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| | #31 |
| 500 series nutjob | wicked dude! ![]()
__________________ www.pan60.com quote: The Hammer is like sonic crack. I'm actually afraid to use it for tracking Brad McGowan IF YOU ARE NOT INTO THE 500 FORMAT, THEN YOU'RE JUST JEALOUS! quote: your secret identity is safe with me superman! Peter Montessi it is easy to sound as though one was endowed with great intelligence, whilst speaking amongst a crowd of total morons |
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| | #32 |
| Lives for gear Join Date: Sep 2006 Location: Dublin, Ireland
Posts: 681
| Monolithic Sound From a Wee Guitar Amp? Sounds good but can I put a couple of KM184's in an xy in front of that and get a stereolithic sound?
__________________ Saved. By the buoyancy of citrus. |
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| | #33 | |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,250
| Quote:
Whenever I see a good thing, such as the Brenda K amp, I won't shut-up about it. You really nailed it out of the park with this one!!!!! I really appreciate all the niceties regarding the 'example' that I used to demonstrate your product. I hope I have served you well. By the way, your grandson was clearly, born to rock!!!!
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt | |
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| | #34 | |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,250
| Quote:
But, I get the humor!!!
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt | |
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| | #35 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,250
| Nice man. Thanks!!! By the way, I have some photos for ya. Shall I post 'em here?
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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| | #36 |
| 500 series nutjob | sure go for it: )
__________________ www.pan60.com quote: The Hammer is like sonic crack. I'm actually afraid to use it for tracking Brad McGowan IF YOU ARE NOT INTO THE 500 FORMAT, THEN YOU'RE JUST JEALOUS! quote: your secret identity is safe with me superman! Peter Montessi it is easy to sound as though one was endowed with great intelligence, whilst speaking amongst a crowd of total morons |
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| | #37 |
| Lives for gear Join Date: Apr 2006 Location: Melbourne, Australia
Posts: 878
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| | #38 |
| Gear maniac Join Date: Feb 2006 Location: Jax - FL
Posts: 169
| Sounds nice.. but kinda big init? You'll want something more handy for gigging eh? http://zvexamps.com/amp_view.html http://media.zvex.com/nano.mov ![]() |
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| | #39 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,250
| The pictures aren't of this session. (unless you're interested in the way a 57 looks infront of a Marshal cab) I took a few pictures of my implementation of your super-cool pop filter. I'll post those elsewhere. Any idea of what I should call it?
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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| | #40 | |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,250
| Quote:
__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt | |
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| | #41 |
| 500 series nutjob | not sure ask Peter maybe he has a good thought : )
__________________ www.pan60.com quote: The Hammer is like sonic crack. I'm actually afraid to use it for tracking Brad McGowan IF YOU ARE NOT INTO THE 500 FORMAT, THEN YOU'RE JUST JEALOUS! quote: your secret identity is safe with me superman! Peter Montessi it is easy to sound as though one was endowed with great intelligence, whilst speaking amongst a crowd of total morons |
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| | #42 |
| Lives for gear Join Date: Nov 2002 Location: Hollywood
Posts: 3,250
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__________________ Stewart Cararas Seventh Level Productions Myspace Profile Discogs _________________________________ The new is necessarily abstract - Rudolf Borchadt |
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