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| | #31 |
| Gear Head Joined: Mar 2008 Location: London
Posts: 50
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| | #32 |
| Lives for gear Joined: Oct 2007 Location: sailed away
Posts: 995
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$5000 an hour ? Phew he could buy a BCM10 every day.. |
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| | #33 | |
| Lives for gear Joined: Jun 2004 Location: London
Posts: 5,450
| Quote:
They had nothing positive to say about the experience.
__________________ Regards, Jim Richmond "I don't go to mythical places with strange men." Douglas Adams | |
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| | #34 | |
| Lives for gear | Quote:
Stevie Ray Vaughan was and the Edge is usually tuned down at least half a step for playing live. A lot of the powerpop guitarists are tuned down for a thicker sound. Sometimes it's just because it's an easier range for the singer in live situations; sometimes its because the guitar sounds better or thicker tuned down a bit; sometimes it's because you use heavy strings and don't want all the string tension, especially if you bend like a mofo like SRV; sometimes it's because you want an open chord in that key for the arrangement of the song.
__________________ I'm not a producer, but I play one on Gearslutz.com | |
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| | #35 |
| Lives for gear Joined: May 2005
Posts: 1,010
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As far as I can tell, U2 started tuning back up to 440 as of the Elevation tour. (most of the set, there are still a couple songs still in E flat) Although I haven't really checked EVERY concert that they've put out recently... Hope I'm right about that, I really was paying attention to that for a while. It inspired me to try it and I ended up writing and recording a lot of my own songs tuned a half step down, I really like it. Strange that they finally switched back up I think. Wonder why after such a long time playing a half step down... I also like how they changed the keys and/or switched the chords around on certain versions of "even better than the real thing", "until the end of the world", and "the fly". But then, reinterpretation always entertains me hugely. |
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| | #36 | |
| Lives for gear Joined: May 2005
Posts: 1,010
| Quote:
awesome!
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