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| | #1 |
| Lives for gear Joined: Dec 2007 Location: Wiltshire, UK
Posts: 638
Thread Starter | Financial predictions for business plan?
I have written a pretty solid business plan for a small studio which is running into the ground. I have found somewhere to potentially get a lot of money (including running costs, equipment, AND a fixed salary!) All I need is a solid financial cash flow and profit and loss sheet. I need to project for the next three years, to show it will be able to run itself by then. This is NOT the place to debate whether it can survive or not - this is a great oppertunity and I'm having a go at it anyway. There will be no personal money going into this, so there is no risk at my end. It is not theoretical either, this is for a real report I am giving to an interested company. I don't want to overlook anything, so please add to these lists: Income Funding Recording and Production Mixing Mastering Podcasts Artwork Online music sales Tour income Expenses Advertising Equipment Acoustics Consumables (paper, ink, blank discs) Van purchase (This is a maybe!) Insurance Online Distribution Design fees Artist fees Assistant engineer fees Session musicians Touring expenses Staff Salary (one person) Miscellaneous Am I missing anything? Are there other avenues of income I should look into? Obvious ones would be audio for computer games or films, but I'm not currently connected to anything there. I'm also at a bit of a loss for what to put for some figures - for example, my annual salary - what do I suggest that isn't cutting myself short but doesn't take the piss either? £12,000 - 15,000 I'm thinking. This is my first job out of Uni but I have my own family to pay for. Bear in mind I would also get commission on the work coming in, but I want a safe minimum. Also, the advertising budget - how the hell much do I need to spend?! It seems £300-500 a month would be plenty but I have a feeling people will tell me otherwise. Your thoughts? |
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| | #2 |
| Lives for gear Joined: Dec 2007 Location: Wiltshire, UK
Posts: 638
Thread Starter |
Add merchandise to income :D
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| Lives for gear | Quote:
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__________________ Manifold Recording / The Miraverse My blog My gearslutz Studio Construction thread and Studio Tech thread | |||||||
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| | #4 |
| Lives for gear Joined: May 2005 Location: Albany, New York
Posts: 9,509
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And... that beer is deductible as a business expense, right?
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| | #5 |
| Lives for gear |
depends, a percentage of it is.
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| | #6 |
| Lives for gear Joined: May 2005 Location: Albany, New York
Posts: 9,509
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Well then screw it, just give me Tequila shots, bartender.
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| | #7 |
| Gear nut |
This is a fun game, albeit a scary one at times. The financial path is actually my first step into the studio business after spending just under a year as an assistant. I'm still in the planning stages... but it sounds like we're in the same boat. My day job is bookkeeping, so it's sort of a fit. 1) Get a copy of Quickbooks. 2) Categorize every expense. 3) Save every receipt. 4) Learn how to do a balance sheet. This should include the value of property and building (if you own). This may involve some "rough" numbers (example: you need to figure out the going rate for gear that is only found on the vintage/used markets and count them as assets to your business) 5) Set price lists and figure out how many days of work you will require to meet your financial liabilities. 6) If you have set prices, perform a Break-Even Analysis. This will answer #5. Make damn sure you've thought of every expense or the number will be inaccurate and relatively useless. 7) Talk to a Tax Guy Do you own the building you are working from? If there's rent or mortgage, that's obviously a big liability. As far as salary goes... you need to figure out the rest of the numbers first. So.... yeah. Sucks, huh? But it's definitely the only way to keep things remotely predictable. I'm sure some of the more experienced GS cats have some tricks for keeping things stable and under control. They also might say that the entire thing is cumbersome and means nothing. It's all in your perspective. If you consider yourself an artist, then you might detest the idea of thinking of your recording studio as a bunch of combating $ signs. You've got a family, so my guess is that you will have interest in trying to keep things accurate. I'm building our Quickbooks account next week. If a light bulb goes off in my head while I'm setting up I'll make sure to share. Good f'n luck. We both need it. |
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| | #9 |
| Lives for gear |
You need to go to the business pages at audiotalk.org and look at the 'Additional Income' section. You seem to be missing most of the usual addition income for studios from your plan. Certainly, the ones that actually earn money - as opposed to the ones that studio owners THINK will earn them money. The stuff you have listed is the stuff that is pretty much core to the studio business and a studio should be doing these theings already. Well, except touring, which is a totally different ball game to studio work. More importantly, you should read all the section, especially the one on economic reality.
__________________ http://www.the-byre.com |
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| | #10 | |
| Gear nut Joined: May 2006 Location: Oxford, Mississippi
Posts: 88
| Quote:
My advice (and this has worked well for me ) is to be very up front about the reality of the sometimes "feast or famine" aspect of the studio business. It let's the potential lender know that you actually have a working knowledge of the business and not just someone jumping into the fire with their money. 1. Advertising is generally a waste of money for studios. Call some local papers and music rags and get them to do a feature on the studio and, then and only then, couple it with some small ads. 2. Don't spread your services too thin. A few services done well will gain far more than a multitude of mediocre ones. 3. As far as "no risk to yourself"; well, I smell a rat. Nothing is free or without consequence. I would certainly hire an attorney if there's paperwork and if you're smart, there will be paperwork (i.e.- contracts). This is to protect both parties. Good luck!
__________________ Jeffrey Reed Taproot Audio Design Oxford, Mississippi www.taprootaudiodesign.com www.myspace.com/taprootaudio "Mr. Engineer, faders up!"- John Wayne, Texas Funeral | |
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| | #11 |
| Gear addict Joined: Jan 2008 Location: Miami, Florida
Posts: 347
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I've been here. Wrote many busness plans for myself and others. You will probably hate me for this but; You don't have financials worked out yet... Your plan is NOT solid. Financials are supposed to be realistic and will tell you if it will work or not. As far as i can tell from your post, you are over optimistic at this point. NOT GOOD. If this plan is for a recording facility focus on that. Artist expenses and income? That is something seperate from the recording facility. BIG MISTAKE do not put these things together. A great portion of your funding should be put into marketing efforts not just buying stuff. If you are buying stuff the investor may feel more cofortable if you declare purchased equipment as collateral for the Loan (partially at least). You MUST have a great USP (Unique Selling Proposition). You want to aim for a ROI (Return On Investment) of at least 30% or they investor may not think your project is worth the investment. I can say alot more but will leave it here for now
__________________ "No recording studio allowed or any other illegal activity." - somewhere on craigslist |
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| | #12 |
| Lives for gear Joined: Jul 2005 Location: Phoenix, AZ
Posts: 2,169
| This is so key. You need to do an honest appraisal of your market and your competition. If you're hoping to work with bands, what kind of bands? Is there already an established facility the everyone uses? If not, why not? Did the last 5 guys go under? That's not a good sign! What are you going to market? What's going to make a potential client come to you instead of someone else? As far as the plan goes, it's good to have something on paper, to get an idea of what your expenses will likely be. Of course, a few months into the business, you'll likely find that your predictions were way off the mark. You need to plan for things to go much more slowly than you estimate, plan for expenses to go up, and have as much cash in reserve as you can get. Good luck, it's a tough business to get into, especially as another generic facility. But if you become the go-to guy for (niche service here) you can make a good living and last a long time.
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| | #13 | |
| Lives for gear | Quote:
I was going to write you should hire someone to do this for you, maybe rkwyent would be able to offer services if you asked him. It is SO important to show ROI when trying to get capital and you have to be realistic about it. The first thing your potential investor will want to know is how are you going to market and promote this business and how much you expect to spend on advertising. Unless you have found a great Angel investor, please get as much assistance with your business plan as possible from an experienced freelancer.. Stay away from Business Plan pro apps and the such, any experienced investor will see through the template fun. | |
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| | #14 |
| Lives for gear Joined: Dec 2007 Location: Wiltshire, UK
Posts: 638
Thread Starter |
Thanks for some great advice. All has been noted and considered. The thing is, and I'm sorry I can't further elaborate until at least September, but there really is a source of money that won't even require a lot of these serious points. There doesn't need to be much of a USP (well, it will be the only studio around with this great equipment), and even if there is little money coming in from people recording there - I will still be on a full time wage for three years. At this point, we will be very unlucky for the plan not to go through. After today, I have been told to ask for even more, to make a plan of my dreams, because then if they undershoot it, I will still be getting a ridiculous amount to work with. No, it's not like a million or anything silly - but beyond the dreams I had! Reading this thread again makes me realize how lucky I am to be in this situation. Obviously business plans have been a lot harder for other people because they're having to go to banks or investors with a lot of money, who take it very very seriously. I have found a source who is literally willing to give this money away. And gearslutz will be welcome to rent the studios for a reasonable price. I would love to meet you there. I will keep you updated, wish me luck! |
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| | #15 | ||
| Lives for gear | Quote:
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My advice (for what it's worth), is to take it seriously as if you had to do this according to proper planning and accounting practices. This will greatly increase your chances of looking like a hero instead of a bum. And who knows, with your luck maybe the next guy along will offer you 10x what you had with this gig. But I'm fairly confident that if you do only the work needed to land this deal, and you depend entirely on avoiding any sort of reality checks for three years, you may find the rest of your career not quite so charmed. Now is not the time to rest on your laurels. Now is a time to dig the garden! | ||
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| | #16 | |
| Gear nut Joined: May 2006 Location: Oxford, Mississippi
Posts: 88
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| | #17 | |
| Gear addict Joined: Jan 2008 Location: Miami, Florida
Posts: 347
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| | #18 |
| Lives for gear Joined: Dec 2007 Location: Wiltshire, UK
Posts: 638
Thread Starter |
Everyone is right to give me a stern grounding. It's important. The point in my last post was that this isn't as impossible a thing to try as it would going to, say, a bank - there is no way I could pull off getting money from a bank and paying it on time every time. People were right to warn me of the perils of something like that. I don't mean to sound lax, I'm taking the plan and finances I've written very seriously, and will do so for the duration of my time at this studio. I DID however want to emphasize that I have found a very fortunate situation where a studio is a very good idea for this funding body. Maybe a little too much pessimism here, but the comments are all reasonable. I'll keep you updated whether it's all good or not. Could go either way. Now to make the ultimate wish list |
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| | #19 | |
| Gear addict Joined: Jan 2008 Location: Miami, Florida
Posts: 347
| Quote:
I think you are over optimistic. I think some of what you listed as expenses are not necessary and have no real bearing on creating a profit. I think your list of possible income is too broad to be seriously implemented on the scale your project seems to be. I have been here. I started my studio boot strapping from the ground up. I wrote a business plan a few years ago and turned down a $30,000 investment because the terms that the investors wanted in return were totally unacceptable for me. I think i gave you some good points in my previous posts. I have yet to hear what you have attempted to change or improve from your original thoughts. | |
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| | #20 |
| Lives for gear | |
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| | #21 |
| Gear nut Joined: May 2006 Location: Oxford, Mississippi
Posts: 88
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Savernake, I mean no disrespect, but do you have much experience working in the music business? Engineering, managing, etc. The more I read this thread, the more your viewpoint seems to be more theory than application. Almost as if pulled from a book. Again, I'm not trying to rain on your parade, I'm just curious as well as concerned.
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| | #22 |
| Gear Guru Joined: Aug 2005 Location: underground railroad
Posts: 13,396
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| | #23 |
| Lives for gear Joined: Dec 2007 Location: Wiltshire, UK
Posts: 638
Thread Starter |
There's some really negative thinking in this thread now, where's the encouragement? Taproot, I am a young graduate. I have worked hard for years getting high-end industry placements and now I'm free from Uni to work hard, I'm aiming high. I'm surprised at the lack of encouragement here, considering all most other graduates do is beg for internships expecting things to happen for them for free. I'm working hard, I will probably make mistakes but I will to my best to find the right opportunities and make things work out. Rkwyent, don't assume that the sum of this whole project and the ever changing developments can be summed up in a daily report for you. I appreciate the advice as I do from everyone but just because I don't reply to every specific point doesn't mean things aren't moving forward for the better. Eventually i will be able to reveal why this is a low risk business opportunity. Until then, get over it! |
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| | #24 |
| Lives for gear Joined: Dec 2007 Location: Wiltshire, UK
Posts: 638
Thread Starter | |
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| | #25 | |
| Gear nut Joined: May 2006 Location: Oxford, Mississippi
Posts: 88
| Quote:
![]() I'm trying to get across that a traditional business plan will almost never apply in the music business. Specifically with studios, because the income can be so volatile and come from sometimes odd, unpredictable sources. When I submitted my business plan for my place six years ago, the banker looked at me like I was crazy! I put in $0 income months and some months, $10,000+. Also, the almost non-existent advertising budget blew their mind. All based on experience. They gladly gave me the loan and told me point blank that the only reason I got it was because I demonstrated a true working knowledge of an obviously whacky business. In a nutshell, I'd like to help you with a business plan that will work, not one that just "looks" impressive. If you don't use the "zero liability" as a crutch, you can take this opportunity to amazing heights if you do it right. Last edited by Taproot; 3rd August 2008 at 05:23 PM.. Reason: better wording | |
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| | #26 |
| Lives for gear Joined: Dec 2007 Location: Wiltshire, UK
Posts: 638
Thread Starter |
Wasn't referring to you when I said about negative people, your constructive feedback is what I want to hear!
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| | #27 |
| Gear nut Joined: May 2006 Location: Oxford, Mississippi
Posts: 88
| Fair enough. That's what I'm talking about. It's hard to understand a keyboard sometimes. Best of luck to you and I'll stay subscribed to this thread for updates.
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| | #28 | |
| Gear addict Joined: Jan 2008 Location: Miami, Florida
Posts: 347
| Quote:
Anyway good luck and don't ask for advise unless u can disclose enough information so the sum of the venture can be evaluated. I only answered according to the info you provided. Go on with the silver spoon in your mouth and the red carpet rolled out for you. Some people have to do it right the first time or they don't get another chance. At least thats the world i live in. GoodBye | |
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| | #29 |
| Gear interested | Run run like the wind
Just joking. Young blood how long have you been in the field of music? what's your claim to fame? IE: Have you been to an audio engineering school,have you produce records or even worked in a recording studio? The reason I ask is just to get to know where your coming from,so I can give you the best sound advice about owning your own studio. I work in a small recording studio now,for that "SMALL" side paper. It helps when I want to buy a red bull or get a hair cut. Whats your true passion? If it's producing music, brother I'm going to run it to you right LEAVE THIS SHIT ALONE. Are you going to be doing the engineering work or do you have somebody else to do it? See this is were you have to be honest with yourself. DO YOU LIKE PEOPLE? DO YOU LIKE DEALING WITH THE IGNORANCE OF MAN OR WOMEN? If you do, then owning a studio is for you,if not just build yourself a private studio and enjoy making the music you like and get your money on. Now. I know thats not what you want to hear,YOU SEEM VERY HELL BENT ON GETTING THIS STUDIO POPPING. Scrap.....The business plan is the least of your troubles. It's the clientel your going to encounter. Some days I want to JAP n artist, for not using their ears and their brains. True story scrap. Now if you can deal with the people that your going to be encountering, then brother DO IT!!! GO FOR IT!!! but if you have a short temper and your patience is thin. Don't waste your time or the investors. You will only drive yourself to hit a couple of those white lines, on a jay-z album cover, venting to your homeboy, who really don't give damn all he want to know is, where the hoes at. Yeah man studio owning is very serious,and you will be spending a lot more money than making money. Just make sure you have another stream of income to hold you down so when it slows up, OHHHHH AND IT WILL SLOW UP, DON'T GET IT "YOUNG BUCK" CONFUSED Anyway best of luck to you and may the U87 be with you. @ least n your mind. |
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| | #30 |
| Lives for gear Joined: Dec 2007 Location: Wiltshire, UK
Posts: 638
Thread Starter |
Thanks for the 'advice' some months ago (and to the encouragement from NeekRusher). Some unusually harsh responses but criticisms accepted. I didn't want this to be one of those threads where it seems like it all just failed and went quiet, because we've got £25,000 coming in this week (plus much more on the way, ka-ching!) so it's all still happening. I'm about to make a thread over the afternoon (slowly adding bits to the list while I give everything a newer price check) with the final equipment list incase anyone has advice on how it could be tweaked before the big buy. The reason it's a low risk venture is because it's not my money. It's the governments money, this is a recording studio in a youth club that is totally dead, and almost a year ago I worked my way into a position where I could take it on myself as a manager. Several funding applications later, we have the money coming in, the first of which is the 25k. The studio's not been looked after in the past, but with this budget I can start from the ground up and really make something of it. Sorry to be all 'mystique' about it before, I know it must have sounded like bullshit but I'm glad to be able to explain it all now. |
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