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| | #1 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,513
Thread Starter | Long Distance Guitar Amp solution.....
Hi Guys - Guitar amp question - My CRM is about about 50 feet (of wire - balanced XLR connectered Mogami multipair) from my CRM. I want to have a guitarist in the CRM and hook him up via the multipair to an amp in the studio. What's the best way to do this? Will the ReAmp gear do this job? I don't know much about them. I've usually tracked the guitarist in the room with his amp. I don't want to load down the guitar pickups with the long wire run. Any words of wisdom on this would be helpful. Thanks! Bill |
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| | #2 |
| Lives for gear | |
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| | #3 |
| Lives for gear Joined: Nov 2006
Posts: 832
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VHT Valvulator, or Voodoo Labs Amp Switcher both buffer the signal to allow for long cable runs.
__________________ Screaming Monkey Studio - Seattle, WA teebes on Soundclick www.MySpace.com/djteebalicious www.MySpace.com/thissoilisdiseased |
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| | #4 |
| Lives for gear |
Long speaker cable, its better to push than to pull. If it's a combo get an extension cab. Plus its better to dial in the tone from the CR
__________________ Lou Gimenez www.musiclabnyc.com |
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| | #5 |
| Lives for gear |
Alan smart system: http://www.smartresearch.co.uk/#SGDi I have been using it for years. It's as close to transparent as you will ever find. I love it. You can run multiple amps off of it... use it as a DI... or all of that together. Kinda pricey... but you couldn't pry mine from my cold dead hands... I am a VERY picky about guitar tone... especially my own.
__________________ Steve Lamm Cryptic Globe Recording CGR Studios - Engineering, Mixing, and Production Cryptic Globe Recording - Custom PC DAW Systems! Ask me about my Custom Mac!! |
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| | #6 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,513
Thread Starter |
Thanks guys. Looks like I've got some good options to check out! Cheers, bp |
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| | #7 |
| Gear maniac Joined: Sep 2004
Posts: 222
| Radial SGI Studio Guitar Interface
Radial SGI Studio Guitar Interface http://www.radialeng.com/re-sgi.htm I've not used this unit but it looks like it would do the trick. For runs up to 328 ft. with drag control so the guitar acts like it's connected directlly to the amp. I've used the Alan Smart and it works great. It's just a little pricy. The Radial unit does basically the same thing and only cost $150. What a deal. I'm thinking of getting at least 2. |
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| | #8 |
| one man, ONE mic pre Joined: Jan 2004 Location: New York
Posts: 2,303
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I have another suggestion, just as an alternative. buy a good quality wireless unit. that way for ANYTHING, including combos with hardwired speakers, you can put the amp up to 150 feet or so away. I do it regularly. and no, it doesn't sound as good as standing next to the amp with 10' or less of high quality cable... but it DOES sound as good or better (and it's much easier and more flexible) than ANY of the long run, hard wire extendo solutions.
__________________ William Wittman Producer/Engineer (Cyndi Lauper, Joan Osborne, The Fixx, The Outfield...) prorecordingworkshop.lefora.com thewombforums.com |
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| | #9 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,513
Thread Starter |
William, interesting idea. Never thought of that. Are you saying that a good quality wireless unit will sound better that the Radial or Little Lab solutions? Thanks. bp |
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| | #10 |
| Lives for gear |
Didn't VH track a lot with a wireless? >I COULD BE WRONG<, but I think for a while it was considered a part of his 'sound,' even in the studio. Can anybody confirm or deny this? Regardless, I believe it was a Sony wireless and I remember him in interview remarking about the positive effect it had on the gain structure (it was 100% used live). Listening to some '76/'77 VH right now, courtesy of a fellow GS'er who shall remain nameless. Yeah!!! In this house of PAAAAAAIIINNNN!
__________________ "We need to legitimize peer-to-peer sharing as a business model, because it's already a business. If [the P2P companies] are going to make money on us, we should have a chance to make money along with them." -- Perry Farrell on the failure of national intellectual property policy to keep up with the rapid evolution of online media "Every Internet transmission of a musical work constitutes a public performance of that work. " http://www.ascap.com/weblicense/webfaq.html |
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| | #11 |
| Lives for gear Joined: Sep 2003 Location: Lillehammer, Norway
Posts: 673
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I prefer the Little Labs solution instead of wireless. Haven´t heard a wireless system that doesn´t degrade the signal in some way... but I haven´t heard them all, so I might be wrong. Is there such a thing as a transparent wireless system out there? Stein Tore |
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| | #12 |
| Lives for gear Joined: Jun 2002 Location: Los Angeles, Silverlake
Posts: 4,074
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| | #13 |
| Lives for gear Joined: Nov 2006 Location: US of A
Posts: 1,261
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