear, but it's not — it's about your gut instinct. The gear is just there to help you. The most important thing is to make the song work for those who are going to buy it. Period. You're not the artist; it's not your song. If the artist is happy and the label is happy and people respond to the music, then you have done your job. Sitting around playing with your toys isn't going to help make the song a hit.” - CLA
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Old 5th October 2008, 10:44 AM   #22
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any pictures of that "150 feet hall?" :D
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