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| | #1 |
| Lives for gear Join Date: Feb 2004 Location: Melbourne
Posts: 545
Thread Starter | more transients down than up? *pic* I just knocked out this mix of my band playing live (10 mics a couple of DI's).. I'm wondering why there are so many more transients down than up (see pic).. I hit it with very soft limiting on the way out and checked all my phase stuff.. any ideas? ![]() |
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| | #2 |
| Gear nut Join Date: Feb 2005
Posts: 75
| it's a bad DC offset. I don't know Sound Forge, but you probably can repair that under 'process' or somewhere from the menu ... |
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| | #3 |
| Gear addict Join Date: Apr 2005
Posts: 302
| That's not DC offset. I've seen this discussed on other boards before, but I don't think any conclusions were reached as to what really causes that, though I think people seemed to concur that it doesn't affect the sound, but I understand how it can affect you being able to get the most level out of your mix in your case. I have had some things that I have recorded appear that way, but I guess I've encountered it more on individual tracks rather than on a full mix. |
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| | #4 |
| Lives for gear Join Date: Aug 2004 Location: Philadelphia PA
Posts: 2,757
| I've had that happen a few times, only to a kick track. When I changed the cable, it looked "normal" again. I have never seen it on a full mix either... Andrew |
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| | #5 | |
| Lives for gear Join Date: Feb 2004 Location: Melbourne
Posts: 545
Thread Starter | Quote:
I'm miffed! | |
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| | #6 |
| Lives for gear Join Date: Dec 2002 Location: El Lay
Posts: 2,207
| could be one of several things- for one, some waveforms in nature just aren't symmetrical. Or, could be that some part of the signal path on that spike, which I assume to be your kick or snare, was having a power supply problem resulting in more power to the negative rail than the positive (or the reverse if the polarity was switched somewhere else in the path). Usually this would result in clipping/limiting on whatever side was being deprived. Or, it could be DC offset, but on the one track, not the whole mix.
__________________ Purveyor of fine sounds since 1961. My very incomplete IMDB list: My very incomplete IMDB list I'm all ears. |
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| | #7 |
| Lives for gear Join Date: Apr 2004
Posts: 1,230
| the magic word is KICK! I'm quite sure that the explanation ist very straightforward. the impulse of a kick drum many times is very asymmetric because of the obvious mechanical function ![]() the skin gets hit with a higher speed than it moves back to its initial position. the oscillation does not reach the amplitude of the "thump". the mix has likely a clear and direct sounding kick drum. many processing devices and algos can even out the asymmetric waveform, from compressors to EQ to multing. this time they didn't. (for a vinyl record this would be a big disadvantage and the mastering/cutting guys would know what to do.)
__________________ sorry 4 poor english |
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| | #8 | |
| Lives for gear Join Date: Feb 2004 Location: Melbourne
Posts: 545
Thread Starter | Quote:
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