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| | #1 |
| Gear interested Join Date: May 2006
Posts: 28
Thread Starter | Cathedral vs flat ceiling Hello all. I want to build a small garage-style studio (approx 20'x30'X12') on my property and I'm wondering if a cathedral ceiling would be better than a flat ceiling? I'll be recording acoustic instruments only (violin, cello, guitar). Thanks. |
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| | #2 |
| Lives for gear Join Date: Oct 2008 Location: Belgium
Posts: 635
| You mean a curved roof, like an inverted smiley? Since this would diminish the total number of corners in the room, theoretically it would be better I guess - though I'm a complete novice. |
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| | #3 |
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Yes, when all else is equal a higher ceiling is better than a lower ceiling, even if only part of the ceiling is higher. However, be aware that a peak shape focuses sound under the peak, and you should use absorption as shown in the photo below to avoid that. --Ethan ![]()
__________________ Ethan's audio book is coming! |
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| | #4 |
| Gear interested Join Date: May 2006
Posts: 28
Thread Starter | Thanks Ethan! If you don't mind I'd like to ask another quick question. Is there a big difference between a concrete floor and a hardwood floor assuming I've done some treatment on the walls/ceiling? I was thinking of having radiant heat in the floor and acid staining the concrete, but all the studio pics I've seen have had hardwood. Thanks again! |
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| | #5 |
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| There's no difference in sound between concrete and wood, or at least not enough to worry about. Both reflect sound. --Ethan |
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| | #6 |
| Gear interested Join Date: May 2006
Posts: 28
Thread Starter | Thanks Ethan! |
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| | #7 | |
| Lives for gear Join Date: Feb 2007
Posts: 2,616
| Quote:
Just walk into a wooden building and then a concrete one - the reflections are totally different. I won't bother describing the differnces, as it is so obvious to me! You have lost some respect from me for your statement that they "both reflect" - they reflect differently! Club where I work has concrete walsl and wood floors and ceilings, and the difference is very clear. Extremely so, in my experience! In fact, there are differences in what kinds of wood, too, just as in instrument construction. Lou | |
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| | #8 | ||
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Quote:
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Comb Filtering I'll also mention that stained cement is the "new wood" these days, and is becoming popular for flooring even in high-end studios. --Ethan | ||
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| | #9 |
| Lives for gear Join Date: Feb 2007
Posts: 2,616
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| | #10 | |
| Lives for gear | Quote:
I won't argue with the test data you presented Ethan, but that says *nothing* for the subjective element which absolutely *is* there, *is* valid and *must* be considered. You can't just summarily dismiss empirical data in favor of another type of data just because one is on a plot and the other isn't. I'll bet you anything that if you took 10 guys and played snare hits from exactly the same location in rooms exactly the same size and shape, one made of concrete and the other made of wood, all 10 would be able to tell which was which. A plot won't tell you that though. Frank
__________________ Frank | |
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| | #11 | ||
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Quote:
It's also worth mentioning that I'm addressing surface reflectivity only, not whether a wood floor on joists might resonate at subsonic frequencies. Quote:
![]() --Ethan | ||
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| | #12 |
| Lives for gear | I think one key point to consider is, what's behind the wood? Ethan alludes to this in his most recent post. A 12" thick concrete wall has so much mass that very little sound will escape. On the other hand, a standard framed wall with wood paneling over it and insulation inside will likely absorb some bass, and let some bass out as well. Plus there is the surface to think about, as Ethan says (smooth vs. rough). Additionally, many studios with "wood walls" are actually slot resonators built into the wall, so of course these will have a very different sound than a bare concrete wall. I think it might be more accurate to say something like, given the same mass and finish (smooth or rough), wood and concrete will sound the same. But there are some variabilities.
__________________ The acoustic treatment experts |
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| | #13 | |
| Lives for gear | Quote:
The data in a plot is simply a description of data that is analyzed in the brain and is expressed by us in phases such as "that sounds like wood", or "that sounds like concrete". those descriptions are just as valid as the plotted data; in fact for the plotted data to have any meaning those descriptions of the room the data was taken from should be equative with respect to the plots. They should be adverbs that describe what a certain plot sounds like. Of course I should think that a wood room and a concrete room plot differently. That doesn't mean I think that it's "audible but not measurable". When I say that 10 people out of 10 would be able to tell one room from the other I'm not saying anything that the plots wouldn't show; I'll bet they would. I'm challenging your assertion to the contrary, which is essentially the opposite: that no matter how different the plots are, all the rooms sound the same so long as they are the same size and shape and assuming that the measuring apparatus is identically placed. Frank | |
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| | #14 |
| Lives for gear Join Date: Feb 2007
Posts: 2,616
| Thanks, Frank, for adding to the discussion. I am too intuitive to argue so deeply. It was beginning to look like the wires things, which RCA cable "sounds better" to an audiophile... Carry on, gentlemen! Oh, and did not intend to hijack the thread. the floor is not the ceiling... L |
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| | #15 |
| Lives for gear | Interesting discussion! I was a philosophy major in college, so especially so... I agree there is a difference between empirical data about a room, and what I would describe as the listener's experience within that room. In fact, this distinction is what keeps me sane when dealing with some of the audiophile community.... (ie, "wow, you spent $2500 on a replacement power cable? OK, I don't understand the physics behind what that's doing for you, but if it improves your listening experience then go for it....") I think when Plato was talking about "objectivity," the main point is repeatability. If something "tests out" the same way every time, then for all practical purposes we have an "objective" test. In addition, if you are going to talk about Platonic philosophy then you have to talk about the foundations of his epistemology, which is how things can be "known." The only realm of true existence for Plato was the world of forms (sometimes translated as ideas), which is completely inaccessible to human experience. Therefore, according to Plato, anything a human consciousness can definitely "know" doesn't really exist, because forms are the exclusive realm of pure existence. Even the most stubborn "fact" in human experience can only be, at best, educated guesswork about how what we experience as reality is a mere reflection of the world of forms. Back to audio (LOL), I think Ethan's point is, if a concrete room and a wood room sound different, then they will also "plot" differently. Or put another way, if you can hear a difference in a room, then the plot will also be different. Where it gets interesting is if/when someone "hears" a difference in the room, but the plots are the same. What's going on there? Placebo effect? Or some mysterious, unmeasurable quality of audio that eludes science, or at least the current capability of science? Since we seem to have a firm grasp of frequency response, distortion, time domain errors, noise, etc, then we have to turn back to consciousness and experience of the listener, and not absorption coefficients of wood vs. concrete. But anyway, now I have to go engage in beard-stroking and contemplative facial expressions..... ![]() |
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| | #16 | ||||
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Quote:
"all 10 would be able to tell which was which. A plot won't tell you that though."Maybe all the time I spend (waste, really) in hi-fi forums makes me overly sensitive to the false idea that we can hear things that "science" doesn't yet know how to measure. But that's exactly how I read your post - drummers could tell the difference between wood and concrete, but an REW sweep wouldn't show any difference. But now you say you agree anything that could be heard can also be measured, so that's cool. ![]() Quote:
![]() Actually, the data in a plot of comb filtering off a surface is reality, and it shows exactly what frequencies are reflected and by how much. The "brain" may or may not hear it as it really exists, which is a whole 'nother discussion in itself. Glad to go there too if you'd like. That's my specialty! Quote:
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![]() --Ethan | ||||
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| | #17 | ||||
| Lives for gear | Quote:
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...but would you not consider a multitude of similar subjective experiences convincing evidence that a thing "is" as stated? In other words, if 10 out of 10 people could tell the difference between the wood room and the concrete room, isn't that pretty convincing proof that there is *in fact* a difference? I would certainly be willing to accept that kind of proof. | ||||
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| | #18 | |
| Lives for gear | As long as we're waxing philosophical here, I have to nitpick about one statement: Quote:
I'm nitpicking, but that's what philosophers do best.... tutt ![]() | |
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| | #19 | |
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Quote:
I'm also not at all convinced that 10 out of 10 drummers could tell concrete from wood. I say prove it with a blind test! ![]() --Ethan | |
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| | #20 | ||||
| Lives for gear | Quote:
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I love these kinds of discussions. The intellectual stimulation is worth the risk of getting crushed by Ethan's huge brain. Thanks for participating, Ethan and JWL! Frank | ||||
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| | #21 | |
| Lives for gear | Quote:
Again, without the subjective element the data is meaningless. Frank | |
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| | #22 | |||
| Lives for gear | Quote:
I'm not sure if in Plato's world there is only one perfect line. There could be a perfect 12" long line, a perfect 13" long line, etc. etc., both of which are manifestations of perfect "lineness." In regard to the Heisenberg Uncertainty Principle, it actually states that we can either know a particle's position OR its trajectory, but never both. I agree with you about the difference between reality and a plot describing reality. Quote:
Here's an interesting experiment: get a concrete box of a room, and test it. Then, line the entire inner surface of the room with 1/4" plywood, and repeat the test. Would that sound different? Quote:
For instance, millions of people "voted" for Bush in 2000 and 2004..... ![]() | |||
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| | #23 | ||||
| Lives for gear | Quote:
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All that beard stroking has made you pretty smart, JWL. Frank | ||||
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| | #24 | ||||
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Quote:
If you think wood and concrete sound completely different you'll have to prove it. You have REW, yes? Would you like to run the test or shall I? I have a concrete floor in my garage, and a nice piece of 3/8 plywood I can lay on top. Or you do it. Your choice. Let me know which you prefer. Or maybe we should both test it and compare results? Before either of us runs a surface test we should both agree on how much difference is meaningful. Originally I said the difference is "not enough to worry about." So would you agree that reflectivity differences versus frequency of less than, say, 3 dB are not enough to worry about? Quote:
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![]() --Ethan | ||||
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| | #25 | ||||
| Lives for gear | Quote:
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Risk is fun. 10 years in the military taught me that. ![]() Frank | ||||
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| | #26 | |||||||
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Quote:
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What usually happens with stuff like this is some guy says he was once in a big-name studio that had wood and it sounded really good. Then he wrongly concludes it was the wood that made the drums sound so awesome, when in truth it was: * A really big room with high ceilings, versus the garage where he usually records. * A really good engineer with really good microphones. Quote:
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Deal? --Ethan | |||||||
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| | #27 |
| Lives for gear Join Date: May 2008 Location: Houston/Paris
Posts: 2,677
| and the correct answer is...... !!!of course !! ![]()
__________________ Multi Platinum Recording artists, producer. Writer, Mix Engineer http://www.openlabs.com/mickael.html follow me on Twitter: http://twitter.com/mickaelmusic ![]() COLD CHAMBER STUDIO |
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| | #28 |
| Lives for gear | Okay, you make some good points Ethan. I'll have to admit that my argument is largely hypothetical, though I would still say that your counter arguments consist mainly of red herrings and straw men. I want to be clear so I'm sure I'm understanding you correctly: are you asserting that there is no audible difference (or so little difference as to be irrelevant) between a concrete room and a wood room, all other things being equal? Frank |
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| | #29 | ||
| Gear Guru Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 12,050
| Ya think? ![]() Quote:
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Now, are you up for both of us doing this test? Then we'll both know the truth for certain, rather than just guessing and each thinking the other guy is full of crap. ![]() Seriously, I especially like your idea to record a drum because that gives us a chance to post files and let people guess blind which is which. --Ethan Edit - PS: Don't forget that big fat head of mine: ![]() | ||
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| | #30 |
| Lives for gear | Well, I didn't mean "big fat head" pejoratively. As to our discussion, obviously it'll have to remain hypothetical unless you or I can run across two rooms of exactly the same shape and dimensions, one of which is concrete and the other of which is wood. Well geez man...I was talking about a whole room this Ethan, you could have ended the whole discussion by saying that you were talking specifically about floors. Then I would have said, "Oh. Yeah, that's true." Lou wasn't talking about floors either. Then again, I guess I could just pay closer attention to the topic. ![]() Frank |
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