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| | #271 |
| Lives for gear Join Date: Jan 2008 Location: Midwest
Posts: 1,806
| I'm yet to hear a reasonable response to the atomospheric arguement. Waiting with baited breath. I do doubt though, that a laminate material will be much of a difference, however, your test of laminate, along with Rimski's test of solid wood, will be interesting to compare.
__________________ phantom power doesn't make your voice sound spooky MY BAND http://www.myspace.com/revisiontext OUR STUDIO http://www.gearslutz.com/board/bass-...-progress.html |
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| | #272 | |
| Lives for gear | Quote:
Frank
__________________ Frank Oesterheld - GIK Acoustics GIK Acoustics 1-888-986-2789 (US) (+44) 020 7558 8976 (UK) Skype: gik.acoustics | |
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| | #273 | |||
| Lives for gear Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 9,682
| Quote:
You'll also need to use suitable software such as the freeware Room EQ Wizard (Windows) or FuzzMeasure (Mac, $150). These programs offer all of the measurements needed - notably frequency response and reverb decay time. A single test can be saved to disk and analyzed in multiple ways later. Quote:
Quote:
Please take photos of both tests too! --Ethan
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| | #274 |
| Lives for gear Join Date: Jan 2008 Location: Midwest
Posts: 1,806
| I would think that real world usability would dictate that you want both floors in as usable an environment as possible. While the differences may or may not be magnified or lessened, I'd rather know the results given a finished room.
__________________ phantom power doesn't make your voice sound spooky MY BAND http://www.myspace.com/revisiontext OUR STUDIO http://www.gearslutz.com/board/bass-...-progress.html |
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| | #275 | |
| Lives for gear | Quote:
Total of 4 tests. -Cement only and w/o absorption -Cement only and w/ absorption --Cement covered with wood laminate w/o absorption --Cement covered with wood laminate w/ absorption Ethan, in which direction should I fire the speaker? placed on a stand like I normally would, or firing straight down? | |
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| | #276 | |
| Lives for gear Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 9,682
| Quote:
--Ethan
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| | #277 | |
| Lives for gear Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 9,682
| Quote:
To test reverb time you'd put the microphone and speaker at more or less opposite ends of the room. Everest suggests pointing the loudspeaker into a corner, and putting the measuring microphone about 2/3 of the way across the room on a mic stand. Again, it is absolutely critical that whatever placements you use must be identical for all tests. If anything differs by even one inch, what is measured may change just from the placement difference. --Ethan
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| | #278 | |
| Lives for gear | Quote:
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| | #279 |
| Gear addict Join Date: May 2007 Location: sydney australia
Posts: 315
| you can never learn without there being an argument, great thread |
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| | #280 | |
| Gear interested Join Date: Apr 2009
Posts: 6
| Quote:
Never say never. Gluing directly to concrete is a common method of installing wood flooring. The vapor barrier can be under the concrete or the glue can be the barrier. Google glue down wood floors. ![]() | |
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| | #281 |
| Lives for gear | Not in florida. If a contractor glues wood flooring straight to concrete, he should be fired on the spot. I've seen what's happened to my uncles house when the flooring wasn't done right without a proper vapor barrier and basically it curved and bowed which made the floor unusable. |
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| | #282 |
| Gear interested | RT60 absorption coefficients for reflective floors I don't know if this helps at all, but this is the number set that I use when I am estimating the RT60 for spaces that haven't been built yet using the Sabine RT60 Equation: RT60 = (0.049 for feet)*(Volume of Room/ Sum of all Surface Areas * Their Absorption Coefficients) It should be noted that this formula is intended for use with rectilinear rooms only, but in practice I have found that it is pretty effective (within 10%) when the actual room is measured later. Sorry about the word wrap: Code: Floors
Sound-Reflecting 125 250 500 1K 2K 4K
28. Concrete or terrazzo 0.01 0.01 0.02 0.02 0.02 0.02
29. Linoleum on concrete 0.02 0.03 0.03 0.03 0.03 0.02
30. Marble or glazed tile 0.01 0.01 0.01 0.01 0.02 0.02
31. Wood 0.15 0.11 0.1 0.07 0.06 0.07
32. Wood parquet on concrete 0.04 0.04 0.07 0.06 0.06 0.07 BTW as far as the ceilings go: Taller ceilings that are bumpy and irregular are usually pretty nice sounding, similar to the reverb cap on recital and concrete halls. Concave shapes focus and amplify, while convex shapes tend to diffuse sound.
__________________ _______________________ Hendrik David Gideonse XIX AKA Henny Rock Indecent Music: http://www.indecentmusic.com Studio Do It Yourself: http://www.stuDIY.tv Medford, MA |
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| | #283 | |
| Lives for gear Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 9,682
| Quote:
--Ethan
__________________ The acoustic treatment experts | |
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| | #284 |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 1,131
| FWIW my room (save for the flooring) is almost finished at this point. I recall someone said that they'd be up for coming along and doing the 'before' test. If you are still up for it ping me a message and we'll arrange a time/date.
__________________ Trev ....................................................................................... You can't polish a turd ![]() My studio refurb: http://www.gearslutz.com/board/photo...ld-refurb.html |
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| | #285 | |
| Gear interested | Quote:
__________________ _______________________ Hendrik David Gideonse XIX AKA Henny Rock Indecent Music: http://www.indecentmusic.com Studio Do It Yourself: http://www.stuDIY.tv Medford, MA | |
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