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| | #1 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| Monolithic Sound From a Wee Guitar Amp If anyone's interested I have posted a song, which utilizes the Jule Brenda K guitar amp that has been getting all the attention lately. *It appears to have been lost in the obscurity of the sub-forums. Here's the link: http://gearslutz.com/board/showthrea...t=81139&page=4
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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| | #2 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| Let me know what you think guys. I feel that the amp worked perfectly within the context of this particular song. For the main staccato rhythms I cut only two tracks with this amp. These are of course the most prominent. There are other guitar tracks in there, but none as overt as these. Of course, if I were producing a hard rock record, I could see stacking as many as eight tracks of this amp. It could work.
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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| | #3 |
| Gear nut Join Date: Dec 2003 Location: Los Angeles
Posts: 106
| Hey Man, The guitars sound freakin' great. Hope we can keep that amp around awhile. I'm looking forward to using it as well. Keep up the good work!!! B
__________________ Brian Yaskulka http://www.7thlevelproductions.com http://www.myspace.com/7th_level |
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| | #4 | |
| Gear nut Join Date: Apr 2004 Location: Tucson, Az / NY, NY
Posts: 86
| Quote:
Could you talk a little about the track? Did you program on the track? Record? Mix? What is the bass synth? The piano (a sampler or a workstation keyboard?) What sort of FX did you use to mix it? How about the drums? Any sample replacment? BeatDetective? Thanks! | |
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| | #5 | |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| Quote:
I'd love to hear some of the things you are doing as well. I think it's a little early to tell at this stage. At least for me anyway. The vocals will make it come to life a bit more. Nothing in the track was programmed, per se. As in, everything was performed by humans and later manipulated in it's current form by myself. Hahaha!!! The record came to me after the basic tracks were cut. The drums were tracked at Sunset Sound. Most of the other basic instruments were cut here and there. Once I received the project I put it into overdrive. I began adding more guitars and other little effects and sound design-ya know, the 'garnish'. This is, in fact, my mix. Of course, it's in it infancy, because we're still producing it. This was a version to present my current progress to the musicians/composers. Plus, the vocalist wanted something to work with in pre-production. I can't wait to actually cut the vocals for this puppy. The mix is gonna be fun too. You mean the little part that's underneath the staccato rythmns? Thats just some standard synth bass with a sawtooth wave, I assume. I took the liberty of manipulating it a bit. My perception was to have it "breathe" and work rythmically with the song. So basically, I just filtered all the hi/low end out of it and used the mid bands to poke a hole through the mix. Then I used some delay/reverb and pumped the compressor to create a 'breathey sort of release'. I used the same approach with the snare. I'm pretty sure it was a sampled piano of some sort. Otherwise I really screwed up, what could have possibly been a well recorded piano. You name it...It's in there. Any specifics? No sample replacement at all. It helped that the drums were tracked marvelously. I did notice some inconsistancies in the snare hits. To my ears, I need to fly some of the better hits around. That will happen before the real mix, I can assure. I don't like Beat Detective personally. It's a little too klugey for me. It works wonderfully for a ton of people. I just suck at it. I have my own method, which is just 'old-school ProTools'. I just do the old Tab To Transient, then press the (B) key. Then I hit Apple+0 to snap the newly sliced transient to the grid. I then, actually go into Beat Detective and hit the Edit Smoothing feature. Works for me and I can cut a three minute song into place in about five minutes. Thanks for the kind words. I hope I answered your questions.
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt | |
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| | #6 |
| Lives for gear Join Date: Aug 2003 Location: Los Angeles
Posts: 1,834
| Stewart, try putting a tube screamer type pedal in front of Brenda. I use a Maxon OD9. if any one wants to hear some other tracks of the Brenda K in action. you can check out these bands whose records I cut using a Brenda K for all the electrics. Its sort of a pop/Chili Pepers-ish. http://www.myspace.com/eggshellegoz
__________________ Ronan Chris Murphy http://www.venetowest.com + http://www.homerecordingbootcamp.com Six day boot camp November 17– 22 in Los Angeles |
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| | #7 | |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| Quote:
I do, however, like the Maxon pedal. Nice choice!!!
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt | |
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| | #8 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| By the way, with the exception of the the SSL 384/Great River MP2NV on the 2buss, it is otherwise, mixed entirely in the box.
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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| | #9 |
| Gear nut Join Date: Nov 2006 Location: Auto-wah
Posts: 128
| That amp sounds great. And Eggshell Egoz are fantastic. :D I never would have heard of this amp otherwise. Man... I used to consider myself fairly well-versed, but since joining this forum, I realize how much.. er.. GEAR there is out there. ;) Greg |
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| | #10 | |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| Quote:
And welcome, to the fold!!!!
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt | |
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| | #11 |
| Lives for gear Join Date: Dec 2003 Location: London
Posts: 2,675
| Lovely sound! Did you have an octave pedal on the ta-da "verse" gtrs? Or is that the bass synth you referred to? I really like this stuff Stewart! Hope we get to hear the finished thing!
__________________ :: my band is called protoangel [size="1"]. My guitars: Atkin OM (sitka spruce top walnut back: sweet mids):: Atkin Small Jumbo (cedar top, rosewood back: big bottom, sparkly top):: Jap Tele with fat frets (rude and fat):: . My amps: 1973 Hiwatt DR504::Framus Dragon ... Latest purchases Kel Audio HM-2d TC Electronic Nova System, Chameleon Labs 7602 Digi 002 + PTLE, Addictive Drums |
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| | #12 | |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| Quote:
I believe that in that section we have two acoustic guitars, three heavier guitars (one Tele and two Les Pauls. The Les Pauls being the most prominent), bass and synth bass. Bass is doubling the synth bass. Heavy guitars are simply playing the root+fifth with palm muting, acoustics are playing open chords. This song will be finished very soon.
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt | |
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| | #13 |
| Lives for gear Join Date: Dec 2003 Location: London
Posts: 2,675
| Yes... The guitars sound great! Nice modern tone, but also very unique.
__________________ :: my band is called protoangel [size="1"]. My guitars: Atkin OM (sitka spruce top walnut back: sweet mids):: Atkin Small Jumbo (cedar top, rosewood back: big bottom, sparkly top):: Jap Tele with fat frets (rude and fat):: . My amps: 1973 Hiwatt DR504::Framus Dragon ... Latest purchases Kel Audio HM-2d TC Electronic Nova System, Chameleon Labs 7602 Digi 002 + PTLE, Addictive Drums |
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| | #14 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| Thanks so much!!
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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| | #15 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| Anyone else care to comment on the guitar amp sounds? Good or bad.... I'm open to hear any and all criticism. Thanks folks.
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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| | #16 |
| Lives for gear Join Date: Apr 2006 Location: Melbourne, Australia
Posts: 878
| Very solid and tangible sound, Stewart. Works exceptionally well as a couterpoint to the subtle and airy details that come in and out on the keys - the solid rhythm and guitars really hold the line. Should come up very nicely. I'll be interested to hear the final mix with vox etc. Pretty good going for an ITB rough, too! |
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| | #17 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| Thanks for saying so. The more I hear these guitars the more I love 'em. Such a cool amp!!!! It was so easy to get an immediately great sound.
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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| | #18 |
| Lives for gear Join Date: Sep 2002 Location: Seattle USA
Posts: 2,127
| Sounds frickin cool Stewart!
__________________ www.myspace.com/meriphew |
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| | #19 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| I'm just so pleased. It took no more two minutes to dial in the guitar sound and I was off and running. I mean, between the pre and the amp there were only two knobs in use.
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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| | #20 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
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__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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| | #21 | |
| Gear maniac Join Date: May 2006 Location: California CA
Posts: 204
| Quote:
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| | #22 | |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| Quote:
I like the way this one sounded upon delivery.
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt | |
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| | #23 |
| Lives for gear Join Date: Aug 2003 Location: Los Angeles
Posts: 1,834
| Hey Thanks guys. I tracked them at Veneto West, my studio in LA, did the whole album there. I am sure there were some toys put in front of the Brenda K. The Tube Screamer, a WEM copycat delay and maybe a few other things.
__________________ Ronan Chris Murphy http://www.venetowest.com + http://www.homerecordingbootcamp.com Six day boot camp November 17– 22 in Los Angeles |
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| | #24 | |
| Gear nut Join Date: Apr 2004 Location: Tucson, Az / NY, NY
Posts: 86
| Quote:
When the track came did it have guitars? did you 'accent' them with the Brenda or did you replace them? Sounds great! | |
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| | #25 | |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| Quote:
Compressors were probably Waves RenComp, L1, UA 1176/LA2A. (These are just channel inserts) The track came in with a few scratch guitars and I added all the primaries here myself with the Brenda K.
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt | |
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| | #26 |
| Lives for gear Join Date: May 2004 Location: Los Angeles ,Ca.
Posts: 5,562
| Sounds great! good job Stewart..cool stuff Now i want another amp |
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| | #27 |
| Gear nut Join Date: Apr 2004 Location: Tucson, Az / NY, NY
Posts: 86
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| | #28 | |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
| Quote:
It is a really great amp. And this is coming from both a mixer and guitarist. You can get in touch with Jule. He's a member of this fine community known as GearSlutz!!
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt | |
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| | #29 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,257
|