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Verb Sends!

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Old 5th July 2006   #1
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Verb Sends!

Are you guys de essing the verb sends and or compressing.

Anything else cool that might be of some help WRT reverb sends.


How many verbs are you using in a mix.

I find i need 2.

ATM i do eq the sends and compress and deess just interested to see what you guys are doing.
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Old 6th July 2006   #2
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listen, adjust, listen, spot the prob if there is any, do yar "goto" soulutions, maybe experiment a lil bit, move on, listen, react/adjust, rest ya ears a bit, listen again, listen quietly, listen loudly, switch between speakers, check mono, adjust, rest a bit, listen again, listen to the ruff mix again for checking "vibe", listen to "references", switch back, when ya hair goes up and ya start banging ya head - ITS DONE - print. call them wheres the $$ ??

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Old 6th July 2006   #3
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I generally do some hi pass and lo pass on the reverb send. I find that I often don't want the reverb to have the same "fidelity" as the source.

Also, I tend to use a bit of compression after the reverb.
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Old 6th July 2006   #4
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1176 after verb, lightly applied here.
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Old 7th July 2006   #5
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Thanks guys.
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Old 7th July 2006   #6
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I am ever since Kiwiburger graciously shared that tip with me. Hopefully I won't
have to as much after I replace my NTK with something less sibilant and strident.
It helps a lot though.
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Old 7th July 2006   #7
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I de-ess and compress lightly ... the compression seems to keep the reverb at a nice level when the singer occassionally pushes it a tad too much.

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Old 7th July 2006   #8
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2 or 3 ,

1- hall (480L)
2- room (R880)
3- plate (rumour)

i'm using HPF and sometimes eq and compression on the send
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Old 7th July 2006   #9
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You can also gate your reverb send. Sometimes it´s cool on snare drums...

(...no, not the return! I´m talking ´bout the send! )
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Old 8th July 2006   #10
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Quote:
Originally Posted by lofi
listen, adjust, listen, spot the prob if there is any, do yar "goto" soulutions, maybe experiment a lil bit, move on, listen, react/adjust, rest ya ears a bit, listen again, listen quietly, listen loudly, switch between speakers, check mono, adjust, rest a bit, listen again, listen to the ruff mix again for checking "vibe", listen to "references", switch back, when ya hair goes up and ya start banging ya head - ITS DONE - print.

this looks a lot like my approach as well, except somewhere in there, usually about halfway when the outlines are drawn and it's time to paint the colors, there's a spark, a strange bubbling sound, and a long slow deep exhalation.

not long after that, things tend to go from 'excellent' to 'magical.' could just be coincidence.


gregoire
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