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| | #1 |
| Gear addict Joined: Mar 2006 Location: NYC
Posts: 337
Thread Starter | What to look for in an SM57 ?
HI ....I`ve heard about used 57`s having issues .Mostly abuse on stages ...etc,, I want to get this right with a new pair for cab recording .Are there differences that make the older models better ? Can I buy new and get the goods ? Are there tell tale signs of one that might not be up to spec? I have one now (very funky looking) that seems to break up at not so loud speaker volumes. thanks for the wealth of info here . |
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| | #2 |
| Lives for gear |
some will argue that the older Unidyne labeled 57's (american made) sound CONSIDERABLY better than the new mexican made ones. Shure might have found ways to cut expenses, thus cutting quality. at least theoretically. Some think that abuse the older ones have been through actually makes the 57's sound better. * I * say there's a bigger audible difference depending on Preamp choice as opposed to whether the 57 was made in America vs. Mexico.
__________________ "As long as the reason of man continues fallible, and he is at liberty to exercise it, different opinions will be formed." James Madison, 1751-1836 |
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| | #3 |
| Lives for gear Joined: Jun 2004
Posts: 882
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Unidyne III made in the USA is the one you want |
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| | #4 |
| Lives for gear Joined: Aug 2003
Posts: 555
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The new ones are great. All 57s sound relativly the same, except when you run them thru a Great River preamp. Then they really sound good. Buy your 57s from: http://northernsound.net/Sales/mics/frame.html Call the toll free # for your price. They are a great company. I've been extremely pleased with many orders from them. Make sure to get the free t-shirt, very comfortable, black t. |
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| | #5 |
| Gear addict Joined: Mar 2006 Location: NYC
Posts: 337
Thread Starter |
Could anyone say what year they were Unidyne and what year they went to Mexico ? Gracias . |
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| | #6 |
| Lives for gear |
I'd just make sure there's no marks on it where it has been used as a hammer. The SM57/58 are the mics i WOULDNT worry about their condition. That's the thing, they will almost always work unless someone seriously killed it (and you could tell really quickly). I'm putting the 'vintage 57' thing in the bandwagon with the rest of the "All companies used to not care about money, and theirfore didn't cut corners, and thus the old rare ones are obviously the best although no one can tell in a doubleblind a/b test which is best, but yet they will pay more for them and think that vintage is better when it just sounds different from 20 years of smoke on the capusule or the caps drying out" myth.
__________________ David Fisher (aka tibbon) What is Noise, Blog (DIY, gear, tech, etc) Follow me on Twitter imVOX- Voice for Gamers WTB: Moog Theremin Signature Edition |
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| | #7 |
| Lives for gear Joined: Jun 2004
Posts: 882
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Spoken by some one who obviously hasn't tried them side by side |
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| | #8 |
| Lives for gear Joined: Aug 2005 Location: Seattle
Posts: 631
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I don't know man, we've got both and frankly, sometimes I prefer the sound of the newer 57 on certain things compared to the UIII. but what do I know?
__________________ hey tune into the doctor: http://lesterdiamondradio.com/ |
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| | #9 | |
| Lives for gear Joined: Apr 2004
Posts: 5,695
| Quote:
Anyway if you order something from them I think they would do you well, they were pretty honest guys all in all (but don't come looking for me if you don't like the transaction)......
__________________ Michael | |
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| | #10 |
| Lives for gear Joined: Apr 2006 Location: Toronto
Posts: 1,182
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Wow. Talk about being myopic. It's a 57. Go make some music. We make Gods of our gear.
__________________ Benjamin Allison Check out my new album, We Enter the Dark Room, Alone I'm also giving away up to $100,000 at emphonik.com. http://roestudios.com/ |
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| | #11 |
| Gear maniac Joined: May 2006
Posts: 184
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| | #12 | |
| Gear maniac Joined: Mar 2005 Location: Santa Monica CA
Posts: 237
| Quote:
from experience, they get trashed over time, just from spit and breath of singers. | |
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| | #13 |
| Lives for gear Joined: Aug 2005 Location: Boston, MA
Posts: 585
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A buddy of mine has both new ones and old ones and he can't tell the difference (he's got great ears too). The point is "it's a fu¢kin' '57."
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| | #14 |
| Lives for gear Joined: Jul 2006 Location: long island, ny
Posts: 779
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this seems simple... you want to get this right for recording with a new cab....then buy some new ones... as far as ive seen, you'll only end up saving a few bucks buying a 57 used and like it's been said, you dont want one that's been spat in for years on your cab |
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| | #15 | |
| Gear nut Joined: Dec 2005 Location: sotex
Posts: 105
| Quote:
i must run to the studjo and check the wiring on all my 57s i knew there was somthing more than my lack of skill, fubar-ing all my recordings | |
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| | #16 | |
| Moderator Joined: Jun 2002 Location: New Zealand
Posts: 2,412
| Quote:
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| | #17 |
| Gear Head Joined: Oct 2005
Posts: 41
| rewiring a 57? What the??? really? 60% wired wrong from the factory? Sure ought to give you a freebie for pointing it out. That's crazy!
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| | #18 | |
| Lives for gear Joined: Jul 2004 Location: London
Posts: 1,688
| Quote:
pic of internal wiring | |
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| | #19 |
| Guest
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| | #20 | |
| Guest
Posts: n/a
| Quote:
The Unidyne III, according to Shure's history page was released in 1959, and was the predecessor to the 57. | |
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| | #21 |
| Lives for gear Joined: Jun 2002 Location: Bloomington Il
Posts: 5,188
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I look for somewhere to put the 57 to get it out of my way so I can store the real mics. You know, the ones that I'll actually use.
__________________ Tony Oxide Lounge Recording See the Oxide Lounge! Follow me on TWITTER! WWJMD? Come see me on the Tape Op boards! It's only inches on the reel to reel |
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