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| | #1 |
| Gear nut Join Date: Dec 2005 Location: Washington DC
Posts: 127
| Please Help me Spot the Effect used in Goldie "Inner City Life" I would really appreciate if any of you pros out there can help me identify what process is used to created this drifting pitch delay effect. Any idea what box is used or process to create this, could it be a lexicon or eventide of sorts? Please help I have been up nights researching Rob Playfords kit used circa 1998 and no luck Its a 20 seconds into the clip: <object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/SRTatA_A39w"></param><embed src="http://www.youtube.com/v/SRTatA_A39w" type="application/x-shockwave-flash" width="425" height="350"></embed></object> http://www.youtube.com/watch?v=SRTatA_A39w |
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| | #2 |
| Lives for gear Join Date: Jul 2003 Location: Europe
Posts: 1,189
| You'll give yourself a headache trying to figure out what Rob Playford did on that album - some of the stuff is just so amazing, especially Inner City Life!! I recall reading he had a couple of Akai samplers which he cajoled into doing stuff that simply shouldn't have been possible! Every so often an album arrives in the mainstream that genuinely breaks new ground and defines an entire genre - Timeless was it, and it's an apt title as I still listen to it and marvel at the wondrous production.
__________________ James Lehmann Voice-Over Artist - Project Studio Jockey www.jameslehmann.net Stop the superlatives madness! Abolish gear threads with the word 'best' in the title. |
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| | #3 |
| Gear nut Join Date: Dec 2005 Location: Washington DC
Posts: 127
| word I have heard that effect more recently in several Drum n Bass tunes so i'm guessing its an effect. I know playford used a lexicon vortex on timeless. I don't think its an akai because their effects lack the sophistication to do a chase delay. |
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| | #4 |
| Gear nut Join Date: Mar 2006
Posts: 113
| it sounds to me like a basic synth patch, using an LFO to modulate the amplitude to get the tremolo effect, and he's simply using the pitch bend wheel to slowly detune it manually. alternately he could've used another LFO with a delay on it, possibly a saw waveform and a very slow oscillation rate, and had the synth note cut off before the LFO phase reset. in any case, it'd be a very simple thing to replicate using the pitch bend wheel, or basic synthesis techniques. |
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| | #5 | |
| Gear Head Join Date: Feb 2006
Posts: 57
| Quote:
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| | #6 | |
| Gear nut Join Date: Dec 2005 Location: Washington DC
Posts: 127
| Quote:
You are the don! Your advice is a bit over my head. Any chance you could send me a patch to use in Logic or something...please. I'll post up some of my home made 808, 909, juno 106, juno 60, or jupiter 8 hi res samples to reciprocate. shoot, I'll post the samples anyways. | |
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| | #7 | |
| Gear maniac Join Date: Apr 2004 Location: Very close to my neighbours, but far from my friends.
Posts: 156
| Quote:
Hope you find your 'preset'. Best of luck, Stefan | |
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| | #8 |
| Lives for gear Join Date: Apr 2004 Location: LONDON
Posts: 641
| That takes me back. I remember Rob used an ensoniq DP4 a lot. |
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| | #9 | |
| Gear nut Join Date: Dec 2005 Location: Washington DC
Posts: 127
| Quote:
Well I figured out how to synch the LFO to the amp rather easily in Logic's ES2. That was close but too fast. I still need to figure out the OSC synched to RingMod. | |
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| | #10 |
| Gear Head Join Date: Jul 2005
Posts: 31
| If i understood what effect are u looking about is a very stupid effect. Is just a very short sample like an hi-hat.. 32 times in a beat, just using a different pitch.. Every time is a shifted down a little.. you can do this just using a basic sampler ! You record in C-4 and then play from C-4 to C-0... There is NO Tremolo. Tremolo happens cause the sample is very short... but silence between hits shrinks as pitch goes down so is not tremolo. There is panning anyway
__________________ Please forget my english. I'm italian. |
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| | #11 | |
| Gear nut Join Date: Dec 2005 Location: Washington DC
Posts: 127
| Quote:
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