15th July 2012
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#1 | | Gear Head
Joined: Jan 2009
Posts: 74
Thread Starter | what mic would you put in front of the singer at the piano?
hi,
I'm recording (and filming) a duo:
-Female lead singer standing 2 meters besides grand piano
-Female singer playing the grand piano
It is going to be a live recording/video for PR purposes.
This is my plan:
Brauner Phantom C on lead
RE20 on pianoplayer
My question:
Would you guys choose RE20 or Neumann TLM 103 for the piano player? I'm asking because of the bleed..
Mikkel
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15th July 2012
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#2 | | Lives for gear
Joined: Aug 2003 Location: Los Angeles | Quote:
Originally Posted by mikkelkiilerich My question:
Would you guys choose RE20 or Neumann TLM 103 for the piano player? I'm asking because of the bleed..
| If bleed is the concern, the RE20 is the clear answer. Much better rejection than the 103
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15th July 2012
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#3 | | Gear maniac
Joined: Aug 2007
Posts: 192
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RE20 obviously, or an SM7 if you've got one.
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15th July 2012
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#4 | | Lives for gear
Joined: Jul 2011 Location: Gambier, OH
Posts: 507
| Quote:
Originally Posted by Preme Diesel RE20 obviously, or an SM7 if you've got one. | +1
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15th July 2012
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#5 | | Gear maniac
Joined: Apr 2009
Posts: 237
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had the same situation (singer playing piano) quite often, THE best solution hands down is the Beyerdynamic M88 (or M88 TG) - literally no bleed, and much better sound than the SM7B, unless you have a punk or metal singer screaming at the piano ;-)
the SM7B sounds, well, like a dynamic mic .. a good dynamic, but still much closer to a SM58 than to a condenser ... same for the RE-20, though it's a little more open than the SM7B (and at least it doesn't require a 5000 bucks preamp or any cloudlifters etc to sound decent); the M88 just happens to have a much more open, less muffled sound, like a dynamic with a extended frequency range, and less midrange honk.
do yourself a favor and give it a try, you won't regret it.
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15th July 2012
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#6 | | Lives for gear
Joined: Nov 2005 Location: Houston, Texas
Posts: 1,134
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EV RE-20 would be my first choice to control the bleed, no question about it. The SM7 is ok, so is Sennheiser 421 and 441, but the RE-20 will be the best because it is the most condenser like dynamic mic out there. You will get a great sound for the vocal and it will reject the piano as good as anything out there.
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15th July 2012
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#7 | | Gear maniac
Joined: Apr 2009
Posts: 237
| Quote:
Originally Posted by jmikeperkins EV RE-20 would be my first choice to control the bleed, no question about it. The SM7 is ok, so is Sennheiser 421 and 441, but the RE-20 will be the best because it is the most condenser like dynamic mic out there. You will get a great sound for the vocal and it will reject the piano as good as anything out there. | sorry to disagree, but the Beyer M88 (hypercardioid) has better rejection than the RE-20 (cardioid), and to my ears also sounds more condenser like (clearer top, more bottom, less midrange honk) than the RE-20
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16th July 2012
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#8 | | Lives for gear
Joined: Oct 2010 Location: Los Angeles, CA
Posts: 2,645
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The RE20 is spot on! Love that little guy, but if you have an SM7 you're made in the shade.
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16th July 2012
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#9 | | Lives for gear
Joined: Oct 2011
Posts: 614
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If you're recording both audio and doing filming you need something that sounds great and looks good in relation to not covering the performers faces. If cameras were not involved, I would definitely go with the RE20. Since I wouldn't want any distractions to the performers faces, I would look into something a bit smaller in size similar to an M88, but being a hypercardiod, it's going to be hearing a lot from the back of the Beyer M88. Be sure to go with a cardioid pick-up pattern and not a hyper, super or figure eight. Recently I did a video production with a piano/vocalist using a Neumann KMS 104. It sounded great, looked fantastic and had a very good front to back ratio.
Dennis
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16th July 2012
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#10 | | Lives for gear
Joined: Nov 2004 Location: Stavenisse
Posts: 1,838
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A gold one.... Allways better than a silver one... Blacks should not be considdered.
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16th July 2012
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#11 | | Rocket Scientist
Joined: Nov 2006 Location: Los Angeles
Posts: 1,350
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Use the mic that sounds best on the singer and don't worry about bleed.
Personally I think the TLM103 would be easier to blend in to the mix, it would have a bigger sound than the RE20.
If you place the mics relatively near the singers mouths then the piano should not be a problem if it's mic'd properly.
I've done several live video shoots of opera singers standing near a piano or organ, I use 414 microphones (set cardiod) on these recordings and they are similar to your TLM. No problem with mixing the vocals and piano at proper levels and getting incredible sound. I don't really like opera but I did a recording for a singer who keeps calling me back because she loves the sound I get for her and she keeps telling her friends.
I actually like a little bit of bleed between the mics, it's like room mics, it adds depth to the sound.
Good music to you!
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16th July 2012
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#12 | | Lives for gear
Joined: Dec 2004 Location: Finland
Posts: 3,961
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Yes, that's what I would do
Matti
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17th July 2012
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#13 | | Gear Head
Joined: Jan 2009
Posts: 74
Thread Starter | Quote:
Originally Posted by RCM - Ronan If bleed is the concern, the RE20 is the clear answer. Much better rejection than the 103 | Sure, I know.
Maybe what I'm asking is also what you guys do (in general) when you have a pianoplayer singing.
BTW, I totally agree with the looks of the RE20: it somehow looks like a giant d**k..!
Thx for your time...
Mikkel
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17th July 2012
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#14 | | Lives for gear
Joined: Jun 2002 Location: Santa Monica, CA
Posts: 7,441
| Quote:
Originally Posted by RCM - Ronan If bleed is the concern, the RE20 is the clear answer. Much better rejection than the 103 | Plus, you can get right up on an R-20 without undue proximity effect.
-R
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17th July 2012
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#15 | | Lives for gear
Joined: Jun 2002 Location: Santa Monica, CA
Posts: 7,441
| Quote:
Originally Posted by mikkelkiilerich Sure, I know.
Maybe what I'm asking is also what you guys do (in general) when you have a pianoplayer singing.
| I usually stand a 2 x 4 foot sheet of absorbent foam or OC 703 horizontally and upright on the piano, just behind the music stand and in front of the raised lid to reduce bleed.
-R
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