![]() | All Advertisers |
| |||||||
Similar Threads | ||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| More depth in a mix... | Worlez | So much gear, so little time! | 17 | 6th October 2006 06:38 PM |
| Short/Long Reflections Reverb/Delay? | mtstudi@pacbell | Bruce Swedien | 2 | 20th September 2006 10:24 PM |
| Who matches bit-depth? | strat65 | Music computers | 90 | 30th April 2006 01:31 AM |
| Drums reverb for depth | bannerj | Low End Theory | 13 | 31st March 2006 09:35 AM |
| Hardware I/O bit-depth vs. DAW bit-depth | strat65 | So much gear, so little time! | 2 | 30th October 2005 05:27 PM |
![]() |
| | Thread Tools | Search this Thread | Rate Thread | Display Modes |
| | #1 |
| Lives for gear Join Date: Jul 2003
Posts: 778
| Examples of Using Short Reverb for Depth I think i've gotten the hang of using short delays on a bus (using Logic) and sending drums / instruments for depth (i've recently been using mono delays panned out. it seems to bring signal even further out l/r), but i'm still trying to figure out how to use verbs. I have reverb time set pretty low and the spread out to stereo, but get a metallic sound. In order to compensate for this i have an eq pre verb but too much 1K cut kills the fidelity. Anyone have any examples of verb settings for depth? |
| | |
| | #2 |
| Gear maniac Join Date: May 2006
Posts: 181
| I tend to like a Lexicon short ambience program for that... |
| | |
| | #3 |
| Lives for gear Join Date: Dec 2003 Location: London
Posts: 2,804
| With Logic try the AVERB or whatever the more basic one is called, maybe use that into the overdrive plugin (for the low pass filter only --- set the gain to 0 or +3). I'd do a chain like this: 4 band EQ >>> reverb >>> overdrive, or 4 band EQ >>> overdrive>>> reverb The EQ is to cut frequencies before the reverb, as the overdrive tends to bost low mids, which is actually nice because it adds character and fatness. Alternatively why don't you use the longer setting on the normal "platinum reverb" eg 1 second, then use the enveloper to "gate" the tail of the reverb. I agree the shorter settings sound awful --- metallic and phasey. NB the enveloper causes phase problems unless the mix on the bus is 100% wet. 1 sec or more gets rid of the problem, but play around with the density setting or whatever its called --- reduce this as much as poss, and get rid of the early reflections too.
__________________ :: my band is called protoangel My guitars: Atkin OM (sitka spruce top walnut back: sweet mids):: Atkin Small Jumbo (cedar top, rosewood back: big bottom, sparkly top):: Jap Tele with fat frets (rude and fat):: . My amps: 1973 Hiwatt DR504::Framus Dragon ... Latest purchases Kel Audio HM-2d TC Electronic Nova System, Chameleon Labs 7602 Digi 002 + PTLE, Addictive Drums Last edited by Blast9; 11th October 2006 at 05:47 PM.. Reason: shorter not longer |
| | |
| | #4 |
| Lives for gear Join Date: Aug 2004 Location: tx
Posts: 8,819
| That metallic sound you're talking about is dreadful. Once you get a reverb into that zone, it's time to switch reverbs. |
| | |
| | #5 |
| Lives for gear Join Date: Jul 2003
Posts: 778
| i dont think its the verb per se. even on waves at that setting, it sound metallic. I think the theory is that the short verb is supposed to add dimension as opposed to a longer which adds ambience (a diff sort of dimension) blast - i'll try yr setting... barilla - do you know the settings on the lexi? |
| | |
![]() |
| Bookmarks |
| Thread Tools | Search this Thread |
| Display Modes | Rate This Thread |
| |