16th June 2012
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#1 | | Lives for gear
Joined: Nov 2006
Posts: 854
Thread Starter | Summing Boxes- which one impressed you/?
I tried many, Dangerous, Nicerizer 16, Equinox.......SPL Mixdream, Neve 8816..
I liked the Dangerous, Nicerizer 16, Equinox...but not the Mixdream and 8816.
I am intrigued about the Fat Bustard, the JCF Levr, Great River,Cranesong, Inwards Connection and the Tonebus.
What is your opinion about the Summing Boxes you used??
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17th June 2012
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#2 | | Lives for gear
Joined: Feb 2010 Location: New York
Posts: 1,508
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Tried summing box, prefer mixing board.
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17th June 2012
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#3 | | Lives for gear
Joined: Apr 2008 Location: San Francisco, CA |
I settled on the Inward Connections Mix690, at least for the time being. It sounded best to me in the Vintage King "Hear the Gear" samples, and definitely beats the D2BLT and Folcrom I used to own. The Tonelux OTB16 and Rascal Tonebuss are the two remaining contenders that I'd like to shoot out at my place someday. There's a thread somewhere on GS where people posted summed mixes using various mixer/converter combos. Here it is: ANALOG SUMMING COMPARISON (this time its different) |
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17th June 2012
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#4 | | Gear maniac
Joined: May 2010 Location: Seattle/Brooklyn/Paris
Posts: 229
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the chandler sounds pretty good!
Sent from my SGH-T959 using Gearslutz.com
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18th June 2012
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#5 | | Gear maniac
Joined: Jan 2009 Location: Sydney, Australia
Posts: 158
| Quote:
Originally Posted by zak7 I tried many, Dangerous, Nicerizer 16, Equinox.......SPL Mixdream, Neve 8816..
I liked the Dangerous, Nicerizer 16, Equinox...but not the Mixdream and 8816. | What did you like about the Dangerous, Nicerizer and Equinox, and what did you not like bout the other two?
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18th June 2012
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#6 | | Lives for gear
Joined: Nov 2011 Location: Vienna
Posts: 1,369
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you said you tried the 8816...why dont you like it?
i think its marvelous. i really like it!
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18th June 2012
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#7 | | Lives for gear
Joined: Nov 2008 Location: Boynton Beach, FL
Posts: 4,095
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I had the dangerous LT for a while. I liked it. It was different, but could get pretty close without, so the time spent creating the routing wasn't worth it. Just a pair of pres that have line in capability on the 2buss and my buss compressor. For rock that's what I do. Pop stuff stays 100% itb.
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19th June 2012
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#8 | | Gear maniac
Joined: Jan 2009 Location: Sydney, Australia
Posts: 158
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Originally Posted by NeoHippy you said you tried the 8816...why dont you like it?
i think its marvelous. i really like it! | Thats the only one on the list I have actually tried. It's a pretty amazing box, but my guess is that it could sound a little bit gooey on some material. It's not really the box for everything.
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20th June 2012
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#9 | | Lives for gear
Joined: Nov 2006
Posts: 854
Thread Starter |
Equinox is WAY cleaner of what people believe it is....the thing is that most of Equinox users use the Equinox monitor section, that tame the top end, but is actually there, I checked that with a different monitor section and al the top end came back. cool box overall.
Dangerous is clean 100% reliable .
Nicerizer 16 cool sound and color but not so reliable the panning knobs and the knobs overall are not very reliable and recall can be a huge pain in the ass...but really nice sound.
8816, prefer the ITB sound!
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20th June 2012
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#10 | | Lives for gear
Joined: Nov 2006
Posts: 854
Thread Starter | Quote:
Originally Posted by Slikjmuzik so the time spent creating the routing wasn't worth it. | Use templates take seconds!
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20th June 2012
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#11 | | Lives for gear
Joined: Nov 2010
Posts: 734
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Rascal Tonebus and Inward Connections mix690. Ended up buying the 690 after hearing Trakworx´s test (yeah, Im that kind of gslut)
Intrigued about the tonelux
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20th June 2012
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#12 | | Lives for gear
Joined: Apr 2008 Location: San Francisco, CA | Quote:
Originally Posted by YOHAMI Ended up buying the 690 after hearing Trakworx´s test | How are you liking it?
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20th June 2012
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#13 | | Lives for gear
Joined: Nov 2010
Posts: 734
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I love it, gluey and very punchy, and transparent-ish otherwise.
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21st June 2012
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#14 | | Lives for gear
Joined: Nov 2006
Posts: 854
Thread Starter | Quote:
Originally Posted by YOHAMI Rascal Tonebus and Inward Connections mix690. Ended up buying the 690 after hearing Trakworx´s test (yeah, Im that kind of gslut)
Intrigued about the tonelux | in which way did u prefer the IC 690 over the Tonebus??
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21st June 2012
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#15 | | Electron shuffler
Joined: Nov 2007 Location: Liverpool, UK
Posts: 204
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Love the Fat Bustard - a studio I work at occasionally has one as a sidecar to the Neve console and often I prefer to just use the FB for smaller mixes.
Have heard great things about the Chandler too.
I had a Neve 8816 with the fader pack on loan for a few months... I thought it sucked big-time. Half the time I preferred the ITB sound and if you're shelling out £4k for a summing box, it should be an improvement 100% of the time.
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21st June 2012
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#16 | | Lives for gear
Joined: Nov 2006
Posts: 854
Thread Starter | Quote:
Originally Posted by TonyD Love the Fat Bustard - a studio I work at occasionally has one as a sidecar to the Neve console and often I prefer to just use the FB for smaller mixes.
Have heard great things about the Chandler too.
I had a Neve 8816 with the fader pack on loan for a few months... I thought it sucked big-time. Half the time I preferred the ITB sound and if you're shelling out £4k for a summing box, it should be an improvement 100% of the time. | I am with you! the 8816 sucked big time for me too!
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21st June 2012
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#17 | | Lives for gear
Joined: Nov 2010
Posts: 734
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Originally Posted by zak7 in which way did u prefer the IC 690 over the Tonebus?? | Bear on mind that I didnt test the units myself, but listened to anything I could find instead (Im in Argentina, no way for me to test without buying / having the unit shipped overseas)
The Rascal seemed to have a stronger imprint, more metallic, more pointy. Also ate more transients.
In comparison the mix690 seemed to be more transparent and more pumpy, in an API sort of pumpy way, but without the strong imprint. They use op amps instead of transformers (I believe). I listened to a couple of mixes passed through the mix690 and it made the stereo and dynamics more interesting to my ear.
So. Im doing group mixdowns and then I mixdown the groups -> two passes through. Without the chance to try before I buy, I picked the more transparent unit.
The other options, line mixers and dangerous... the consensus is that they are too transparent. I had to really focus on the mixes I heard to notice a difference. The nicericer mixes I heard were too colored for my taste. A friend of mine has a mixdream so that took her out of the equation (hey I can go there and use it!). So there you go.
So far Im happy. Wish I could have listened to the Tonelux too.
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21st June 2012
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#18 | | Lives for gear
Joined: Apr 2008 Location: San Francisco, CA | Quote:
Originally Posted by YOHAMI In comparison the mix690 seemed to be more transparent and more pumpy, in an API sort of pumpy way, but without the strong imprint. They use op amps instead of transformers (I believe). | Mix690 has 20 SPA690 op amps and 2 Cinemag output transformers. Quote:
Originally Posted by YOHAMI The other options, line mixers and dangerous... the consensus is that they are too transparent. I had to really focus on the mixes I heard to notice a difference. | Same here. My old D2BLT was clean but lacked "mojo".
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21st June 2012
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#19 | | Lives for gear
Joined: Jan 2008 Location: Brooklyn
Posts: 2,726
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I tried out a lot when I got mine.
It came down to the Chandler and the Fat Bustard.
Ended up getting the FB and love it!
__________________  DL
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21st June 2012
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#21 | | Lives for gear
Joined: Nov 2010
Posts: 734
| Quote:
Originally Posted by RKrizman I'm not convinced anything is going to do a better job than this, coupled with your preamp of choice. | I guess that one is the same as a folcrom.
But. Some summing mixers have op amps per channel, transformer per channels, or have some stuff inside that heavily colors the sound . So it's not just the electrical summing but the sound of the individual components.
I guess that summer sounds like a few inches of cable. I wonder if that does anything to the stereo imaging and glue. It would be interesting to compare it against the rest of the family |
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21st June 2012
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#22 | | Lives for gear
Joined: Apr 2008 Location: San Francisco, CA |
All I can say is that I shot my Folcrom (paired with a variety of high end pres) against the Mix690 and D2BLT, and believe me I wouldn't have dropped the cash for the Mix690 if I thought I could get as good a sound without it. As always YMMV.
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21st June 2012
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#23 | | Lives for gear
Joined: Nov 2006
Posts: 854
Thread Starter | Quote:
Originally Posted by Trakworx I settled on the Inward Connections Mix690, at least for the time being. It sounded best to me in the Vintage King "Hear the Gear" samples,[/url] | Yeah I also thought that in the VK shoot out the M690 sounded the best.
But I think those mixes are SOOOO Terrible that I can not trust at all that.
But anyway having in consideration the IC is a great company and that the shoot out may have some value is not a bad choice at all!
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27th June 2012
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#24 | | Gear maniac
Joined: Jan 2009 Location: Sydney, Australia
Posts: 158
| Quote:
Originally Posted by YOHAMI A friend of mine has a mixdream so that took her out of the equation (hey I can go there and use it!). So there you go. | I'm curious to know what you think about the mixdream as it's one of the cheaper options.
I'm generally agreeing with what has been said here about the Neve and the Inward Connections boxes. I found the Neve (the only summing box I have actually had hands on experience with) a little woolly sounding for the music I generally work on (electronic/beats). I really dug the sound of the Inward Connections on the Vintage King shootout though, it has a little mojo but a great open top end where a lot of the other boxes seem to do funny things the top.
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27th June 2012
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#25 | | Lives for gear
Joined: Oct 2005 Location: Lost Angeles |
I like the Folcrom with the JCF LEVR |
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28th June 2012
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#26 | | Gear maniac
Joined: May 2003 Location: Sweden
Posts: 277
| Quote:
Originally Posted by zak7 Yeah I also thought that in the VK shoot out the M690 sounded the best. | I came to the same conclusion and eventually got my dirty hands on an Inward Connections Mix690. What a beautiful sounding summing box!
I've used Dangerous 2Bus, Vintagedesign SU1, X-Desk, a bunch of analogue mixing consoles and the Mix690 creates the most vibrant mixes by just running a bunch of audio channels through it. It's a cliche but it sort of makes it sound "like a record". :D
Like someone before me pointed out it's punchy, gluey and with great depth. I love the dynamics of the low-end and the fact that boosting the main output volume makes the mix break up a little bit in a great way. No appropriate for all kind of material, but cool on some, and if I want the mix to sound more "polite" I just back off a couple of dB's on the main output.
The pan pots makes it possible to mono mix channels which I use a lot and to make half-panned channels - in my ears half-panning sounds better in the analogue domain and better retains its integrity in a busy mix compared to ITB mixing.
And I love the fact that the Mix690 doesn't munch any transients, the transient response is fantastic compared to an analogue mixing console but still adds some character.
All in all a lovely summing box.
Don't try it if you can't afford it!!!
Cheers
Fred
My Studio |
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28th June 2012
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#27 | | 70% Coffee, 30% Beer
Joined: Dec 2006 Location: Quincy, MA
Posts: 9,204
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Originally Posted by Nu-tra I like the Folcrom with the JCF LEVR  | Really Dig My JCF LEVR setup!!!
I'm rocking the output trafo's on mine! Even still, this setup is clear as a bell, tall and really wide sounding. Certainly a bit' o heft is there, but nothing that ever would get in the way. I find there is plenty of headroom on these modules, and I love the difference that stemming, say A/B/C/D stereo busses can make to a mix. You move a LOT different, and to better results. It helps me clear up all the masking in my tracks, and you can really scope in with your signal processors, when your stemming out to a rig like this.
__________________ Adam Brass adam@dspdoctor.com DSPdoctor.com "Where High End is Still King"
__________________ "Any opinions above are worth exactly what you paid for them." Anonymous "If I find 10,000 ways something won't work, I haven't failed. I am not discouraged, because every wrong attempt discarded is another step forward. Thomas Edison RTFM |
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29th June 2012
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#28 | | Toronto Maple Leafs fan
Joined: Nov 2009 Location: Winnipeg MB
Posts: 2,069
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ToneBuss user. Really like it, I've been talking to Joel about some channel strips for mixing to go with it since he's just finished his new 500 series pre. Really great guy and I'd love to own more of his gear. One of the things that impresses me most about the Tonebuss is the way it rounds the edges off just so. Also enjoyed the Dangerous in a different way. I considered the Neve box but liked the idea of the Tonebuss and Xformers on the inputs and outputs.
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29th June 2012
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#29 | | Lives for gear
Joined: Jul 2002 Location: Inver Grove MN
Posts: 531
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Seeing as how gear pimps are allowed, don't forget the MixMaster 20.
It's not clean, it has lot's of iron, and it has great preamps and control room
functions too.
__________________
Dan Kennedy
Great River Electronics
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29th June 2012
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#30 | | Lives for gear
Joined: Oct 2002
Posts: 780
| Quote:
Originally Posted by zak7 I tried many, Dangerous, Nicerizer 16, Equinox.......SPL Mixdream, Neve 8816..
I liked the Dangerous, Nicerizer 16, Equinox...but not the Mixdream and 8816.
I am intrigued about the Fat Bustard, the JCF Levr, Great River,Cranesong, Inwards Connection and the Tonebus.
What is your opinion about the Summing Boxes you used?? | Ive had 2 of the 690s for a few years, I think they sounded closest it my old consoles. the additional AUX pairs offer cool options as well.
my only beef, is I wish center pan was detented.
dont think you could go wrong with the 690.
best,
Sean
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