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| | #1 |
| Lives for gear Join Date: Jul 2006 Location: Los Angeles
Posts: 2,564
| Vintage vs. Modern Mastering Beyond CD versus Vinyl, are there serious things to consider when finding a mastering expert? Volume is volume. Many mastering people have super-fly equipment. How am I supposed to make an educated guess beyond friendly business and reputation. I'm sure there's plenty of capable engineers out there. "Just pick one" I figure but, what am I looking for? ![]() |
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| | #2 |
| Mastering Moderator Join Date: Apr 2003 Location: Always on the Run
Posts: 1,470
| A good ME is a good ME full stop. Communication is the key. If you feel you will achieve your goals by communicating on a verbal level in real time then choose a ME close to you where you can attend the session. If you can't attend choose a ME you can communicate well with. When you speak to your chosen ME know what you want and "what you are looking for" ![]()
__________________ Velvet Room Mastering "What quality level does it need to be? Personally, I work on mixes that range from marvellous to hideously diabolical.......I'd suggest you aim more towards the "marvellous" end of the scale!" - Darius van Helfteren - |
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| | #3 | |
| Gear maniac Join Date: Oct 2006 Location: London
Posts: 168
| Quote:
To differentiate between a good experienced ME and one with little or no experience & talent, look carefully at their track record and client list. Do a Google search of their name or look them up on www.allmusic.com. So many businesses these days advertise on the net with a great list of equipment but no details of the engineer, no credentials, client list, or just show a small list of unknown bands/artists, or worse, a few examples of mastered tracks... Beware of those! Some of these may come up with a decent result, but lack of experience usually means lack of consistency so it will be very much hit or miss. With a good ME, as Ricardo said, as long as there is a good line of communication, you are guaranteed total satisfaction. | |
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| | #4 |
| Gear maniac Join Date: Aug 2006 Location: manchester uk
Posts: 169
| to be honest even on ME's who grace these boards i've not heard of half the clients/artists they have on their website but it doesn't mean that they are not reputable artists. You can always ask for recommendations from fellow muscians of who they have used in the past. maybe even ask for a trial of the me's work is a possibility. |
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| | #5 | |
| Lives for gear Join Date: Jul 2006 Location: Los Angeles
Posts: 2,564
| Quote:
Since I live in L.A., I will look for somebody local. I'm pretty serious about my project. I'm privately funding it so I'm not rich. However, professional work demands it's due. Thanks everybody. -soupking | |
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| | #6 | |
| Mastering Moderator Join Date: Apr 2003 Location: Always on the Run
Posts: 1,470
| Quote:
http://www.collinsaudio.com/
__________________ Velvet Room Mastering "What quality level does it need to be? Personally, I work on mixes that range from marvellous to hideously diabolical.......I'd suggest you aim more towards the "marvellous" end of the scale!" - Darius van Helfteren - | |
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| | #7 | |
| Lives for gear Join Date: Jul 2006 Location: Los Angeles
Posts: 2,564
| Quote:
Yeah, he's definitely on my list of people to call. | |
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