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| | #1 |
| Gear Head Join Date: Apr 2008
Posts: 57
| Control room bass trap help I need advice regarding bass traps in my control room - slightly complicated dimensions. The room is 12' by 10' - Height is complicated as it has a bricked, vaulted ceiling arches 6' across and 2' deep - the lowest point is 9' high. Two of the walls are solid brick, but 2 are just thin partition walls. The control room is part of a larger space with brick walls and the same ceiling - about 40' by 40'. My mix position have very little 150hz - the back of the room has loads. Of course I need bass traps but should I try moving my mix position first? Also, should I be viewing my room as in the middle of the smaller partitioned space, or will the bass pass through the partitions, and thus I should be viewing myself as in the corner of the larger space? If that makes any sense! |
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| | #2 | |||
| Lives for gear | Quote:
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Frank
__________________ Frank Oesterheld - GIK Acoustics www.GIKAcoustics.com | |||
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| | #3 | |
| Lives for gear Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 4,834
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--Ethan
__________________ www.realtraps.com The acoustic treatment experts ----------------------- Amazing Telecaster guitar video | |
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| | #4 | |
| Gear Head Join Date: Apr 2008
Posts: 57
| Quote:
The partitions are 2 pieces of plaster board with nothing in between (apart fron the studwork of course). Am I right to have one of the solid wall behind my speakers, or may it happen to work out better facing the partitions? Can I get foam style corner traps to absorb below 150hz? Should I be looking at some membrane absorbers? I was wondering whether large rolls of loft insulation - still in their packs could be piled up in corners? Would the plastic obstruct the bass absoption? I've got space in one corner for these... | |
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| | #5 | ||||
| Lives for gear | Quote:
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Frank
__________________ Frank Oesterheld - GIK Acoustics www.GIKAcoustics.com | ||||
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| | #6 |
| Gear interested Join Date: Aug 2008
Posts: 2
| I have Variations in Bass I can't seem to get my room right. I have huge variations in the low end everywhere I go in the room. It's all dry wall: 13.9(L) x 10.10(w) x 7(h), with a vocal booth that appears to be helping to messing things up...maybe I need to break it down? I also used Ethan Winer's 300Hz and below sine wave test to do the bass response analysis, then added six 2' x 4' x 4" 705 bass traps in the corners, along with auralex LENRDs behind all at top and bottom corners - and did the test again. To my surprise, there was very little change both in listening and looking at the response on paper. I have attached the rom structure and both test results. Can someone help here? Thanks very much!
__________________ Ly♫x™ |
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| | #7 | |
| Lives for gear | Quote:
Second, you'll need higher resolution measurements to make any real decisions. Have you tried Room EQ Wizard? Frank
__________________ Frank Oesterheld - GIK Acoustics www.GIKAcoustics.com | |
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| | #8 | |
| Lives for gear Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 4,834
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--Ethan
__________________ www.realtraps.com The acoustic treatment experts ----------------------- Amazing Telecaster guitar video | |
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| | #9 |
| Lives for gear Join Date: Jul 2005 Location: Atlanta, GA
Posts: 3,905
| Good advise from the other guys but just to add move your mix spot back a few feet and see if that changes things for the better. It looks like you are right up against the wall. Glenn
__________________ Glenn Kuras - GIK Acoustics www.GIKAcoustics.com Need help with your room? click here |
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| | #10 |
| Gear interested Join Date: Aug 2008
Posts: 2
| Thanks very much all. The reaon the mix position is there, is because the bass response seemed to have smoothed out a bit (on paper) when i moved everything forward and closed the "triangle" in from about 5 1/2ft to 4ft 2 inches. I then started adding traps from there but the room has very audible bass variations. I've attached some pics of the room. I've never used Room EQ Wizard, but will check it out. I'm also using a small element omni (RTA 420) that I got with a mackie quad EQ which includes an RTA and an SPL meter. I am trying not to use the EQ so that the sweet spot isn't the sixe of an ant. The tests were done pointing the mic from ear position to the monitors, but I'll re-do pointing up. I don't know how much the open or closed door matters, especially when mixing. The bottom line is that I can still hear the variations clearly as i move around. Any advice would be seriously considered. Thanks.
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