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Old 7th June 2012   #1
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Verify my testing procedure

Hello fellow acoustislutz,

I am going to be making a thread hopefully this next weekend depicting my results from my acoustic treatment in my bedroom studio. I will be taking multiple test measurements of the room, but I wish to address these issues before I go ahead and render my tests useless.

In my thread I will include pictures of my traps, sketchup renderings of my traps, sketchup files of my traps (with properly labeled components), pictures of my room, renderings of my room, and sketchup files for my room, and 10 set-up measurements done with REW - frequency response, waterfall, and the actual REW files, as well as the plain IR wav file for each measurement.

I have:
Four 4' x 15" x 15" soffits made of R30 (stacking two on top of each other for full floor-to-ceiling traps on my front wall-wall corners)
Five 24" x 48" x 4" thick + 3" airgap absorbers made from Johns Manville Linacoustic RC - noted as "wall traps"
Two 24" x 48" x 6" thick absorbers made from Roxul's infamous 2.5pcf mineral wool fire batts - used behind my monitors as "sbir traps"

This is a list of the measurements I will be taking:
  1. My room before Gearslutz - with no traps
  2. Orientation of things in the room after reading the acoustics section (current orientation) - with no traps
  3. w/ soffits
  4. w/ 'sbir' traps
  5. w/ wall traps
  6. w/ soffits & sbir traps
  7. w/ soffits & wall traps
  8. w/ sbir & wall traps
  9. w/ soffits, sbir, & wall traps
  10. w/ soffits, sbir, & wall traps, but speakers placed all the way against the front wall with the sbir traps placed elsewhere

I will be doing three tests per set up:
L speaker
R speaker
Both speakers

I will be showing the full 20-20k FR of each set up by using the L & R speaker average, at 1/24th octave resolution.

I will also show the waterfall at each set up, using the test that was driven by both speakers, no smoothing. Probably will show 30hz-300hz.

I have two Behringer ECM8000s at my disposal. Now, I have seen tests done with the mic in a tri-corner (usually, ceiling-wall-wall corner) - why is this done? Is this something I should employ while testing my room? I tried to find the answer but had no luck. If its possible in REW, I could measure with both mics at the same time - one in the 'sweet spot' and one in a tri-corner in my room.

Should I use the windscreen with the Behringer ECM8000?

Can I run a test with REW using two microphones at once, rendering different graphs?

How far down in level does a resonance have to be before the effect is negligible? Like, if all resonances are ~50db under the frequency response, how good is that?

Where else should I place the "sbir traps" for test #10? They were my first absorber and have 2x6s as the base and top, and 2x2 posts in the corners - they're heavy as hell, so I'm not going to try to wall mount them.

What other advice could you give me so that I can present this information clearly in a thread so we can derive the performance of the setups easier?

Lastly, is there any errors in testing this way, or is there anything I should take care while doing that could potentially render these tests useless?

Attached is a rendering of the room with all the treatment up, as it stands now.
Attached Images
File Type: png kasmira_studio_-_wall-sbir-soffit.png (239.8 KB, 113 views)
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Old 7th June 2012   #2
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Originally Posted by kasmira View Post
Now, I have seen tests done with the mic in a tri-corner (usually, ceiling-wall-wall corner) - why is this done?
You can couple to all room modes from a tri-corner. So for measuring modal response the loudspeaker should be placed in a lower corner and the mic in the diagonally opposite upper corner.

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Originally Posted by kasmira View Post
Should I use the windscreen with the Behringer ECM8000?
Only if there is a breeze in your room, also I wouldn't bother with calibration files in REW for the mics especially as this is a comparison test for the same room.
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Old 7th June 2012   #3
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Originally Posted by Dange View Post
You can couple to all room modes from a tri-corner. So for measuring modal response the loudspeaker should be placed in a lower corner and the mic in the diagonally opposite upper corner.

Only if there is a breeze in your room, also I wouldn't bother with calibration files in REW for the mics especially as this is a comparison test for the same room.
Thanks for the pointers, Dange! Also, at a breeze in my room - I will have to save that one for later!
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Old 7th June 2012   #4
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it's useful to capture the "room" response with the opposite corners but if this is a critical listening room, then you'll want to make the majority of measurements @ the listening position(s). once you set up the corner traps your corner to corner measurement will be skewed somewhat but ultimately should show you how the treatments have affected the room in total, the listening position tests will ensure not only proper frequency and phase response, but also reflections.
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Old 7th June 2012   #5
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Quote:
Four 4' x 15" x 15" soffits made of R30 (stacking two on top of each other for full floor-to-ceiling traps on my front wall-wall corners)
Having 4 traps in a room is a good start but that is really all it is, so don't look for outstanding results. There is a reason why Ethan has 40 traps or so in his room. Kidding you don't need that much, but just saying. Also 15"x15" are kind of small. Yes they will work but...........................
If I where you I would not worry about the SBIR for now and put all of those traps you have now in corners (straddle the panels). Then follow up with MORE panels for the early reflection points. Measure (actually measure before hand to see progress), see how things look, then treat from there.
Not sure why you want to measure with 2 mics. All that matters is the mix spot. Focus on that for now.

edit.. I just got a note from someone about my comment of "4" traps. What I mean is covering floor to ceiling in only 2 corners. I ASSumed he made each soffit trap 4' high and his ceiling is 8'.
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Old 7th June 2012   #6
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BIR

The Spectrum Analyser in REW can be used for an instant hit.
This is especially useful for quick BIR warnings.
e.g run the analyser no smoothing, with the special Pink supplied in REW.
Move the speakers towards and away from local boundaries. All becomes revealed instantly. Write down the warnings, i.e. deep nulls.
I don't think REW can do multichannel Recording.
FuzzMeasure can.

DD
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Old 9th June 2012   #7
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Quote:
Originally Posted by gullfo View Post
it's useful to capture the "room" response with the opposite corners but if this is a critical listening room, then you'll want to make the majority of measurements @ the listening position(s). once you set up the corner traps your corner to corner measurement will be skewed somewhat but ultimately should show you how the treatments have affected the room in total, the listening position tests will ensure not only proper frequency and phase response, but also reflections.
Thanks for the info Glenn! I will be doing my measurements at listening position then.

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Originally Posted by Glenn Kuras View Post
Having 4 traps in a room is a good start but that is really all it is, so don't look for outstanding results. There is a reason why Ethan has 40 traps or so in his room. Kidding you don't need that much, but just saying. Also 15"x15" are kind of small. Yes they will work but...........................
If I where you I would not worry about the SBIR for now and put all of those traps you have now in corners (straddle the panels). Then follow up with MORE panels for the early reflection points. Measure (actually measure before hand to see progress), see how things look, then treat from there.
Not sure why you want to measure with 2 mics. All that matters is the mix spot. Focus on that for now.

edit.. I just got a note from someone about my comment of "4" traps. What I mean is covering floor to ceiling in only 2 corners. I ASSumed he made each soffit trap 4' high and his ceiling is 8'.
Firstly, you ASSumed correctly (But I think the note that you received is because I have 4 soffits, as well as 7 other traps). I made four 4' tall soffits, and will be stacking one on another, so my two front wall-wall corners will have the soffits in them. I realize that 15" soffits aren't the best you could do - but my frequency response was already pretty good in my room, and it was the only practical size. For 17" I'd have to chop a fiberglass bat in half, then in half diagonally, then in half diagonally again...wouldn't be fun to do. I also toyed with the idea of 24" soffits, but 15" wide rolls were on sale for $12, which was enough to make all four soffits. Couldn't pass up that deal.

I have 11 traps in total. 4 soffits, 5 four inch thick + three inch airgap, and 2 six inch deep traps. The soffits honestly didn't do a ton of damage but they still helped. I think they would work MUCH better in the back corner of my room as that's where my big 55hz resonance is built up at, but I unfortunately can not place them back there.

Also, I didn't necessarily want to or assume I needed to use two mics. I just have two of them, so I wasn't sure if I could use both of them to benefit the testing set up.

Thanks for the response Mr. Kuras

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Originally Posted by DanDan View Post
The Spectrum Analyser in REW can be used for an instant hit.
This is especially useful for quick BIR warnings.
e.g run the analyser no smoothing, with the special Pink supplied in REW.
Move the speakers towards and away from local boundaries. All becomes revealed instantly. Write down the warnings, i.e. deep nulls.
I don't think REW can do multichannel Recording.
FuzzMeasure can.

DD
Forgive me for addressing your post backwards:

I don't have a Mac, so I can't use FuzzMeasure, but thanks for the tip on that.

I have so much trapping around my speakers, I feel like I really don't have too much bias coming from BIR, but I haven't played with the math yet to exactly see around what frequency I should be looking around. The 55hz modal resonance is easily my biggest problem, but even then its down 40db within 200ms. Is 40db down a pretty decent start to knocking it down there?

I've used the spectral analyzer in REW but did it with a sine wave - but I didn't do it to position my speakers. I'll keep the pink noise in my mind for when I do tests to find the optimum listening position.

Thanks for all your advice so far in my journey, Dan, its greatly appreciated!
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Old 10th July 2012   #8
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Bump.

I'm getting my new monitors (Event 20/30s) hopefully on Wednesday. I wanted to wait on these tests as my current speakers (Rokit 5s) completely die below 50hz. I will be making these measurements within the next few weeks when I have time.

Until then, does anyone care to chime in about how to properly position a mic for testing? I know the obvious bit about not moving it - the mic stand will stay in the same place the entire time, but I'm not sure on how to place it at listening position properly to stay away from comb filtered effects from both speakers. I want an accurate ETC measurement in this process. Thanks for any links or help anyone can provide!
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Old 10th July 2012   #9
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BIR

Quote:
I feel like I really don't have too much bias coming from BIR
The biggest BIR NULLS often come from the back wall.

For a full Modal picture place a speaker on the floor in the front corner (or both). Place the mic in the opposing back corner, on the floor or at the ceiling.
For Frequency Response place the mic where your ear is. Drive one speaker only, and there will be no comb filtering from the speakers at least.

DD
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Old 4th October 2012   #10
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Bumping for data. How is this project progressing?
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Old 8th October 2012   #11
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Though I've ran a few tests myself, I haven't had time to take everything out and do multiple measurements unfortunately. I really do want to publish the results so people can know what to expect from *some* treatment in a room.

Right now I'm currently doing some tech stuff (wiring up some patchbays, fixing the routing situation, etc) at a friend's studio, along with building him 16 - 2'x4' absorbers, full 16" x 16" floor to ceiling corner traps, and 4 - 4'x8' gobos for his 27' x 12' studio, along with working three jobs (plus producing) so my head will explode if I add anything else
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