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| | #1 |
| Gear Head Joined: Aug 2006 Location: salt lake city
Posts: 33
Thread Starter | Drum bus compressor?
hey i need advice on a drum buss. i can proberly spend up $1100 or so. the ones i have been scoping out are the drawmer 241, drawmer 251,or toft DC-2 which is a bit cheaper. if you guys have used any of these or have any other recomendations let me know, thanks, wes |
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| | #2 |
| Lives for gear |
What kind of drums sounds do you like?
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| | #3 |
| Lives for gear Joined: Dec 2005
Posts: 1,008
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hmmmm, for what you are asking I would say the UAD card or waves SSL. The 2 thoughts are 1176's SSL mix-buss |
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| | #4 |
| Gear Head Joined: Aug 2006 Location: salt lake city
Posts: 33
Thread Starter |
i mainly do inde/hardcoe/punk type of stuff, i just want a nice outboard compressor to smash drums through. the other comps i have is a distressor and joe meek twin Q. i also have the uad card, which i enjoy, but i want to get my hands on something for the drum buss
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| | #5 | |
| Lives for gear Joined: Nov 2006 Location: silverlake
Posts: 1,231
| Quote:
thats gonna be your best $1100 spent. | |
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| | #6 |
| Lives for gear Joined: Jun 2002 Location: Bloomington Il
Posts: 5,188
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You'd be amazed with what a lowly RNC can do on a drum bus parallel...
__________________ Tony Oxide Lounge Recording See the Oxide Lounge! Follow me on TWITTER! WWJMD? Come see me on the Tape Op boards! It's only inches on the reel to reel |
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| | #7 |
| Gear addict |
The EMI TG limiter plugin is pretty darn amazing for that... and might save you some $'s for other things... such as food! |
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| | #8 |
| Lives for gear |
I'm not a huge fan of the Drawmer 251 or 241 in the studio - I absolutely love em in a live application. the second Distressor is a very good option - prolly the best. I use em allways on Drum mults and drum busses. another great comp-style would be SSL - Smart C1/C2 or the real SSL 3.. (I forget those numbers and I don't own one :( ) I have a great DIY SSL clone that a friend built - I really love that thing on drumbuss or 2bus. I'd say it's the way to go for indierock stuff (building it youself is very indebendant and it raaaawks) Jo |
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| | #9 |
| MonsterIsland.com Joined: Sep 2005 Location: New York City
Posts: 4,233
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There is no question at all - second Distressor.
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| | #10 |
| Lives for gear |
I love the stressors but it sounds like ur looking for alan smart C2 (with the 'crush' ...) always gets the indie boys goin
__________________ "Tolerance becomes a crime when applied to evil" ... - Thomas Mann |
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| | #11 |
| Lives for gear Joined: Sep 2004 Location: Austin, Texas USofA
Posts: 1,671
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Joemeek SC2 (the early ones) can smash & pump like a mofo.
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| | #12 |
| Lives for gear Joined: Mar 2003 Location: Minneapolis and Wiesbaden
Posts: 1,452
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It's a bit more money than you're talking about, but we built the RMS755 Super Stereo compressor specifically for stereo bus duties, and it really shines on drums in particular. You can visit our website for more info.
__________________ Justin Ulysses Morse Roll Music Systems Minneapolis, MN Put a bottle of juice in your Lunchbox. |
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| | #13 |
| Lives for gear Joined: Mar 2003 Location: NYC, NY
Posts: 629
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While I love my pair of distressors and use them on every mix, I've never liked them in stereo. There are several good stereo compressors under 2k (which is a bit above your budget), but it'd probably be worth checking out the Neve Portico, or the Drawmer 1968. Both could be had for under 2k. I had a Drawmer 241 and didn't really care for it in the studio.
__________________ - Jan Folkson www.janfolkson.com If you can't make it good, the least you can do is make it perfect. |
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| | #14 |
| Gear Head Joined: Aug 2006 Location: salt lake city
Posts: 33
Thread Starter |
i think iam just going to have to tuff it out for a drawmer 1968, it sounds like it would work best. i also like to ideah of haveing the 1968 because i can also compress mono tracks if i want.
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| | #15 |
| Lives for gear Joined: May 2005 Location: Nashville, TN
Posts: 915
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another vote here for the drawmer 1968 i also use it for tracking overheads through. smooth! as a drum bus comp.. its great |
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| | #16 |
| Lives for gear |
If all you want to do is smash stuff, I'd recommend a symetrix 501 or a level-loc. Both are capable of wonderfully "ignorant" limiting that can make the drum buss sound pretty exciting.
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| | #17 |
| Gear maniac Joined: Jan 2005 Location: South Florida
Posts: 209
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not exactly a drum buss compressor but a transient designer could do wonders.....probably more so than any 1100 dollar stereo comp having a pair of distressors would rock as well. |
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| | #18 |
| Lives for gear |
The ultimate hard rock compressor dbx 160x. Grab 2 for around 450 and have a little left over for 3 more |
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| | #19 |
| Lives for gear | |
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| | #20 | |
| Lives for gear | Quote:
I was blown away with both on the drum bus, but the C2 was the end all be all, on drum bus for rock. As a matter of fact... I am thinking about adding the C2 to the future budget as well... just for that. I haven't a/b'd paired distressor/neve 33609/Alan Smart C2... but I have used all 3 now... among others... and the C2 made me say "WOW!" more than just about anything I can remember. I would get that... actually... I am going to myself eventually for that very reason.
__________________ Steve Lamm Cryptic Globe Recording CGR Studios - Engineering, Mixing, and Production Cryptic Globe Recording - Custom PC DAW Systems! Ask me about my Custom Mac!! | |
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| | #21 |
| Lives for gear Joined: Oct 2004 Location: Indianapolis, IN
Posts: 544
| SSSSSSSSShhhhhhh!
On the cheap, I recommend an Aphex Dominator. It just squeezes the piss out of the drum buss. Maybe it's not for you, but I'm still chubbin'! Perry
__________________ www.snapjoint.com |
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| | #22 |
| Lives for gear Joined: Nov 2002 Location: Hollywood
Posts: 3,632
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Waves TransX followed by Digidesign SMACK
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| | #23 |
| Lives for gear Joined: Mar 2006 Location: Bell, CA
Posts: 810
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I use a Summit DCL-200 on the drum buss. I also throw the bass in there to glue it to the drums. The Summit just gives my drum and bass tracks a nice big tight sound.
__________________ myspace.com/esgarsmusic myspace.com/cheesgar "You can NEVER, fix it in the mix"
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| | #24 |
| Lives for gear Joined: Mar 2006
Posts: 569
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33609
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| | #25 |
| Lives for gear Joined: Jan 2003 Location: San Jose, CA
Posts: 5,582
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I'm thinking of selling my dbx 160X. If anyone is interested PM me. In the past I've been using the PSP Mastercomp plugin on my drum bus. The mix control is a really nice feature that allows you to do instant parallel compression. I just finished building an SSL compressor clone though (with output transformers) so I think I will start using that instead. Steve--regarding the C2 on drum bus. Do you like just running the whole drum bus straight through? Or did you find it worked better in a parallel setup? thanks, Brad
__________________ plotagainstrachel.bandcamp.com Little Red Wagon Studios How to integrate your analog tape deck with your DAW: http://youtu.be/bswx5zrFRl0 http://youtu.be/W-II32AvVd8 |
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| | #26 |
| Gear Guru Joined: Jun 2002 Location: New York City
Posts: 14,177
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| | #27 |
| Gear nut Joined: Nov 2006
Posts: 77
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my favorites so far, right around your price range, the Meek SC2 1.05 (got mine for about 950 on Ebay) and DBX 160VU (got a pair for 1100 on Ebay).
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| | #28 |
| Lives for gear Joined: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,780
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distressors they abuse, mangle and nuke. Jason |
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| | #29 | |
| Lives for gear Joined: Jan 2003 Location: Los Angeles, CA
Posts: 1,102
| Quote:
Sweet Jeezus a la Mode, is that thing a beauty! Not the same attitude as the SSL, but way, way frickin' cool... | |
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