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| | #1 |
| Lives for gear Join Date: Apr 2005
Posts: 812
Thread Starter | compressing mid-side stereo Are there issues to be aware of re compressing M/S signals? For instance if you're tracking through two mono compressors with a "link" function, are there special implications of linking the mid and side mics as you would an X/Y pair or a spaced pair? I've no idea what compression will do to the phase relationships which generate the stereo picture. I note that there's an M/S option for Manley's Vari-Mu. Anybody using this for tracking? Thanks!
__________________ "Go back and re-mix your fav test mix making sure that at every place in all chains (including between all plug-ins) level never gets bigger than -6dBr. Make sure your final output also never peaks beyond -6dBr. Now do the comparison between this ITB mix and a similar OTB mix. You might have a big surprise." - Paul Frindle |
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| | #2 |
| Lives for gear Join Date: Apr 2006
Posts: 885
| $ .02 never really considered it before but since the sides are ambiant and by definition delayed i'm not sure i would want them in a linked or keyed mode.... YMMV |
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| | #3 |
| Lives for gear Join Date: Apr 2005
Posts: 812
Thread Starter | I'm in the same situation -- never really considered it before. Interested to see what experience others have had. Thanks for your thoughts! |
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| | #4 |
| Lives for gear Join Date: Sep 2005 Location: New York City
Posts: 4,088
| I've used M/S compression for tracking. Specifically, limiting the center and compressing the sides. For the effect I wanted it didn't make sense to link, but it something you should try so that you know what that does. Personally, I go to M/S when I'm trying to treat the two differently, so I cna't see how I'd ever have a reason to link. I rarely link in stereo anyway unless I'm feeling lazy and just want to turn one knob. |
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