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| | #1 |
| Gear nut Joined: Sep 2006 Location: Europe
Posts: 108
Thread Starter | Could you please help me with placing my absorbers
Dear fellows Soon, I'll have my first little recording and mixing room. I added a picture of the situation. I have already built some nice DIY Absorber plates + 2 resonators (don't know the correct english term for that one. In German it's called Plattenresonator or Plattenschwinger) Were would you place those Absorber? ![]() 2x: 1.80m x 1m x 6cm accoustic Rockwool 3x: 2m x 1m x 6cm „“ 2x: 1m x 60 cm x 6cm „“ 1x bookshelf 2m x 2m 2x wooden resonator Hope someone has the time to help me! THANKS Middletom |
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| | #2 |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
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First, you should rotate your setup so you face the window at the bottom of the drawing when listening. More here: How to set up a room The above article also explains where to put absorbers for the side-wall and ceiling reflection points. Then you'll put bass traps in as many room corners as you can. You need more traps than you have now. Maybe 2 to 3 times more. A bookshelf is not acoustic treatment, so put it in the rear of the room, maybe along one of the side walls. I can't advise you on your resonator bass traps without seeing a photo or a better description. --Ethan
__________________ Ethan's audio book is now available! |
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| | #3 |
| Gear nut Joined: Sep 2006 Location: Europe
Posts: 108
Thread Starter |
Thanks Ethan It's great having such an experienced person to help me Of course I already know your site and your videos. And I read and watched them nearly all the way through some time ago. I've chosen the monitorposition that way round because I've heard in another thread that it is more important to have equal distance to the sidewalls than to the backwall. And because my room is L-shaped, I thought, this would be the best way to start. So I'll turn around the Mixingposition. Sweetspot is around 1.5m away from the window now. The bookshelf I thought could act as a sort of diffusor... maybe I was wrong in scientific terms...the resonator is a wooden box with Rockwool in it and on the front side, there's a thin plate, that resonates - if I remember correctly - around 60-70 hz. Which was a problem area as I did the testing after your Videoguide with a sinus sweep. Where would you place those? Could you please comment the new picture? Thanks! Middletom |
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| | #4 | ||
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
| Quote:
Quote:
The new layout looks much better. --Ethan | ||
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| | #5 |
| Gear nut Joined: Sep 2006 Location: Europe
Posts: 108
Thread Starter |
OK. I'll check it out. Thanks Ethan! Any other opinions? Middletom |
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| | #6 | |
| Lives for gear | Quote:
Frank
__________________ Frank | |
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| | #7 |
| Gear nut Joined: Sep 2006 Location: Europe
Posts: 108
Thread Starter |
I'm just wondering.. I believe, that he's absolutely right. I just heard a lot about live end, dead end... Wouldn't that be an option too? Or is it just an internet myth? ![]() Thanks for further comments. Middletom |
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| | #8 |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
|
Live end / dead end is sort of old school. It works fine! But it's not really necessary to make the entire front of the room dead. What matters most is treating the specific reflection points. Some pro studio designers like to keep the entire front of the room very live, but that requires side-wall angles of at least 30 to 35 degrees. You don't have space for that, so just stick what the tried and true. --Ethan |
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| | #9 | |
| Lives for gear | Quote:
Frank | |
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| | #10 |
| Gear nut Joined: Sep 2006 Location: Europe
Posts: 108
Thread Starter |
OK. Thank you guys. I'll set it up that way and do some measuring. Thanks a lot for your advice! Middletom |
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