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| Lives for gear | AKG SOLIDTUBE
Hey guys, I have used an AKG SOLIDTUBE for years now, mainly on vox, and I have been really happy with it. Im wondering if anyone has any opinions on this mic as I am starting to think I should get another mic to compliment it. My opinion is that it is a very round, dark sounding mic. I always find myself adding air to this mic and mids as well, which isnt a bad thing becasue the mic smooths off some of the harshness in voices. It sounds great on female singers and on males with upper midrange harshness. Anyway, I think I might need a mic with more air and upper mid detail without being harsh, if you know what I mean. For darker voices and also for acoustic guitars....I want it to be very useful on other things. My go-to pre for most stuff is a TG-2 into a distressor then into a germanium tone control. I have done a search on the SOLIDTUBE here on GS and i think the general opinion of the SOLIDTUBE is quite negative which got me thinking.... Im obviously used to the sound of the mic but if anyone has any real-world experience with the SOLIDTUBE and with other mics they think would compliment it or even replace it completely then I would love to hear about it. Part of me thinks that getting a new mic isnt really going to make much difference, but maybe some of you disagree...... chymer |
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| | #2 |
| Lives for gear Joined: Dec 2004 Location: Germany / Frankfurt
Posts: 1,215
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I do like the Solidtube for exactly that purpose! For darker voices we use the Brauner Phantom or the Groove Tubes AM-51. Great mics with a lot of air and detail, but sometimes to harsh (but you can use the Solidtube there). |
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| | #3 |
| Lives for gear |
Solidtube's great on overheads -- a little known use...If you have one, try it in mono at some point to check it out.
__________________ "We need to legitimize peer-to-peer sharing as a business model, because it's already a business. If [the P2P companies] are going to make money on us, we should have a chance to make money along with them." -- Perry Farrell on the failure of national intellectual property policy to keep up with the rapid evolution of online media "Every Internet transmission of a musical work constitutes a public performance of that work. " http://www.ascap.com/weblicense/webfaq.html |
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| | #4 |
| Lives for gear Joined: Jun 2006
Posts: 672
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It is my main vocal mic and often I double track acoustic guitars with it for a super thick acoustic guitar sound that sounds pretty awsome actually...Point it below the bridge where you can hear your picking and it sounds great...
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| | #5 |
| Lives for gear Joined: Apr 2006 Location: Scotland
Posts: 1,120
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I always liked mine, then I took the internal popshield out and stuck a Mullard tube in and now it's one of my favourites.
__________________ Cheers Mickey |
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| | #6 |
| Lives for gear Joined: Jul 2003 Location: Europe
Posts: 2,428
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I find the SolidTube a very weird-sounding mic, especially on vocals - never works for me. I'd suggest that a Microtech Gefell M930 would be a much better replacement on almost everything - nice smooth highs and full-bodied. For sure, it will be a vastly different (and in my opinion superior) sound than you are used to with your Solidtube!
__________________ James Lehmann Voice-Over Artist - Project Studio Jockey www.jameslehmann.net · Use your real name - keep Gearslutz authoritative, accountable and courteous. · Stop the superlatives madness - just say no to gear threads with the word 'best' in the title. · Words or WAVs? The former are interesting, the latter are convincing. |
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| | #7 |
| Lives for gear |
Thanks for the responses. I never thought the solid-tube sounded "weird" and Ive used other mics. I think I kinda like the darker mic....I used an AKGC12VR recently and it sounded pretty special at first, but then the highs started to sound a bit overbearing. the "esses" really poked out and ripped my ears off. This is why I am in 2 minds about wether I should get another mic..... If the SOLIDTUBE mic is indeed "wierd" sounding and I am just used to the sound then maybe I should be looking at other mics...... CHymer |
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| | #8 |
| Lives for gear |
I really like the SolidTube. You have to have the right source for it and then it sounds warm and phat. It does not offer up a lot of detail, which on some sources, like harp, is a really good thing. Rounded off, somewhat dull and useful in spite of itself. |
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| | #9 |
| Lives for gear Joined: Oct 2005 Location: USA
Posts: 661
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There is foam INSIDE this microphone between the mesh and the capsule. Take it apart and get rid of this foam. Then change the tube, I put a JJ's 12ax7 inside it. Makes it a very different and much improved microphone, not so dark anymore!!
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| | #10 |
| Lives for gear Joined: May 2006 Location: Bronx, NY
Posts: 509
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I did my first rap vocal (a novelty, but still fun!) last week, and we ran the Solidtube, which I had never used before, up against an SM7, RE20, and 4033. The Solidtube won unanimously in a blind test. Very dark & agressive - definitely has its place.
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| | #11 |
| Lives for gear Joined: Dec 2005
Posts: 1,008
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well if it has to compete with a sm7 and sub $300 mics I hope it would win! I just got one upgraded with no mesh and a NOS tube. Havent used it but it looks pretty hefty! |
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