Do I "REALLY" need a sound cloud over my mixing area?? - Gearslutz.com

Gearslutz.com

All Advertisers
Go Back   Gearslutz.com > The Forums > Studio building / acoustics


Do I "REALLY" need a sound cloud over my mixing area??

New Reply New Reply Thread Tools Search this Thread
Old 21st April 2011   #1
Gear Head
 
Joined: Mar 2011
Location: Philadelphia
Posts: 63

Thread Starter
Do I "REALLY" need a sound cloud over my mixing area??

I have an area I plan on using for mixing and tracking. The dimensions of the room are 20ft. x 14ft. As far as sound treatment, I plan on having 2" or 4" OC703 behind the montiors, in the corners as strabbled bass traps and on the back wall behind the mixing area. Do I REALLY need a sound cloud over the mixing area?? My celilings are only 7ft high, so I'm stuck in determining wheather or not a sound cloud will really make a big difference. Honestly, I'd rather not have to hang anything from the ceiling, but if it will make a world of difference, so be it. What to do guys?
Wilk is offline   Reply With Quote
Old 21st April 2011   #2
Lives for gear
 
avare's Avatar
 
Joined: May 2004
Location: Hamilton, On Canada
Posts: 3,699

A cloud will not have a significant effect on your mixing.

Significantly,
Andre
avare is offline   Reply With Quote
Old 21st April 2011   #3
Gear Guru
 
Glenn Kuras's Avatar
 
Joined: Jul 2005
Location: Atlanta, GA
Posts: 12,011

Quote:
Originally Posted by Wilk View Post
I have an area I plan on using for mixing and tracking. The dimensions of the room are 20ft. x 14ft. As far as sound treatment, I plan on having 2" or 4" OC703 behind the montiors, in the corners as strabbled bass traps and on the back wall behind the mixing area. Do I REALLY need a sound cloud over the mixing area?? My celilings are only 7ft high, so I'm stuck in determining wheather or not a sound cloud will really make a big difference. Honestly, I'd rather not have to hang anything from the ceiling, but if it will make a world of difference, so be it. What to do guys?
The reflection on the ceiling (and the side walls) is VERY important to deal with. See the following to understand early reflection points.
What Are Early Reflection Points. Spotlight on Bob Ebeling - Reflection Studio. GIK Acoustics Articles and Newsletters.
__________________
Glenn Kuras
GIK Acoustics USA
GIK Acoustics Europe
770 986 2789 (USA)
+44 (0) 20 7558 8976 (UK)

See the NEW Scopus Tuned Trap
Glenn Kuras is online now   Reply With Quote
Old 21st April 2011   #4
Gear Head
 
Joined: Mar 2011
Location: Philadelphia
Posts: 63

Thread Starter
Glenn,
I read the link you posted. I am fimiliar with the mirror trick and the importance of absorbing the early reflection points, but in my circumstances (considering the dimensions of the room and height of the ceiling), do you feel that the absence of a sound clooud over the mixing area will be a major disadvantage when it comes to mixing? My though is...becuase the ceiling is only 7ft. high the reflection point above will be more of an issue, oppose to having a 9 or 10 ft. ceiling.
Wilk is offline   Reply With Quote
Old 21st April 2011   #5
Gear Guru
 
Glenn Kuras's Avatar
 
Joined: Jul 2005
Location: Atlanta, GA
Posts: 12,011

The lower the ceiling the worse the reflection. Trust me you will notice a difference, in a good way.
Glenn Kuras is online now   Reply With Quote
Old 21st April 2011   #6
Lives for gear
 
avare's Avatar
 
Joined: May 2004
Location: Hamilton, On Canada
Posts: 3,699

Quote:
Originally Posted by Glenn Kuras View Post
The reflection on the ceiling (and the side walls) is VERY important to deal with. See the following to understand early reflection points.
I have fallen into the same trap in tha past of not reading exactly what was asked.

The OP asked about clouds over the mixing area. Not at first reflections points. Also, the OP did not detail by clouds absorbers or diffusers were meant. I ignored that part because it is not germaine to directly over the mixing area. If the question was about first reflection points, the answer would have obviously been yes.

Great link for people BTW. Sort of like everything that you do. thumbsup

Cloudily,
Andre
__________________
Good studio building is 90% design and 10% construction.
avare is offline   Reply With Quote
Old 21st April 2011   #7
Gear Guru
 
Glenn Kuras's Avatar
 
Joined: Jul 2005
Location: Atlanta, GA
Posts: 12,011

Quote:
Originally Posted by avare View Post
I have fallen into the same trap in tha past of not reading exactly what was asked.

The OP asked about clouds over the mixing area. Not at first reflections points. Also, the OP did not detail by clouds absorbers or diffusers were meant. I ignored that part because it is not germaine to directly over the mixing area. If the question was about first reflection points, the answer would have obviously been yes.

Great link for people BTW. Sort of like everything that you do. thumbsup

Cloudily,
Andre
Glenn Kuras is online now   Reply With Quote
Old 21st April 2011   #8
Gear Head
 
Joined: Mar 2011
Location: Philadelphia
Posts: 63

Thread Starter
Cloud (I have in mind) = 2" or 4" panels made of OC703. with a 2" inch gap from the ceiling positions directly over the chair for the mixing station.

Ok so, there will in fact be a significant difference in how you hear the mix/music with a cloud over the station. A differnece for the better.
Wilk is offline   Reply With Quote
Old 22nd April 2011   #9
Lives for gear
 
RKrizman's Avatar
 
Joined: Jun 2002
Location: Santa Monica, CA
Posts: 6,601

I think common sense would say to put the ceiling absorbent midway between the chair and the monitors.

-R
RKrizman is offline   Reply With Quote
Old 22nd April 2011   #10
Lives for gear
 
audiothings's Avatar
 
Joined: Apr 2004
Location: Chennai, India
Posts: 1,257

Of late people here have been speaking often about low density insulation being more effective in deeper traps and higher density insulation being more effective in shallower traps. Going by this and considering your very low ceiling, you might want to consider a 2" cloud of OC705 (96 Kg/m3) with a 2" air gap.

I think that a cloud will make a very significant difference to how your room sounds, and that you you will certainly appreciate the difference... but your original question is a bit nebulous. You don't "REALLY need" this stuff any more than a fish needs a bicycle.
audiothings is offline   Reply With Quote
Old 22nd April 2011   #11
Lives for gear
 
DanDan's Avatar
 
Joined: Aug 2003
Location: Cork Ireland
Posts: 6,827

Clouds

I have found Clouds to be one of the most sonically apparent treatments.
It may be easiest in your case to screw a frame directly to the ceiling. Go for as much depth as you can. 4-6 inches fibre is best but fibre with gap is very nearly as good.
Corners corners corners.
Absorption behind speakers is not a banker though. It depends...
See room treatment articles at GIK RealTraps Studiotips.com johnlsayers jhbrandts......All say corners, all say back wall, all say side and overhead reflection treatment.

DD
DanDan is online now   Reply With Quote
Old 22nd April 2011   #12
Lives for gear
 
Rod Gervais's Avatar
 
Joined: Jul 2003
Location: Central Village CT
Posts: 1,687

Quote:
Originally Posted by Wilk View Post
Cloud (I have in mind) = 2" or 4" panels made of OC703. with a 2" inch gap from the ceiling positions directly over the chair for the mixing station.

Ok so, there will in fact be a significant difference in how you hear the mix/music with a cloud over the station. A differnece for the better.
Wilk,

That is not what was said - not at all.

What was said (Glenn, Andre. DanDan, etc) was that the first reflections off the ceiling are critical........

Unless the reflection points from the speakers are directly over your head - you do not need a cloud over your head........ over the board perhaps (again depending on the mirror) - but nothing that would make you feel claustrophobic.

Rod Gervais
Director of Education
GIK Acoustics
Gik Acoustics USA
Gik Acoustics Europe
Tel.(US)1.888.986.2789
Tel.(UK)+44(0)20.7558.8976
Rod Gervais is online now   Reply With Quote
Old 22nd April 2011   #13
Lives for gear
 
gullfo's Avatar
 
Joined: Sep 2007
Location: Old Tappan, NJ USA
Posts: 739

to add on, the "cloud" doesn't necessarily need to be a single unit at a single height or angle so you can fit it as needed.
Attached Thumbnails
Do I "REALLY" need a sound cloud over my mixing area??-example-room-cloud-options.jpg  
__________________
Glenn

www.runnel.com
gullfo is offline   Reply With Quote
Old 23rd April 2011   #14
Gear Head
 
Joined: Mar 2011
Location: Philadelphia
Posts: 63

Thread Starter
Quote:
Originally Posted by DanDan View Post
I have found Clouds to be one of the most sonically apparent treatments.
It may be easiest in your case to screw a frame directly to the ceiling. Go for as much depth as you can. 4-6 inches fibre is best but fibre with gap is very nearly as good.
Corners corners corners.
Absorption behind speakers is not a banker though. It depends...
See room treatment articles at GIK RealTraps Studiotips.com johnlsayers jhbrandts......All say corners, all say back wall, all say side and overhead reflection treatment.

DD
Would it be more effective if with the air gap or without? I was under the impression the bass trap is more effective with a gap between it and the ceiling
Wilk is offline   Reply With Quote
Old 23rd April 2011   #15
Lives for gear
 
DanDan's Avatar
 
Joined: Aug 2003
Location: Cork Ireland
Posts: 6,827

How much

Depends. 1 inch fibre plus 5 inches of gap vs 5 inches of fibre plus one inch of gap. Or six inches of fibre or six inches of gap. Which would you take?
DD
DanDan is online now   Reply With Quote
Old 29th April 2011   #16
Gear addict
 
Joined: Apr 2010
Location: Emmett, ID
Posts: 458

I built a cloud over my mix desk out of a 2x4 frame and R30 pink fluffy insulation, compressed down and covered in fabric. It made a huge difference in the clarity of my monitoring and led to better mixes. The panel is probably 8 or 9" thick and I have it hanging down about 8" or so from the ceiling.

2" of OC 705 right on the ceiling would probably be adequate since you don't have a lot of headroom. Use the corners of your room for your bass trapping.
hossman777 is offline   Reply With Quote
Old 1st May 2011   #17
Lives for gear
 
Joined: Feb 2009
Location: Jakarta, Indonesia
Posts: 2,715

Send a message via Yahoo to jhbrandt Send a message via Skype™ to jhbrandt
Quote:
Originally Posted by Wilk View Post
Would it be more effective if with the air gap or without? I was under the impression the bass trap is more effective with a gap between it and the ceiling
Wilk,

IF you have the room, an air gap will improve or extend the LF absorption. In other words, the air gap will cause the absorber to perform almost as though the full depth were filled with absorption material.
If you do not have the space, (7' is pretty low already), placing it directly on the ceiling is fine.

As Rod said before, you don't need a cloud over your head but only at reflections points. Download my 'First Reflection Calculator' from my publications page - it makes panel placement easy.

Cheers,
John
jhbrandt is offline   Reply With Quote
Old 3rd May 2011   #18
Gear Head
 
Joined: Mar 2011
Location: Philadelphia
Posts: 63

Thread Starter
Quote:
Originally Posted by jhbrandt View Post
Wilk,

IF you have the room, an air gap will improve or extend the LF absorption. In other words, the air gap will cause the absorber to perform almost as though the full depth were filled with absorption material.
If you do not have the space, (7' is pretty low already), placing it directly on the ceiling is fine.

As Rod said before, you don't need a cloud over your head but only at reflections points. Download my 'First Reflection Calculator' from my publications page - it makes panel placement easy.

Cheers,
John

Thanks! Checking out the link now.
Wilk is offline   Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
Need a little help with my mix mattyblue Work In Progress / Advice Requested / Show & Tell / Artist Showcase / Mix-Offs 8 12th January 2012 12:00 AM
I need some PRO advice about my mixing DND-NS Work In Progress / Advice Requested / Show & Tell / Artist Showcase / Mix-Offs 0 15th September 2009 08:01 PM
Need advice: What's wrong with my mix? SCDBM Work In Progress / Advice Requested / Show & Tell / Artist Showcase / Mix-Offs 0 18th April 2009 03:53 PM
?Using A/D D/A on live sound to better the mix... primomusic Remote Possibilities in Acoustic Music & Location Recording 17 10th February 2005 09:15 AM
need some advice/critique on my mix tjkili Work In Progress / Advice Requested / Show & Tell / Artist Showcase / Mix-Offs 4 3rd November 2004 09:43 PM


All times are GMT +1. The time now is 01:54 PM.

Home - Search Forum - Contact Us - Terms Of Use - Advertise on Gearslutz - All Advertisers - Archive - Top
 
 
Powered by vBulletin®
Gearslutz.com LTD - UK Company Number 7597610.
Registered Office - 35 Ballards Lane, London, N3 1XW.
Hosted by Nimbus Hosting.

SEO by vBSEO ©2010, Crawlability, Inc.