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| | #121 |
| Lives for gear Join Date: Dec 2005 Location: FL
Posts: 1,542
Thread Starter | Let me pose another question to get a better understanding of where I'm going with this: Have you ever presented a song to anybody in the business in it's raw form (guitar/piano & vocal) and had it rejected. Then, went back, produced it, worked on it and had it received or looked at more favorably ?
__________________ Dreamsongs BMI Dreamsongs Productions Dreamsongs Publishing BMI Dreamsongs LLC " The dream don't come any closer on it's own, you have to go after it " Me...! |
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| | #122 | |
| Gear addict Join Date: Oct 2005 Location: Atlanta, GA
Posts: 391
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| | #123 | |
| Gear addict Join Date: Feb 2004 Location: Kits Beach
Posts: 377
| Quote:
Happens regularly. Further, there is the matter of striking a balance between polishing, to help get the point across, vs. not overworking, when there is a chance the production will be rejected. | |
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| | #124 | |
| Lives for gear | Quote:
producing a demo is a double edge sword. I would initially give them the raw track, unless ofcourse I feel that ¨my production¨is really REALLY bringing something to the table. Since like you mentioned earlier, i´m still very insecure about my production abilities. could you post a before and after example of your music man ? just out of curiousity. Because with my stuff, if you listen to the raw track and the produced by me version, it´s basically the same song with other instruments.
__________________ www.thejoti.com www.myspace.com/thejoti http://www.youtube.com/watch?v=sR116su2Uuo ¨But, then again, I'm British and think you Yanks with your fancy pre for each track are a bunch of weirdos¨ Mark | |
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| | #125 |
| Lives for gear Join Date: Dec 2005 Location: FL
Posts: 1,542
Thread Starter | I'd love to once I figure out exactly how to do it... |
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| | #126 |
| Lives for gear Join Date: Dec 2005 Location: FL
Posts: 1,542
Thread Starter | I am updating my Broadjam website, when I finish uploading my songs I will provide the link. If I can post any song that accurately illustrates the difference between a raw version and a fully produced vesion I will try and do it... |
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| | #127 |
| Lives for gear Join Date: May 2005 Location: United States
Posts: 2,475
| On the home studio vrs pro studio question....here's something else to consider....say you are a songwriter. Now over your lifetime, how many songs are you going to write ? Hundreds, thousands, ten ?? For arguements sake, let's say you write 200 songs over your life that are worth recording, and doing some production work to them. In a pro studio, you could very easily run up a tab of $1,000 per song, for 200 songs, that would add up to $200,000, so is a $10-40,000 investment in a home studio worth your time and effort ?? I think so.
__________________ To hear some of my music, goto iTunes and do a search for djwayne2000. |
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| | #128 | |
| Lives for gear Join Date: Dec 2005 Location: FL
Posts: 1,542
Thread Starter | Quote:
Ditto that... My point exactly... | |
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| | #129 | |
| Lives for gear | Quote:
I was thinking about this alot over the last couple days man, and I do understand your point.. but then, i think of all the ¨acoustic versions¨ of famous songs, and i like them like that to. Even Sheryll Crows version of ¨sweet child of mine¨ is really cool, and it doesn´t even have the famous riff. A song is a song. One of my favorite probably top 3 bob marley songs is ¨redemption song¨, and it´s just him playing and singing along and it´s magic. So many songs I could name you like that. Paul McCartneys ¨yesterday¨, he has a little acoustic set in his latest concerts.. where he plays his songs ¨raw¨, and it´s amazing. You think the stones ¨angie¨would suffer without the piano and drums ?? i could go on and on about this... but then you said ¨not so great songs¨, can they be improved ??? well.. if they are not as great to you why even bother ??? my songs may not be as great to many, but at the moment I wrote them i thought i was the shit! now I listen back and say.. eeh, whatever.. i´m no john lennon yet, so i move forward.. as a songwriter if I think I will improve something by production it´s like the good old saying, ¨i will fix it in the mix¨.. so no, I still don´t agree that a great production will do anything for a song. | |
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| | #130 | |
| Lives for gear Join Date: May 2004 Location: The Lost Moon of Poosh
Posts: 1,733
| Quote:
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| | #131 | |
| Lives for gear Join Date: May 2004 Location: The Lost Moon of Poosh
Posts: 1,733
| Quote:
"Pride in the Name of Love" or "I Will Follow" or "Where The Streets Have No Name" or "With or Without You" would sound like complete shit as a "strummer in a coffeehouse". | |
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| | #132 |
| Lives for gear Join Date: May 2005 Location: United States
Posts: 2,475
| I think a great production does indeed help a song. Take for example, Peter Gabriel's song "In Your Eyes." He did a great production on the song and it became a hit, he did a slighlty different version on tour but still great. Now Nacy Wilson from Heart did an acoustic version of the song on her Live From McCabe's cd. It sounded great to me, but it did not become a big hit like Peter Gabriel's version. |
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| | #133 | |
| Lives for gear | Quote:
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| | #134 |
| Lives for gear Join Date: May 2005 Location: United States
Posts: 2,475
| Another example is Eric Clapton. He's made a whole career of producing and polishing up songs that were orignally, just old blues songs done on a guitar. |
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| | #135 | |
| Lives for gear | Quote:
Both of those songs can be easily transformed into a acoustic set. EASY. The songs would be intact. Trust me. Unlike the other 3 you mentioned, which still could hold a raw production but not as quiet, because they don´t have the hit quality up there as the 2 i mentioned. Even if they are better songs to me. | |
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| | #136 | |
| Lives for gear | Quote:
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| | #137 | |
| Lives for gear Join Date: May 2005 Location: United States
Posts: 2,475
| Quote:
I don't think so. The market has changed considerably and what's important is the quality of sound, and there's some great sounding equipment available which you don't have to pay an arm and a leg for. If I was starting out fresh today, knowing what to buy and what not to buy, I could put together a damn good sounding home studio for $40,000. You have to remember, a home studio doesn't need 20-30 mics, a huge board....but still needs many various things. As far as the guy who wants a good pre-amp for under $500, you have to remember not everybody has $40,000 to spend on any studio, they buy it one piece at a time, and build it over years, as their budget allows. But in the meantime, you still need something. Buy the high buck stuff AFTER you get some serious interest in your music, and you can write it off your taxes. | |
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| | #138 | |
| Lives for gear Join Date: May 2005 Location: United States
Posts: 2,475
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Well, anybody who can sell out a 20,000 seat venue to me is mega. Trust me on this, Clapton is a mega star. | |
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| | #139 | |
| Lives for gear | Quote:
Just like Pink Floyd, one of my top 3 favorite bands.. has what 1 ? or 2 truly mega hits ? Money and Another brick in the wall part 2. Oh ,and wish you were here. that´s it. | |
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| | #140 |
| Lives for gear Join Date: May 2005 Location: United States
Posts: 2,475
| I suppose Cream was chopped liver ?? |
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| | #141 | |
| Lives for gear | Quote:
You know what pisses me off about these statements ??? is that you guys leave out the most important part of studio building, which is the ROOMS!!! Dude.. with 40k you can´t even buy the couches and chairs of a high end studio, much less the floors and walls, and ceilings, and designs.. you guys are something. | |
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| | #142 | |
| Lives for gear Join Date: May 2004 Location: The Lost Moon of Poosh
Posts: 1,733
| Quote:
On the other hand, I'm listening to Stevie Wonder's 4-disc box set right now and there isn't a crap song in the bunch. | |
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| | #143 |
| Lives for gear Join Date: May 2005 Location: United States
Posts: 2,475
| Even Led Zepplin was doing new productions of old acoustic blues songs.... |
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| | #144 | |
| Lives for gear Join Date: May 2005 Location: United States
Posts: 2,475
| Quote:
Yes you can spend $1000's of dollars on couches and chairs, and yes couches and chairs are needed, and if you need to impress Joe Blow and the Blowettes, I suppose you need to have that. I don't. | |
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| | #145 | |
| Lives for gear | Quote:
Hey, I don´t need them either. By the way, I have nothing!! Not even 1 mic pre. I have a guitar that´s it. I was just saying, there is a difference between high end (Pro) and a home studio, and the difference is very obvious sonically to. Even though I´m young compared to the oldshcool people, i´m very oldschool when it comes to how to define a Pro studio. | |
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| | #146 |
| Lives for gear Join Date: May 2004 Location: The Lost Moon of Poosh
Posts: 1,733
| I agree with djwayne. This is my front end and what it could be purchased for at current market prices: Neve 1073 - $4125 (at Sonic Circus) Urei 1176 - $2800 (this is what the last Rev B on eBay sold for) Apogee Rosetta 200 - $1800 at Sweetwater Total: $8725 hmm... that sure is a lot less than a million bucks. Rent/borrow a U47 (even if you buy one for $8800, that puts the budget still well below a million bucks), and other than drums (which I track in a big studio), I can track everything else at home and have a completely pro sound. |
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| | #147 |
| Lives for gear Join Date: May 2005 Location: United States
Posts: 2,475
| Absolutely there's a huge difference between a pro studio and a home studio, but the home studio's quality is getting better with time, turning many of the old school studio's into white elephants. Who can afford it ?? Who can afford to record there ?? Some are still doing well, but many are struggling. |
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| | #148 | |
| Lives for gear Join Date: May 2005 Location: United States
Posts: 2,475
| Quote:
Yep, add the cost of some good monitors, a good computer and a recording program such as Audition, and you're in business. | |
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| | #149 | |
| Lives for gear Join Date: May 2004 Location: The Lost Moon of Poosh
Posts: 1,733
| Quote:
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| | #150 | |
| Gear addict Join Date: Jan 2005 Location: Nashville
Posts: 439
| Quote:
__________________ "At your level, the Samson drum mic kit would be just fine" - air conditioner repairman | |
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