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| | #1 |
| Gear addict Join Date: Jul 2006
Posts: 383
| online mastering One of my clients would like to use some well known mastering house to master an album.Online mastering is affordable and viable solution(no travel and hotels and hourly fees) but i just dont know who to trust, cos' we are not gonna be there in person to oversee the all thing.Did anybody use this kind of service and who would you recommend? |
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| | #2 | |
| Gear maniac Join Date: Jul 2005 Location: NYC
Posts: 272
| Quote:
Alan www.arfdigital.com | |
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| | #3 |
| Gear interested Join Date: Jul 2006
Posts: 14
| We have been doing FTP file transfer mastering for about a year now, it's very effective, and the cool thing is that if you want us to do a track for free and send it to you first, we'll do that so you can decide for yourself. We have experiened a 100% success rate of doing this, and then mastering the album. www.moonlightmastering.com email: Nmatter@earthlink.net kind regards, nancy |
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| | #4 |
| Lives for gear Join Date: Jan 2006 Location: London, UK
Posts: 1,610
| Of all the recording studios/mastering houses/kids with [k] software and an mbox in London I've ever dealt with, I can safely say that 100% of them will do work via FTP if you want it, the problem is that 90% of them don't know how to market that to clients. So my theory is you could call ANY mastering house you want/like/respect, and arrange your job to be done remotely, and they could and would do it. |
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| | #5 | |
| Moderator Join Date: Dec 2002
Posts: 1,922
| Quote:
We've been doing this pretty regularly for at least 4 years now. If you're unfamiliar with the engineer, have them do a single track from the project first and upload it back to you so that you can offer comments and make sure the engineer's approach reflects your creative vision and/or instructions. Once you feel confident that you are both on the same page, the rest of the album should run smoothly. | |
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| | #6 |
| Lives for gear | Amen - 10 years ago, I couldn't have imagined it. 5 years ago, I started receiving a few projects here and there via FTP. Now, I'd estimate that 30-40% of everything that comes in is delivered here via FTP. A small amount (10-15%) gets delivered back to the client ("burn your own") via FTP. Especially singles... And probably 80% of refs are delivered via FTP. Giant time (and FedEx / Postage) saver... Whoodathunkit?
__________________ John Scrip - Massive Mastering - www.massivemastering.com Spoon-feed a newb some answer and he'll mix for a day - Get him to *think* about it and figure it out for himself and he'll mix for a lifetime. |
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| | #7 | |
| Mastering Join Date: Mar 2006
Posts: 1,826
| Quote:
BK
__________________ Bob Katz DIGITAL DOMAIN http://www.digido.com "There are two kinds of fools. One says-this is old and therefore good. The other says-this is new and therefore better." No trees were killed in the sending of this message. However a large number of electrons were terribly inconvenienced. | |
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| | #8 |
| Craneslut | We've had a dedicated in-house FTP server for a number of years now, and with our connection, client's can upload to our server at 600kb/sec. I'd guess probably 30% of our work is coming in on FTP nowadays, and it's steadily increasing... |
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| | #9 |
| Gear maniac Join Date: Jul 2005 Location: NYC
Posts: 272
| The bottleneck is still the client's own connection to the Internet. With typical consumer DSL/Cable hookups, it takes about 15 minutes to upload an average length song. Double that for 96k files. Guestimate up to three hours to upload for an album of 44.1 or 48k data. YMMV. Still better than FedEX, not to mention that FedEX costs have skyrocketed lately. |
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| | #10 | |
| Mastering Join Date: Mar 2006
Posts: 1,826
| Quote:
Anyway, FTP is a lifesaver, we're using it all the time, and I love sending refs to distant clients by FTP to save having to cut a ref prior to cutting a master. BK
__________________ Bob Katz DIGITAL DOMAIN http://www.digido.com "There are two kinds of fools. One says-this is old and therefore good. The other says-this is new and therefore better." No trees were killed in the sending of this message. However a large number of electrons were terribly inconvenienced. | |
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| | #11 | |
| Gear addict Join Date: Apr 2006 Location: Toronto
Posts: 471
| Quote:
I was/am considering adding this new service (ha, ha) to my website so I have been checking the online mastering sites to what the differences are. The main difference is that there is a pre-set price, governed by the tracks or the number of minutes, and one can make payment online. All this can theoretically be done without talking to either the office staff or mastering engineer. I don't really see how not talking to the mastering engineer can be a good thing but it can work out with written instructions, email and of course, using the FTP site allows the client to hear the master before committing to a physical master. As BK has pointed out, with an actual booked time, even though the client isn't attending, there can be FTP issues if the client waits until the last moment to upload. With "online mastering", I guess the session wouldn't be scheduled until the files arrive intact! Anyway, let us know how it works out! | |
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| | #12 |
| Lives for gear Join Date: May 2005 Location: Netherlands
Posts: 746
| Hy Guys .. just back from holiday ..... great time ... I made it a bit more easy on the customers-side ... no FTP ( they can if they want to .. ) but in my situation they can do it al by their web-browser and even can create a login-account ... I'll get a message in my mail-box anytime someone creates an account and/or uploads a track ... no hassle of setting up an ftp-account .. works great for me .. just a big PHP-script hosted on a virtual-web server ( linux ) if anybody is interested in such a solution .. let me know .. :-) its a linux/php script ... so no license required // OpenSource // "gratis" as we dutch call that greetings Wim. www.inlinemastering.com |
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| | #13 | |
| Mastering Join Date: Mar 2006
Posts: 1,826
| Quote:
Hi, Wim. Did you write the script? A program called "Rumpus" runs on a Mac and is about $500, may be worth it, because there are a number of people who are ftp-illiterate or have difficulties with FTP, and could use the help of a browser-based solution. Rumpus can be downloaded and you can check a demo. I'm just using FTP at this moment but considering rumpus. I believe Rumpus was written in javascript. I'd love a cheaper, PHP-based solution, but I don't want to have to manage different users for FTP and for the browser, it should integrate both solutions. Rumpus allows either FTP or http: access and manages its own user set. BK
__________________ Bob Katz DIGITAL DOMAIN http://www.digido.com "There are two kinds of fools. One says-this is old and therefore good. The other says-this is new and therefore better." No trees were killed in the sending of this message. However a large number of electrons were terribly inconvenienced. | |
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| | #14 | |
| Lives for gear Join Date: Dec 2002 Location: Ohio
Posts: 9,868
| Quote:
70% of my work is 'online' as I live in the country outside a smaller city. With good communication it's actually easier to work this way, as you can listen to FTP downloads in your environment and not be fooled by mine.
__________________ Brian Lucey Magic Garden Mastering "beauty resists capture" "the economy is a wholly owned subsidiary of the ecology" - unknown | |
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| | #15 |
| Lives for gear Join Date: Dec 2005
Posts: 508
| Rumpus it's a great software, even if a bit expensive (well, at least for me!). It has a lot of options to customize, so it takes a bit of time to master it but it's really time well spent. I've worked on it to set it up for a friend's site some time ago. |
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| | #16 | |
| Lives for gear Join Date: Apr 2004
Posts: 5,590
| Quote:
I am interested in that.... can you point me to the source files. Thanks....
__________________ Michael | |
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| | #17 | |
| Gear nut Join Date: Dec 2005 Location: Boulder, CO
Posts: 75
| Quote:
__________________ David Glasser Airshow Mastering Boulder, CO Mastering for CD, DVD, and SACD http://www.airshowmastering.com | |
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| | #18 |
| Craneslut | I'm considering Rumpus for a new FTP machine and priced it at $270... |
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| | #19 |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 11,151
| Will more unattanded mastering mean no charges extra charges for attended mastering? Lets face it, its always encouraged to attend the session but when you have to pay a return plane ticket, hotel stay, a rental car and on top of that extra charges for an attended session it gets to be a little ridiculous. It makes clients feel that most ME's would rather you don't attend your session and we know for new clients to it its a big deal. |
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| | #20 | |
| Lives for gear Join Date: May 2005 Location: Netherlands
Posts: 746
| Quote:
Ok, But you need an UPS powersupply, you need some old mac ... You'll have to have some form of back-up, running on some old scsi disk .. which could crash :-( ... always on which could be considred as a risk for fire .... some of the reasons for me to turn to a hosted solution .. But .. I'll have to admit it looks real good !!!! by the way .. can users create their own account ... p.s. I really enjoy clients sitting in .. the mix of upload and "real" clients makes it fun ... uploads are more easy to schedule in ..... but a cup of coffee, some enjoyment together with other musicians is good .. it's already a pretty solitairy job ... grtz. Wim | |
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| | #21 | |
| Gear maniac Join Date: Nov 2002
Posts: 174
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| | #22 | ||||
| Craneslut | Quote:
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I've been through virtually every aspect of this over the last 5-6 years of heavy FTP use. Your method works for you, mine works for me... | ||||
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| | #23 | |
| Lives for gear Join Date: Dec 2002 Location: Ohio
Posts: 9,868
| Quote:
Those charging $475/hr. who have the expectation of clients in studio can surely offord to offer you a little break. Charging by the song, and primarily working at a distance ... the attending clients create an extra expense of time that I absorb for the pleasure of their company.
__________________ Brian Lucey Magic Garden Mastering "beauty resists capture" "the economy is a wholly owned subsidiary of the ecology" - unknown | |
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| | #24 | |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 11,151
| Quote:
If we as mixing engineers did that we would be lambasted. Only you guys get away with that. I've never agreed with it personally, but if you want to work with specific hot ME of the moment i guess you pay to play. ![]() | |
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| | #25 |
| Lives for gear | 99% of the mastering we do is by file download or by the client sending a hi res DVD. A mastering studio will give you one or two revisions for you to approve before proceeding so you know and they know that everything is on the right track. It's not as mysterious as everyone makes it out to be.
__________________ Nathan Eldred Atlas Pro Audio- Boutique Gear, Consultation, Sales, & Distibution Home of the Atlas Juggernaut Preamp & 500 Series Revolver Rack USA Distributor for Buzz Audio Exclusive Worldwide Distributor for Atlas Pro Audio Gear, Old School Audio (OSA), and Burgin McDaniel Design ![]() Atlas Recording Studios, Inc. Recording/Mixing/Mastering Services |
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| | #26 | |
| Lives for gear Join Date: Nov 2004 Location: minneapolis, mn
Posts: 1,114
| Quote:
i have a long-distance relationship with an excellent ME and i don't have a problem as a mixer/producer not being there. i have sent him some music that was well-mixed, but not a 'slam-dunk' mastering wise. he sent a reference. myself and the band listened to it. we made notes. we sent those to him...we got back a 'perfect' master ... now, if i attended the session, i might have liked the first master in his room and i still would have taken a reference out ... and likely made the same notes. on the few that i have attended, they were the 'second round' ... and we got what we wanted. didn't NEED to be there. if i were there, it most likely be out of curiosity and rapport more than making eq or level adjustments.
__________________ tom hambleton C.A.S. I CAN'T BELIEVE HOW GOOD THAT MIX LOOKS! ministry of fancy noises | |
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| | #27 | |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 11,151
| Quote:
Well i wasn't talking about as an engineer. I personally get so bored attending mastering sessons after a while that i am no help what so ever. More for the clients who've never been to a mastering session and want to attend for their own curiosity/sanity. There are 2 different rates at most Mastering houses, one for an attended session and one for non attended. For some who are not familar for the reasons(which i've personally have found a little suspect) it turns them off because they feel they will not be able to afford to attend. I just feel that if the ME wants more input on the project, make it easier for the client to want to attend and be educated for the future. | |
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