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| | #31 |
| Gear Guru Joined: Feb 2004 Location: Sacramento, CA
Posts: 10,229
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Yeah, yeah. Actual Poof from Herbie Hancock's Thrust album. My favorite tune from that very fine record.
__________________ All the best, Henry Robinett http://www.henryrobinett.com/ http://soundcloud.com/henry-robinett |
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| | #32 | |
| Gear interested Joined: Aug 2005
Posts: 17
| Quote:
I know a great drummer who's playing amazing on the hr-16. Interestingly he's doing exactly the same worm up routine on both the real kit and the hr-16. | |
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| | #33 |
| Lives for gear Joined: Jun 2002 Location: I left my heart, in...
Posts: 1,881
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Wow. I finally got to watch it. Drummer has wayyyy too much ability on the HR16. It is obvious he is a drummer, look at the way he plays the high hat controller. Too much rhythm to not be. I have no idea how he kept the sensitivity on the pads, I had the HR16 and the MMT8 and the pads were always the first to go. Thanks for that.
__________________ -David R. "An intellectual says a simple thing in a hard way. An artist says a hard thing in a simple way." - C. Bukowski |
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| | #34 |
| Gear maniac Joined: Aug 2004 Location: Chicago
Posts: 172
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I think it is MORE impressive that he is doing it on the pads instead of a real kit. Some people seem to be missing the point... He is a real drummer and certainly a real musician even if he has never touched acoustic drums before. Though I too doubt that is the case. It's quite remarkable. -Jp |
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| | #35 |
| Lives for gear Joined: Jul 2002 Location: San Francisco
Posts: 4,779
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My question isn't whether he's a real drummer, but I wonder if he can do all the same things on a real kit as on the HR-16. There may be some stuff he can do on one and not on the other. It would be interesting to see.
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| | #36 |
| Lives for gear Joined: Jul 2004
Posts: 1,055
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Very bjorkin' cool. thanks!
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| | #37 | |
| Lives for gear Joined: Apr 2006 Location: Inside the Outside
Posts: 1,193
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| | #38 | |
| Lives for gear Joined: Apr 2006 Location: Inside the Outside
Posts: 1,193
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| | #39 |
| Gear interested Joined: Jun 2006
Posts: 2
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It's clearly evident the guy is not only a great drummer, but he also wails on the drum machine too. The high-hat work, double kicks and cool fills he does clearly shows his experience. The fact that he's transpired his skills to the HR-16 as well makes this video that much more impressive. It drum machine is there as a matter for his convenience. As a guitar player I've hamfisted my way through laying drum patterns down, and I'm in complete awe of guys like him that do it in real time, and so effertlessly. |
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| | #40 | |
| I like lamp Joined: Jul 2005 Location: New Orleans, LA
Posts: 1,402
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| | #41 | |
| Lives for gear Joined: Oct 2002 Location: A big Canadian island in the Pacific, but my citizenship is otherworldly...
Posts: 936
| Quote:
Check out some of the stuff he does with Bela Fleck . | |
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| | #42 | |
| Gear addict Joined: Mar 2005 Location: Germany
Posts: 350
| Quote:
The pads on my HR 16 stopped working years ago...and they charge a fortune for repair... But my HR 16 is grey not white and it doesn't have such a variety of sounds like in the video. No China for instance. | |
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| | #43 | |
| Mastering Joined: Mar 2006
Posts: 3,099
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Yes, folks, this is the drum sound of the future. The guy's fantastically talented, though! I have a good friend who is a fantastic acoustic drummer, but prefers to play the electronic drums, and those of us engineers here in town just can't understand it, he gets a much more dynamic and refined sound with the real drum set. Am i just too old fashioned? BK
__________________ Bob Katz DIGITAL DOMAIN http://www.digido.com "There are two kinds of fools. One says-this is old and therefore good. The other says-this is new and therefore better." No trees were killed in the sending of this message. However a large number of electrons were terribly inconvenienced. | |
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| | #44 | |
| Gear addict Joined: Mar 2005 Location: Germany
Posts: 350
| Quote:
but I never thought that it might be possible to actually PERFORM on a crappy drum-machine this way ! Now, that IS pretty amazing, no ? | |
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| | #45 | |
| Lives for gear Joined: Apr 2004
Posts: 5,695
| Quote:
__________________ Michael | |
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| | #47 |
| Gear maniac Joined: Sep 2005
Posts: 264
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Amazing link! Having used a HR-16 for well over 10 years, I can tell you that he was plainly not using the internal sounds (well maybe the cowbell) and I think the MPC sitting right behind him was the obvious source of the triggered drum samples. Like others have noted, I can't believe the expression he was able to get from the somewhat crappy HR16 drum pads. Once again, talent trumps equipment every single time. Along those lines, I'd be pretty surprised if we wasn't an experienced drummer given the sophistication of his chops, but then again . . . . ? |
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| | #48 | |
| Lives for gear Joined: Oct 2002 Location: A big Canadian island in the Pacific, but my citizenship is otherworldly...
Posts: 936
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| | #49 | |
| Lives for gear Joined: Sep 2005 Location: Richmond Hill, Ontario (Canada)
Posts: 3,213
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__________________ "In the time of chimpanzees I was a monkey" - Beck, Loser "I do use compressors/limiters but not for controlling dynamics, I use EQ for that!" Jp22 (damn I miss him) "Education is a progressive discovery of our own ignorance." -- Will Durant, historian (1885-1981) "I try to get a boom out of the bass drum, in one of my albums, my CD, boom, I try to get that big boom, I could not get a big boom, I paid bucks, and could not get the boom" - Recording Expert, Tad Donley | |
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| | #50 |
| Gear addict Joined: Jul 2005 Location: Dexter/Ann Arbor, MI
Posts: 312
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Holy crap. I know these threads tend to turn into 'real drums sound better' sermons. But for a moment, let's all just appreciate the musicianship.... ...wow. Anyway, if you didn't watch the whole thing, fast foward to about 6:00. That's some scary chops right there, gents. Where are the industry talent scouts when you need them? You could put these two guys on Leno or Letterman right now, just jamming like this, and they'd bring down the house. Or, if that drummer guy doesn't make it in music... he's got a very promising future in the field of high speed data entry. Adam
__________________ "(People) believe that solutions emerge from judicious study of discernible reality. That's not the way the world works anymore. We're an empire now, and when we act, we create our own reality. And while you're studying that reality - judiciously, as you will - we'll act again, creating other new realities, which you can study too, & that's how things will sort out. We're history's actors... and you, all of you, will be left to just study what we do.'' - Senior Bush advisor, NY Times, 10/17/04 |
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| | #51 | |
| Lives for gear Joined: Mar 2005 Location: NYC
Posts: 2,639
| Quote:
Sammy Merendino "played drums" on an album I did 15 years ago. I use quotes because he played the entire album by hand (fingers, actually) on the pads of a Linn 9000, triggering sounds from a Forat F16 and an Emulator III. It was mind boggling how good his parts were, and how effortlessly he executed them on those little pads. At that time Sammy told me he used to play a real drumkit, but he hadn't done a session with sticks & skins in several years. But his phrasing & licks were completely believable --AND MUSICAL -- just like what a great drummer would have & could have played on a kit. | |
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| | #52 |
| Lives for gear Joined: Dec 2005 Location: Sherman Oaks
Posts: 1,095
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That was very entertaining to watch! Those guys are pretty incredible! Rob |
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| | #53 | |
| Gear maniac Joined: Aug 2004 Location: Chicago
Posts: 172
| Quote:
I'm a little concerned because because I am hearing a lot of bias coming through on this thread. Though no one has said it this way, it is obvious that many of the posters are harboring the following thoughts: "Drum machines are only for untalented rap producers, not real musicians. So if he can play the drum machine in a talented way, he must also be a 'real drummer.'" In which case I refer you to my original post. Again, let me say, I find this guy so incredible because they are NOT acoustic drums. I hear very talented acoustic drummers all the time. Go to any highly rated jazz club in any major city. I have also seen very talented drum machine players (Jel from Themselves comes to mind), but I have never seen anything like this clip before. Now on a more serious note, I'd love to hear him do the exact same performance, but this time with 808 samples. -Jp | |
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| | #54 |
| Lives for gear Joined: Dec 2005 Location: London
Posts: 1,956
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Boy that was refreshing to see/hear in an odd kinda way, just goes to show, that whatever you play, you just gottat 'get ta groove' - and those boy's were vibin'. V cool.
__________________ . "There's no correlation between creativity and equipment ownership. None. Zilch. Nada." Hugh MacLeod ~ peace ~ |
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| | #55 | |
| Lives for gear Joined: Jun 2002 Location: I left my heart, in...
Posts: 1,881
| Quote:
I think there is a consensus this guy is a bad ass musician. My guess is he would be just as good on a drum kit, or just as good banging on pots and pans in his kitchen. The sounds are from the HR16, as much as I remember. As tempting as it is to replace the pads, I think I will pass on that adventure. | |
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| | #56 | |
| Lives for gear Joined: Jul 2002 Location: San Francisco
Posts: 4,779
| Quote:
Btw, I saw a show with Bela Fleck on his banjo-tar thing, Victor Wooten on bass and Vinnie Colaiuta on drums (and Bill Evans on sax but IMO he almost didn't need to be there). Vinnie is just plain disgustingly sickeningly frighteningly awe-inspiring-ly inspirationally good, as was the rest of the band (but I'm a drummer ).
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| | #57 |
| Lives for gear Joined: Oct 2002 Location: A big Canadian island in the Pacific, but my citizenship is otherworldly...
Posts: 936
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The only stuff of Vinnie Colaiuta's I've heard was on Sting's albums, and I liked him there, but I just checked out his discography - yeowza! I'm gonna keep my ears open for more of his work. The last time I saw Bela was in Trio, with Stanley Clarke and Jean Luc Ponty. That was a treat! |
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| | #58 | |
| Lives for gear Joined: Mar 2005 Location: East Coast, U.S.A.
Posts: 1,799
| Quote:
Dude... huge blast of milk AND a bite of cheese sandwich blown completely through me nose Thanks. I think I'm ok now ![]() and yeah, those are some bodacious chops indeed!!
__________________ ~8^) The enemy isn't liberalism or conservatism, the enemy is bullshit -- Lars-Erik Nelson Now, when there's no longer surface noise and you actually have the ability to have the most extraordinary dynamic range, people aren't using it -- T-Bone Burnett The problems that exist in the world today cannot be solved by the level of thinking that created them -- Albert Einstein I'm not black, but there's a whole lot of times I wish I could say I'm not white -- Frank Zappa | |
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| | #59 | |
| Lives for gear Joined: Mar 2005 Location: NYC
Posts: 2,639
| Quote:
My favorite "Vinnie's Got Awesome Chops" story is a quote I read by Terry Bozzio, where he was talking about the time in the late 70's when he parted ways with Frank Zappa's band. Terry admitted he'd gotten kind of cocky & arrogant; the quote was something along the lines of "I thought I was the best drummer in the world. I figured I was irreplaceable. I mean, Frank had written The Black Page for me and I'd learned to play it; if I could do that, I was in a league of my own. No one else could play that tune. "And then one week later Vinnie Colaiuta's playing The Black Page in concert with Frank. I was humbled." (all paraphrased, of course) | |
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| | #60 |
| Lives for gear Joined: Oct 2002 Location: A big Canadian island in the Pacific, but my citizenship is otherworldly...
Posts: 936
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I just read this story from the Zappa years on his webpage; Steve Vai on Vinnie Colaiuta: I'll tell you a really great Vinnie story. He's one of the most amazing sight-readers that ever existed on the instrument. One day we were in a Frank rehearsal, this was early '80s, and Frank brought in this piece of music called "Mo 'N Herb's Vacation." Just unbelievably complex. All the drums were written out, just like "The Black Page" except even more complex. There were these runs of like 17 over 3 and every drumhead is notated differently. And there were a whole bunch of people there, I think Bozzio was there. Vinnie had this piece of music on the stand to his right. To his left he had another music stand with a plate of sushi on it, okay? Now the tempo of the piece was very slow, like "The Black Page." And then the first riff came in, [mimics bizarre Zappa-esque drum rhythm patterns] with all these choking of cymbals, and hi-hat, ruffs, spinning of rototoms and all this crazy stuff. And I saw Vinnie reading this thing. Now, Vinnie has this habit of pushing his glasses up with the middle finger of his right hand. Well I saw him look at this one bar of music, it was the last bar of music on the page. He started to play it as he was turning the page with one hand, and then once the page was turned he continued playing the riff with his right hand, as he reached over with his left hand, grabbed a piece of sushi and put it in his mouth, continued the riff with his left hand and feet, pushed his glasses up, and then played the remaining part of the bar. It was the sickest thing I have ever seen. Frank threw his music up in the air. Bozzio turned around and walked away. I just started laughing." -As told to Don Zulaica (Excerpted from www.drumstuff.com) |
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