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| | #1 |
| Gear interested Joined: Jul 2006
Posts: 3
Thread Starter | Mic Preamps
I'm looking for a good 2 chanel preamp in the $1,000 to $1,500 range. I will be recording mostly sax and trumpet through it, although I might do some vocals and percusion. I have a Rode NTK , a Shure KSM 32, and a bunch of SM 57 and 58's. I have been hearing about Toft, Presonus mp20, and UA solo 610 and 110. Any suggestions? Thanx for your help.
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| | #2 |
| Lives for gear Joined: Mar 2006 Location: US
Posts: 2,361
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If you want a "clean", "transparent" preamp, which is possibly what you would want to look for when recording things like brass instruments, consider the DAV BG-1, which is a 2-channel preamp with a GREAT reputation for about $700 USD. Link below: D.A.V. Electronics Broadhurst Gardens BG-1 Another preamp to consider: TAB-Funkenwerk V78, can be acquired through Mercenary, although it's a bit more expensive... check it out: AMI TAB-Funkenwerk V-78M There are lots of good suggestions that I am sure others will chime in with.... Happy hunting and welcome to the forum, J.D.
__________________ Justin Justice |
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| | #3 |
| Gear Head Joined: Dec 2005 Location: Toronto
Posts: 74
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I recently picked up a DAV BG-1, based on the input from people on this board, and I also have an NTK. The NTK through the DAV sounds so-so; the DAV really brings out the qualities of a mic, and so far I've found I have to fuss with placement quite a bit to get a good sound with that combo. But the pre, I like it a lot.
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| | #4 |
| Gear interested Joined: Jul 2006
Posts: 3
Thread Starter |
Hey guys, Thanks for taking the time to respond. I'll check these out.
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| | #5 |
| Lives for gear Joined: Aug 2003
Posts: 555
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For trumpet and sax, I'd be looking for a ribbon mic first, like the AEA R84. And, for the R84, I'd use the new AEA mic pre made especially for ribbons (84 dB gain), 2 channels for around $750. So, you could have the mic and 2 channel pre for <$1800 - not too far off your mark, and a much better approach, IMHO. http://www.wesdooley.com/aea/TRP.html http://www.wesdooley.com/aea/R84.html |
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| | #6 |
| Lives for gear Joined: Jun 2006 Location: around the corner
Posts: 1,990
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Ribbon for horns, especially good suggestion. But a mic "and" pre for those purposes, may be too pigeonholed, if there are other sources that may wander in. Their new pre for ribbons, is that just a gain thing? I read about it, and as usual, cant remember... the 30's were pretty hard on me... |
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| | #7 |
| Lives for gear Joined: Mar 2006
Posts: 6,130
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Something old and tube, hopefully similar to what was used on this album. |
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| | #8 |
| Moderator Joined: Jun 2002 Location: New Zealand
Posts: 2,412
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Based on your list, I would go with the UA preamp, but get it on demo-try-keep or return, 7 days. But if you can save up a bit longer, then there is a "next level" you could achieve. |
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| | #9 | |
| Gear nut Joined: Feb 2006
Posts: 96
| Quote:
http://www.buzzaudio.com/products/ma2.2.htm I shouldn't have looked at the Buzz Audio site. I can feel my wallet getting lighter even as I type. Yes, I admit it, I am a slut. -Naren | |
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| | #10 |
| Lives for gear |
I would go with the Toft.... I'm about to sell my car to afford one of their new consoles, so I'm all about them. |
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| | #11 |
| Lives for gear Joined: Jul 2002
Posts: 743
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I you are not looking for stereo recording, then one each of the Solo's would give you the most versitlity. I love the Solo 110, it is very versital on it's own (clean to crunchy). Also, the Vintech 273 would be slightly more, but a great preamp for the money and you'd get some eq with it as well.
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| | #12 | |
| Lives for gear Joined: Dec 2004 Location: Canada
Posts: 2,829
| Quote:
A Tab-Funkenwerk V78 was also mentioned, which I own as well and I can recommend. It is a solid performer that can be used on many different sources. Tim gave you good advice suggesting a try before you buy if at all possible on anything you decide upon.
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| | #13 | |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,258
| Quote:
Oops...that's not a pre. A ribbon mic is going to do more for sax / trumpet recordings than any switch hitting pre. Keep your NTK around for acoustic guitar and some vocals, and your KSM32 as a vocal mic primarily or when you need that condensor sound. With 2 midrange condensors and 2 dynamics I think it's a bit early in the game to worry about your preamp (unless you just don't own one). That mic's going to make the major difference. For a directional ribbon the Beyer M160 rocks on those sources. CAD is releasing a $259 directional ribbon now that I'm waiting to test, but looks promising on a budget and they are known to deliver a ton on a budget. If your room has a nice sound and figure 8 pattern will work, an AEA R84 would likely rock your world. War | |
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| | #14 | |
| Moderator Joined: Jun 2002 Location: New Zealand
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| | #15 | |
| Lives for gear Joined: Mar 2005
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| | #16 | |
| Gear maniac Joined: Jan 2004 Location: Australia
Posts: 185
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| | #17 |
| Gear interested Joined: Jul 2006
Posts: 3
Thread Starter |
I would really like to thank you guys for taking the time to respond to my question. I've been a professional sax player for years, and done quite a few sessions, but I'm a complete novice when it comes to this end of things. The only pre amps I have at the moment are in my mbox2, which is why I thought of upgrading them first. I got a pretty good sound a couple of times using the NTK, but nothing like the fat sound I get in the studio. Although those guys are using thosands in equipment on me. I'm going to check out all of your suggestion, including the ribbon mic. Thanks again for all your help.
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