![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
New Reply | Thread Tools | Search this Thread |
| | #31 | ||
| Lives for gear |
There's nothing wrong with furthering your education and walking out happy and with a new direction and outlook on things. If you're serious, go for it, if you're not, maybe pick something different and have fun with audio on the side. Quote:
Quote:
| ||
| | |
| | #32 |
| Gear Head Joined: Jan 2011 Location: Seattle
Posts: 40
Thread Starter |
Nope, you are 100% wrong but thanks for the response. If I was ANTI EDUCATION you wouldn't know who I was would you???? I'd not get involved, I'd not open myself to others opinion of mine. I would not be answering you almost a year later. Simple dude, just not easy huh? Paying dues is ...learning how to service our customers. Function comes from school in an ever changing world of keep-up. Form is an art learned through application ...it is how it has worked for me, just sharing. Please feel free to take it, leave it or better, write your own opinion. Thanks again man. s2 |
| | |
| | #33 | |
| Lives for gear Joined: Oct 2011 Location: Hertfordshire, UK
Posts: 587
| Quote:
Going on a run-of-the-mill audio course at university doesn't catapult you into your dream job though and it certainly doesn't shape you into the final product. What it can do though is arm you with an analytical brain, but through writing 5000 word reports than doing anything practical. | |
| | |
| | #34 |
| Lives for gear |
The only problem with this whole debate is, there are some 35,000 graduates of accredited courses and well over 130,000 graduates of private nonsense courses in the US (6,500 & 25,000 in the UK) every year. And they all think they are going to beat the odds and work hard and get one of the handful of openings in the industry.
__________________ http://www.the-byre.com |
| | |
| | #35 |
| Motown legend Joined: Jun 2002 Location: Songwriter Gulch, Nashville TN
Posts: 10,879
|
Probably the best thing a school provides besides relationships with the other students is practice in the ability to learn. It is nearly certain that by the time recording technology gets turned into course-work and classes the details will be obsolete by the time a student sets out on a career. In some cases I've seen, remarkably obsolete. An integral part of my work has always been learning new technology so as to empower the performers who I collaborate with.
__________________ Bob's room 615 562-4346 Georgetown Masters 615 254-3233 Music Industry 2.0 Interview |
| | |
| | #36 |
| Gear addict Joined: Mar 2009 Location: adirondacks
Posts: 473
| Agreed, I went to a 30 credit certificate course 6 years ago and I've kept in touch most of the people in my classes....they are all in the audio field in some form or another (live sound, studio, sound tech etc.,). The networking alone was the most important.
|
| | |
| | #37 |
| Gear interested Joined: Mar 2012 Location: Denver
Posts: 13
|
I'm just about to graduate with a bachelors of science in music. While the price tag of my education continues to make me sick to my stomach, I have to say that I don't think I could have learned as much as I have in the last four years on my own. I worked all sorts of crummy jobs after high school. I finally decided to go to college for audio production to pursue some sort of career working with music. Since I am not a particularly talented musician I went for recording. I have no delusions of grandeur, I didn't set out to be the next Eddy Kramer, I don't expect to land my first gig as monitor engineer for U2. I just want to be able to earn a modest living working with music and musicians in some capacity. Ideally I'd like to create my own business out of it, which is a whole different level of stress with high failure rates. I know this. Some people don't need to pay for school in recording arts. Some people get into it from an early age and learn it all by reading, listening, and doing it themselves. I have a lot of respect for them. I was basically just a music lover that got sick of doing drywall for a living and decided to cast my lot with a college education. Whether it pays off is yet to be seen. But, like I said, I have crammed an enormous amount of recording knowledge into my brain in four years and have had the opportunity to learn from professionals in the field network with tons of people, and get experience with equipment that I might never be able to afford on my own. A friend of mine who works as an audio tech in Vegas told me once "Who you know gets your foot in the door, what you know keeps you there and furthers your career." I think it's a good word to live by in this industry. You can't discount the networking opportunities that a good school will provide.
__________________ “Directly or indirectly, all questions connected with sound must come for decision to the ear, and from it there can be no appeal.” Lord Rayleigh |
| | |
| | #38 |
| Lives for gear Joined: May 2007 Location: UK
Posts: 9,574
|
Good luck in your endeavours but it does puzzle me how music degrees have become BSc !!!! Lot of math and physics in your particular degree? in which case it's a lot more than music no??
|
| | |
| | #39 | |
| Gear nut Joined: Mar 2011 Location: Ann Arbor, MI
Posts: 136
| Quote:
I know plenty of people in my program who probably won't get jobs or even have a shot. Not the university's fault. You've got to want it so badly that it keeps you up at night. You've gotta have people skills and extend yourself into the community you want to be a part of. Oh, and sometimes, being a badass at what you do is an assumed quality. | |
| | |
| | #40 |
| Lives for gear |
Education is always a good idea and I guarantee you'll be turned on to many other subjects that interest you. It can be a good way to discover other avenues.
__________________ Guitar/Backline Tech and Mobile Recording services in the Los Angeles area! New AEP site is up! Custom gear and cabling! Custom DAWs! Die-hard Phila Eagles fan! |
| | |
| | #41 |
| Gear interested Joined: Mar 2012 Location: Nashville
Posts: 17
|
Alright, as a graduate of the Conservatory of Recording Arts and Sciences I better put in my 2 cents. I don't know about SAE, but the 8 month course I took was pretty bogus, 4 years later I am in $20K in debt. Now, don't get me wrong, I learned a lot at the Conservatory, I as able to get first hand experience with great gear and with running sessions, BUT this was because I took the time to study and book sessions. They have some great studios there that you can use 24/7 so if you spend a lot of time there you can get your money's worth. Also, my father is an audio engineer so I learned half of this stuff growing up anyway... NO ONE in my class is still in the industry in any way. They all thought they would get jobs right out of school. What really attracted me was the internship placement, Its hard out there to get one on your own. I moved to NYC right after I graduated and got placed at Brooklyn Recording. Now, I never really got to do any work in studio, just cleaning and making coffee. One hot day about 2 weeks into it the owner stomped in, used me as his emotional punching bag, and then fired me. I called the internship office and they were like "oh yeah, he does that." Now they had another batch of kids about to leave the school so they were more worried about placing them into internships that dealing with me. So, I had to find my own internship to graduate. This was a major let down. So its been 4 Years since I graduated and have had a few different internships at post-houses and a job as the head tech in a Turntable/DJ repair shop. Those internships and repair work are what got me my job today, but I wouldn't have had the internships with out the school. In the end, its like much like everything in life - HARD WORK AND LUCK. School means nothing if you're not applying yourself.
__________________ Staff Engineer JBVO, Inc. 172 2nd Ave North #304 Nashville, TN 37201 615-915-0354 Studio jeffbellvoiceover.com KC9BAX |
| | |
| | #42 | |
| Gear nut Joined: Sep 2010 Location: Los Angeles, California
Posts: 119
| Quote:
I know exactly what you mean. Only 3 of the people I went to school with are doing audio work and we have not made any money. I don't know how anyone is paying their loans. I shared my story earlier in the thread. I have decided I am going to actually play music in bands again since it is one of the best ways to network and last night I played bass for a singer songwriter. I went from recording his demos in my apartment set up to joining the band. | |
| | |
| | #43 | |
| Gear nut Joined: Mar 2011 Location: Ann Arbor, MI
Posts: 136
| Quote:
| |
| | |
| | #44 |
| Gear interested Joined: Mar 2012 Location: Nashville
Posts: 17
| I did a lot of super cheep freelance work for student filmmakers (most don't take sound classes or don't pay attention in them). Didn't make a whole lot of money but I was able to build a reel that got me some paying work and an internship in a real post house. Same can be done for music mixing if you know some bands with no budget I guess. I still recommend interning, no matter what field you want to go into. Nothing can replace learning directly from pros.
|
| | |
| | #45 | |
| Gear nut Joined: Sep 2010 Location: Los Angeles, California
Posts: 119
| Quote:
| |
| | |
| | #46 | |
| Gear nut Joined: Mar 2011 Location: Ann Arbor, MI
Posts: 136
| Quote:
Just like everyone else, I'm ready and willing to put forth all my effort into a project that I believe in for little or no money. However, I've spent 2 years offering my services for free, and doing jazz sessions for free doesn't help my career or pay the bills | |
| | |
| | #47 | |
| Legend............ Dairy! Joined: Mar 2009 Location: California
Posts: 739
| Quote:
On the bright side after only 5 years LOL I got my first real client at $20 an hour 4-8 hours a week. I know for a fact I could have handled him without the school. I learn more from here than I ever did from that 1 year. I found out about ADC 2 years after school LOL. My guitar center co-employees told me about it, but the $14k school didn't. It was Sound Master by the way, Pinnacle College now. Sent from my LG-P925 using Gearslutz App | |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| To pre or not to pre; Colored pre's, or colored mics...help? | switch777 | So much gear, so little time! | 3 | 31st March 2009 12:27 AM |
| Vintage U87 or New Mic Pre..TO TUBE OR NOT TO TUBE?!?! | themaestro | High end | 7 | 3rd December 2006 05:23 AM |
| getting to the master mix,To bounce or not to bounce is the ???? | billydrummerboy | Mastering forum | 9 | 23rd May 2006 10:12 PM |
| To PAD, or not to PAD!!! That's not the question | audioez | So much gear, so little time! | 11 | 27th June 2005 04:00 PM |
| To re-tube or not to re-tube, how to decide ? | HEDDcase | Geekslutz forum | 19 | 16th August 2003 03:48 AM |
| |