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| | #1 |
| Gear interested Joined: Feb 2009
Posts: 3
Thread Starter | Freelance Recording Engineer contracts?
Hey all, I've been searching around a lot lately and I'm wondering where to start in terms of forming a contract for my services as a freelance engineer. To be honest I'm not exactly sure that its common to use contracts but at the same time, as its a work for hire situation, it makes sense to have a document outlining rates, methods of delivery, etc. Are there any sort of sample contracts out there I could use as a starting point? How is this typically handled? Thanks so much! |
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| | #2 |
| Lives for gear Joined: May 2010 Location: London
Posts: 3,008
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What kind of work do you do? What kind of work have you done? |
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| | #3 |
| Gear interested Joined: Feb 2009
Posts: 3
Thread Starter |
I work with several local studios bringing artists in to record, but I also do a lot of mixing, which is my main concern. I guess I'm just looking for a way to stay protected and establish beforehand my rates, as well as providing a guarantee that the clients work will be finished on schedule.
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| | #4 |
| Lives for gear Joined: Mar 2005 Location: L. A.-ish
Posts: 2,167
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I've never had a contract when I've hired engineers. Or when I've booked a studio. It's always been very much on the honor system. That said, it's good to be very clear about your rates
__________________ Michael David Nielsen - Composer / Producer / Lover ...of gear http://michaelnielsenmusic.com/ |
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| | #5 |
| Lives for gear Joined: May 2010 Location: London
Posts: 3,008
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So are you serving the Studio or the Artist? Will you be getting the talent to sign their material away and to whom will it be signed to, you or the studio? Will the studio be hiring you and getting you to record people and get their talent on board?
__________________ |
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| | #6 |
| Gear interested Joined: Feb 2009
Posts: 3
Thread Starter |
Thanks guys for the replies. I guess I'm sort of serving both the studio and the artist as I'm bringing work to the studio and paying them their freelance rates but charging the artist for my services on top of that. I'm not looking for anyone to sign over material to me or the studio, I just want to guarantee I'll finish the work and that they will pay accordingly. I guess if that doesn't seem to be the standard in the industry (to deal with this via formal contract) then that's not the way to go. It just seems like I should have something to give to my clients...either way the honor system has worked out well so far, I just want to go about it as professionally as possible. |
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| | #7 |
| 3 + infractions, forum membership suspended. Joined: Dec 2008 Location: London
Posts: 2,733
| That used to be my policy but I've had problems twice recently and I'm typing mine up at the moment.
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| | #8 | |
| Lives for gear Joined: Oct 2006 Location: Los Angeles, CA.
Posts: 3,728
| Quote:
To defend the contract will typically cost you more than you were being paid in the first place.
__________________ Hybrid mixing is the present for some and the future for us all! http://petesplaceaudio.com/ Mark VIII/BAC-500/Electrodyne 501 Mic Pre/511 EQ/Blast Pad | |
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| | #9 | |
| Lives for gear Joined: Feb 2009 Location: Bristol, England
Posts: 849
| Quote:
After reading the other thread, I was under the impression that people serve bands and not studios? Are there any drawbacks to freelancers working for studios and not bands?
__________________ https://www.facebook.com/cockroachaudio http://soundcloud.com/burnteggaudio https://twitter.com/#!/BurntEggAudio Dan Allen Freelance Mixing/Mastering Engineer based in Bristol, UK LOOKING FOR NEW CLIENTS!! Please do not hesitate to PM me for more info | |
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