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| | #1 |
| Gear addict Joined: Jul 2006 Location: Earth
Posts: 351
Thread Starter | Studio time : what do you not charge ?
What is you way of dealing with the little tasks that can take some time, for example burning DVD's with the files of the client on it or making basic bounces for the client to be able to listen to the recordings he did in your studio ? I mean all of this can take some time, even hours... I recently had a customer telling me that he had NEVER paid for that kind of time. What do you think ? |
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| | #2 |
| Gear maniac |
Charge by the hour...from the time work starts until it ends, everything you've described comes under work for me so I charge for it. If you charge by the day maybe stop recording an hour early to ensure time for back up and bounces. I find if the artists want the bounces before a mix is completed there's never a problem with this.
__________________ www.flashlightrecording.com |
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| | #3 |
| Lives for gear Joined: Dec 2006 Location: New Orleans, LA
Posts: 2,798
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I just hired a painter but I didn't pay him for the time it took him to stir the paint, or wash the brushes....... and I'm supposed to pay for the time he spent putting the tape up? F*** that! Greedy painters. I like imagining my job in *any* other industry when considering these things. |
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| | #4 | |
| 3 + infractions, forum membership suspended. Joined: Jun 2011 Location: at home
Posts: 2,427
| Quote:
all the time all the materials all the hassle everything | |
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| | #5 |
| Gear Head | agreed. I've never had a client complain about paying for the time it takes to say, bounce out a rough mix and burn a cd. I dont charge for disposable media (cds, covers, etc) but I don't do a cd per band member.
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| | #6 | ||||
| Gear addict Joined: Jul 2006 Location: Earth
Posts: 351
Thread Starter | Quote:
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What i'll do is also have a studio contract that i'll make any client read and sign before we do anything, with those kind of points mentionned... You should have seen my face when that client was telling me that he NEVER HAD PAID FOR THAT KIND OF TIME... was like ![]() Anyway thanks to you all ! | ||||
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| | #7 |
| Gear nut Joined: May 2006 Location: Birmingham, UK
Posts: 137
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EVERYTHING is chargeable if you want it to be, even cups of coffee. It depends how stingy you are and who your clients are. Studios that do lots of VO/post work are far more likely to charge for "extras" (photocopying, storage media etc.). Take the example of CD copies; in the commercial world most companies don't bat an eyelid at seeing an extras charge for media on their invoice but an unsigned band might think it a bit unfair to see an extra £30 for CD copies. Tim. |
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| | #8 |
| Lives for gear |
while I charge by the hour for archiving and backups there are certain times I don't simply because I don't have to be there keeping an eye on it. For instance when I burn disks from my masterlink. But that's the exception. I recently did an archival project where we transferred 8 albums of children's music from DA 88 to hard disk. It took 2 sessions one to transfer the data and another burn dvd's of all of the albums. we burn 2 copies of each, it took a a while to do, there's no way I could not charge for it.
__________________ Lou Gimenez www.musiclabnyc.com |
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| | #9 | ||
| Gear addict Joined: Jul 2006 Location: Earth
Posts: 351
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| | #10 |
| Lives for gear |
You should charge everything. You need to know how much you spend money and time, and this should come back in one way or another. The question is how do you do that? How do you tell the customer? E.g. you know your customers drink in average 6 bottles of water and 20 bottles of beer. So just raise the fee per hour and give the beer for free, if you want the good feeling. |
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| | #11 | |
| Gear addict Joined: Jul 2006 Location: Earth
Posts: 351
Thread Starter | Quote:
That client was actually claiming that he never had to pay for that . But actually the more i talk with studio owners or people working in the sound i realize that he was just inexperienced or bulls*iting me...
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| | #12 | |
| Lives for gear | Quote:
projects for a client or keeping them on your drive after the project is completed is in my opinion, madness. | |
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| | #13 | |
| Lives for gear | Quote:
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| | #14 |
| Lives for gear |
i charge for my day. my time is my time. this includes lunch breaks, file backups, a few minutes spent pacing in the hallway if i need to get out of the control room, etc etc. "largest percentage of time spent working" does not necessarily translate to "most productive use of the session." if i am calm and focused and well-fed, there's a good chance i'll get more done in an hour of mixing and it'll be more right than if we didn't take breaks and move at a relaxed pace. |
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| | #15 |
| Gear addict Joined: Jul 2006 Location: Earth
Posts: 351
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| | #16 | |
| Gear addict Joined: Jul 2006 Location: Earth
Posts: 351
Thread Starter | Quote:
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| | #17 | |
| Gear Guru | Quote:
Have you seen how much bands can drink?! I'd expect bands to provide their own beer and some for me too at the end of the session!
__________________ Shameless Plug: If I've ever helped you with a technical problem or provided you with advice you found useful, you can more than repay me by going here and spending 79p of your hard earned on this single, now available for purchase, by a singer I'm working closely with. It would be much appreciated! http://itunes.apple.com/gb/album/fam...14?i=496923918 Album now available for pre-order: http://itunes.apple.com/gb/preorder/...an/id513648911 /Shameless Plug.... | |
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| | #18 |
| Lives for gear Joined: Oct 2007 Location: Porto, Portugal
Posts: 540
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I actually have a fridge stocked with several drinks, including beer. The thing is that I only keep some beers in the fridge, so if they drink them all they only get cold beer in the next session. Heavy drinking bands usually bring their own because they feel bad about cleaning my fridge. It's a thin balance! |
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| | #19 | |
| Lives for gear | Quote:
PS: Respect needs to be earned.... with A LOT of beer | |
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| | #20 | |
| Gear Guru | Quote:
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| | #21 |
| Lives for gear Joined: Oct 2007 Location: Porto, Portugal
Posts: 540
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When I defined a studio day's rate I accounted for that kind of stuff. If the band doesn't drink I make more money ![]() If they drink a lot I also make more money because they take longer to do something useable. |
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| | #22 | |
| Lives for gear Joined: Oct 2007 Location: Porto, Portugal
Posts: 540
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| | #23 |
| Lives for gear |
As the others wrote, it shouldn't be endless stream of bear from the tab for free. Although it's a nice vision... should be a studio standard |
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| | #24 |
| Gear Head Joined: Jun 2011
Posts: 37
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Drinks and food is always in the fridge. It doesnt have to be a huge amount but enough to make the band still feel comfortable when asking for something.^^
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| | #25 |
| Gear Head Joined: Aug 2011 Location: Houston
Posts: 47
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ive seen in studios with open Bars, any thing u want they have it, even smoke rooms, showers, whatever u need as a rock star lol but as soon as u enter the door the time starts as soon as your block runs out studio shuts down lol lights dim very low e it dosent matter if u talk to the engineer for an hr, time is running, thats why if some one needs to chat with u its over lunch at a restaurant or something
__________________ Mixing Tip from ReZoUnD "Sweep before u Mop" www.soundcloud.com/manifestedrecords www.youtube.com/cognacdipped1 www.facebook.com/rezound360 www.reverbnation.com/r3zound www.twitter.com/rezound360 www.reverbnation.com/manifestedbeats |
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| | #26 | |
| Gear Guru | Quote:
Of course most studios will provide anything the client requests. But even if it appears "open", someone is paying for it down the line. The large facilities that provide fruit, expensive coffee machines etc will also have more expensive room rates! Nothing comes for free. | |
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| | #27 |
| Gear addict Joined: Jul 2006 Location: Earth
Posts: 351
Thread Starter | |
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| | #28 |
| Lives for gear |
What I do give for free is media, cd's and dvd's, since they're paying for my time to burn them. I've always found it insulting when studios ridiculously mark up media, I remember working at a place that charged 5 bucks for a floppy, and 10 for a cassette! Tape was double what it actually cost if you bought it from a store. In my own place I've never charged for media except for 2"tape. And then I charge the client what I paid for it, no mark up, I try to encourage clients to use tape, so I'll make it as easy as I can. |
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| | #29 |
| Lives for gear |
Mark up is a no go for materials such as tapes, CDs, etc. Worse is when you ask a mark up for coffee, water, beer, etc. I wouldn't even dare to ask for any money for coffee etc.
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| | #30 |
| Lives for gear | |
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