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| | #1 |
| Gear addict Joined: Jan 2008 Location: land of the lost
Posts: 463
Thread Starter | thinking about building tube traps for around my drumkit?
so i was originally gonna build 2 gobos to go around my drums, but now thinking that i might want to do tube traps. I figure i could use them for vocal recording too because i do not have a dedicated vocal booth, just a DIY PVB and a 3 panel room divider with 2" auralex crap on it(it works well for isolation for vocals tracks, but i think there is a 400hzish buildup?) Also I will have a 2' superchunk behind the drumkit, and first reflections covered with 2" DIY traps ...anyway what do you guys think?
__________________ Mike Radzimski- FULL LENGTH AUDIO "Cause Sound Matters!"...Owner/Operator |
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| | #2 |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 12,007
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I would stick with the panels as something round is not really going to help any better and cover far less area.
__________________ Glenn Kuras GIK Acoustics USA GIK Acoustics Europe 770 986 2789 (USA) +44 (0) 20 7558 8976 (UK) See the NEW Scopus Tuned Trap |
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| | #3 |
| Lives for gear | |
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| | #4 |
| Gear addict |
Trying to be like Bruce Swedien? ![]() Is this for acoustic treatment or soundproofing? |
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| | #5 |
| Gear addict Joined: Jan 2008 Location: land of the lost
Posts: 463
Thread Starter | |
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| | #6 |
| Gear addict Joined: Dec 2009 Location: Akershus,Norway
Posts: 339
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do you mean "quick sound field"? ASC Quick Sound Field for Control Room and Mix Environments, You could make some poly diffusors and place them on stands, it is eaysier than making tube traps. |
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| | #7 |
| Gear addict Joined: Dec 2009 Location: Akershus,Norway
Posts: 339
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You could make them with 4mm veneer and fill them with wool, it would probably work similar to having the reflective side of the tube trap towards the drums.
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| | #8 |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 12,007
| I would not recommend it as all you are doing to creating reflections that could cause comb filtering. Like I said you are better to just make panels and put around the drums. Has been that way for many many years.
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| | #9 |
| Gear addict Joined: Dec 2009 Location: Akershus,Norway
Posts: 339
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There are different kinds of comb filtering, bad combfiltering give "box klang farbe" effect (is there another english term?) making these early reflections diffuse, will reduce the "box klang farbe" effect. http://www.akutek.info/Papers/TH_Coloration2001.pdf Placing the poly`s at different distance to the overheads will also aid in tempral diffusion, thus lowering "negative" combfiltering further and possibly add some interesting coloration. Personally I trust the ears when it comes to these things, I have tried a setup with qrd`s close by, and I liked it. another important point is that the early reflections the drummer get can make for a more inspired performance. If it does not work out in the room, one can place the polys further away. It doesn`t hurt having polys on stands available in a live room. |
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| | #10 | |
| Gear addict Joined: Dec 2009 Location: Akershus,Norway
Posts: 339
| Quote:
There are psychoacoustic studies verifying that musicians find early diffuse reflections positive. | |
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| | #11 |
| Lives for gear | |
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