Gearslutz.com
All Advertisers

Go Back   Gearslutz.com > The Forums > Studio construction & acoustics > Studio building / acoustics

Reply
 
Thread Tools Search this Thread Rate Thread Display Modes
Old 30th November 2009, 10:14 PM   #1
DaFuente
Gear interested
 
Join Date: Dec 2008
Location: Atlanta, GA
Posts: 15
Help Me Interpret a Few Waterfalls

I've just finished the first phase of treating my room and I'm unsure of how to interpret the resulting waterfall graphs. The room is small (10x12x8), so I basically had to treat every single surface (4" 703 straddling the corners, 4" around the RFZ, 2" around the back. The result is a dead room that is great for mixing and mastering. Modal issues are still there, but nowhere near the magnitude they once were. I'm hoping to install some panel traps soon to target them.

Anyway, Fuzzmeasure defaults to -102 db as the baseline, but my signal seems to be around -15 at the max. Do I really need to worry about an 87db drop, or should I focus more on a drop of around 60 (putting it at -75 db)?

Here's some charts showing what I mean. For the untreated room you have to bring it out to about 4000ms to see the end of the mountain. This are all with 1/12 octave smoothing.

Default Fuzzmeasure graph of untreated room:


Fuzzmeasure graph of untreated room at -75db:


Default Fuzzmeasure graph of TREATED room:


Fuzzmeasure graph of treated room at -75db:


Hope all this makes sense. Looking forward to your suggestions.
DaFuente is offline   Reply With Quote
Old 1st December 2009, 06:41 PM   #2
Ethan Winer
Lives for gear
 
Ethan Winer's Avatar
 
Join Date: Oct 2002
Location: New Milford, CT, USA
Posts: 9,208
Lightbulb

Clearly, the treated version is much better.

I usually display waterfalls up to 300 Hz or maybe 400 Hz max, and set the vertical range to 30 dB or maybe 40 dB max. This makes it easier to see the important part of the decays.

--Ethan
__________________
The acoustic treatment experts
Ethan Winer is offline   Reply With Quote
Old 1st December 2009, 09:09 PM   #3
Weasel9992
Lives for gear
 
Weasel9992's Avatar
 
Join Date: Jun 2006
Location: Savannah, GA
Posts: 3,699
Send a message via AIM to Weasel9992
Holy cow...that's a big difference. That room is looking pretty good!

Frank
__________________
Frank Oesterheld - GIK Acoustics
GIK Acoustics
1-888-986-2789 (US)
(+44) 020 7558 8976 (UK)
Skype: gik.acoustics


Weasel9992 is online now   Reply With Quote
Old 2nd December 2009, 12:23 AM   #4
DaFuente
Gear interested
 
Join Date: Dec 2008
Location: Atlanta, GA
Posts: 15
It's great so far! I actually did the project as my master's thesis, so I pulled out all the stops. AND it gave me an excuse to build a room that works as a studio.

As soon as I'm done (defending on Dec 17), I will post a thread on the build.

Oooh, quick question. The literature would suggest that for a small room, RT60 is rather worthless. Fuzzmeasure will give you T20, T30, and EDT...are any of those viable for small rooms?

Thanks for the responses, guys.
DaFuente is offline   Reply With Quote
Old 2nd December 2009, 02:11 AM   #5
jhbrandt
Gear addict
 
jhbrandt's Avatar
 
Join Date: Feb 2009
Location: Jakarta, Indonesia
Posts: 368
Send a message via Yahoo to jhbrandt
Quote:
Originally Posted by DaFuente View Post
Oooh, quick question. The literature would suggest that for a small room, RT60 is rather worthless. Fuzzmeasure will give you T20, T30, and EDT...are any of those viable for small rooms?
Yes RTanything is rather worthless in small rooms. True.

What you are looking for is decay slope. You see the decay response of your treated room is very much better in the mid-rang and high, but there is still a long tail to the decay of the LF.

Of course it is caused by modal ringing, and I would suggest more bass trapping and maybe a little less absorption in the mids and highs to balance the decay. Your room then will not be so 'dead'. You could also add some diffusion elements to help the room sound larger and more natural.

Dead rooms really are not the best - they are only the best that some can do with given their circumstances.

Here is an interesting little paper I have just finished on the topic of modal decay. - comments are welcomed.

Cheers,
- John
__________________

John H. Brandt
Acoustics & Pro-Audio Electronics
Jakarta, Indonesia
see http://javakustik.com & http://jhbrandt.net
US tel. 734 469-7157

"Twenty thousand dollars worth of Snap-On tools does not make you a Professional Diesel Mechanic"
jhbrandt is offline   Reply With Quote
Reply

Bookmarks

Thread Tools Search this Thread
Search this Thread:

Advanced Search
Display Modes Rate This Thread
Rate This Thread:

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off


Similar Threads
Thread Thread Starter Forum Replies Last Post
FuzzMeasure Graph: Help Me Interpret! Jesse Mangum Studio building / acoustics 6 23rd November 2009 07:28 AM
DPC Latency checker - how to interpret results Lourson Music computers 1 27th May 2008 08:14 AM
Noise reduction coefficient - How do I interpret the numbers? NoizyNinja Bass traps, acoustic panels, foam etc 1 30th March 2008 03:47 PM
Help interpret room data ChaNce144 Bass traps, acoustic panels, foam etc 3 28th September 2007 09:25 PM


All times are GMT +1. The time now is 07:30 PM.


Powered by vBulletin®
Copyright ©2000 - 2010, Jelsoft Enterprises Ltd.
Search Engine Optimization by vBSEO 3.0.0