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| | #1 |
| Psychoacoustician Joined: Feb 2005 Location: AZ USA
Posts: 434
Thread Starter | Outside Effect Of A Treated Room
I've never done any measurements on this, but have always been curious... If I were to add significant bass trapping, broadband absorption, and diffusion in a typical 2nd-level bedroom that's approximately 13W x 12D x 9H, how would this effect the sound outside the room (both inside and outside of the house)? Would there be any change? The initial goal is not to effect the outside, by the way, although I may find later the outside levels to be bothersome, which will need to be taken care of. |
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| | #2 |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 12,011
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Not enough to make any kind of "sound proofing" difference.
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| | #3 |
| Psychoacoustician Joined: Feb 2005 Location: AZ USA
Posts: 434
Thread Starter |
Yes, that's why I didn't say those words (sound proofing). I'm just wondering if the sound would change, if at all. Thanks. |
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| | #4 |
| Lives for gear Joined: May 2004 Location: Hamilton, On Canada
Posts: 3,699
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| | #5 |
| Gear nut Joined: Jul 2010
Posts: 108
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I believe the experts here and I know acoustics is a complex topic but I'm curious too... Wouldn't broadband absorbers placed in front of flanking paths reduce some high end sound transmission, at the very least? Like, if ductwork running through a room is a weak point in terms of isolation, and 4" of 703 was placed in front of the ductwork, it would make sense that this would be a sound barrier of sorts...? Again, I'm basing this entirely on assumptions and have very little experience with isolation. |
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| | #6 |
| Registered User Joined: Dec 2009
Posts: 2,622
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One might wonder why we tend to dismiss and occasionally find humorous the erroneous confusion of the use of sound transmission/isolation techniques to someone effect beneficial changes within a room. But when the converse is considered, and the internal acoustical treatment is the focus, then suddenly its impact on sound isolation and transmission suddenly assumes a viable - and serious - source of considerable consideration. But then... considering that most treatment is oriented at frequencies where there is only moderate energy content while other lament the fact that NRC and STI figures are of limited use to the full range of music frequencies where much greater energy content abides... |
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| | #7 | |
| Lives for gear Joined: May 2004 Location: Hamilton, On Canada
Posts: 3,699
| Quote:
Andre
__________________ Good studio building is 90% design and 10% construction. | |
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| | #8 |
| Psychoacoustician Joined: Feb 2005 Location: AZ USA
Posts: 434
Thread Starter |
I know, first hand, the benefits of a well-treated room. I just find it interesting how such a profound effect within the treated room would have little or negligible effect outside the room. I'm guessing the reason is that the internal treatment has little effect on what gets transmitted to the perimeter walls, which will continue to act as reproductive devices themselves, as heard from outside the room. Conversely, I'd imagine that a very absorptive room would sound different than the same room with no absorption from outside of the room IF a large part of what you are hearing wasn't from architectural transmission (i.e. sound escaping from underneath a door, for example). |
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| | #9 | |
| Lives for gear Joined: May 2004 Location: Hamilton, On Canada
Posts: 3,699
| Quote:
Andre | |
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| | #10 | |
| Gear nut Joined: Jul 2010
Posts: 108
| Quote:
I meant an actual duct going through the studio, feeding the rest of the building (rather than a vent)exact fact, that's exactly what I have in mine :p | |
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| | #11 |
| Lives for gear Joined: May 2004 Location: Hamilton, On Canada
Posts: 3,699
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