6th March 2012
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#1 | | Lives for gear
Joined: Jan 2011
Posts: 629
Thread Starter | Best Parallel Drum hard compressor vst
which is your favorite vst compressor, for that hard, fat, parallel compression for drum buss???
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6th March 2012
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#2 | | Lives for gear
Joined: Jan 2007 Location: Germany
Posts: 2,568
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Waves CLA76 bluey or Bomb Factory bf76 (yes, really!), both in all-button mode, of course.
__________________ Too many options kill creativity. |
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6th March 2012
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#3 | | Gear interested
Joined: Jan 2009
Posts: 16
| Quote:
Originally Posted by loscolorados which is your favorite vst compressor, for that hard, fat, parallel compression for drum buss??? | IK Multimedia Tracks3 Black 76 has lots of character and can get pretty hard.
For something a bit cleaner Sonalksis SV315Mk2 is very musical and versatile.
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6th March 2012
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#4 | | Gear addict
Joined: Jul 2011 Location: Australia
Posts: 317
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Waves CLA 1176 Black does this well
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6th March 2012
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#6 | | Gear nut
Joined: Mar 2011 Location: Ireland
Posts: 97
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quite fond of Steinberg's "Vintage Compressor" myself!
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6th March 2012
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#7 | | Gear addict
Joined: Jan 2007 Location: Columbia, MD
Posts: 413
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Blockfish seems to pull a drum buss together for me.
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6th March 2012
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#8 | | Gear nut
Joined: Mar 2011 Location: Ireland
Posts: 97
| Quote:
Originally Posted by edwonbass Blockfish seems to pull a drum buss together for me. | Blockfish  also a wonderful little compressor! Likes been driven hard as well I've always felt.
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6th March 2012
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#9 | | Lives for gear
Joined: Jan 2007 Location: U.S.A.
Posts: 2,298
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Blockfish. Done. Oldie but goodie and it's like instant gratification on a parallel drum buss or on room drums. Can't go wrong. And it's free too
I have yet to find the time to try out Bootsie's Thrillseeker, but based on his description and his previous experience with saturation, I have high hopes that it may work well in this application, if it can generate enough distortion. But if it doesn't do the job, I don't care because Blockfish does the job great.
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6th March 2012
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#10 | | Gear interested
Joined: Dec 2010 Location: Madrid, Spain
Posts: 27
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Lets try with Cytomic "The Glue", is must-have comp plug-in for paralel compression with drum bus!
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6th March 2012
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#11 | | Lives for gear
Joined: Jan 2011
Posts: 629
Thread Starter |
well im interested in drum destroying in parallel, I see that most of you use 1176 compressor emulations.
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6th March 2012
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#12 | | Lives for gear
Joined: Oct 2010 Location: Los Angeles, CA
Posts: 2,657
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Believe it or not - variety of sound density. Amazingly squishy
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6th March 2012
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#13 | | Gear maniac
Joined: Jan 2010 Location: Midwest
Posts: 193
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There are many options but I like the Softube FET compressor. It is yet another 1176 style compressor but has a variable detection feature and wet/dry mix right on the unit.
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6th March 2012
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#14 | | Lives for gear
Joined: Sep 2003
Posts: 1,533
| Quote:
Originally Posted by loscolorados well im interested in drum destroying in parallel, I see that most of you use 1176 compressor emulations. | I'd look into the Soundtoys Deluxe Devil Loc.
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6th March 2012
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#15 | | Lives for gear
Joined: Mar 2009
Posts: 601
| Quote:
Originally Posted by Gigazaga There are many options but I like the Softube FET compressor. It is yet another 1176 style compressor but has a variable detection feature and wet/dry mix right on the unit. | +1!
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6th March 2012
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#16 | | Gear Head
Joined: Mar 2012
Posts: 47
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Most frequently I use the UAD Fatso Jr plugin or the Waves SSL Buss Compressor, depending on what sounds best for the track. Love the UAD stuff (who doesn't?).
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6th March 2012
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#17 | | Gear maniac
Joined: Jan 2011
Posts: 180
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SSL's LMC compressor does a good job of smashing drum tracks.
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6th March 2012
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#18 | | Lives for gear
Joined: Jan 2011
Posts: 629
Thread Starter |
how you guys set up attack and relese when you want this fat drums?
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17th March 2012
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#19 | | Lives for gear
Joined: Jan 2007 Location: Germany
Posts: 2,568
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I go for a shorter release to let the drums pump heavily which stretches the sustain (and most of the time I do not send OH's to the parallel bus). And I go for a fast attack to really squish it.
I go more or less the other way round on the (non-parallel) drum bus: slight (2-3 dB of GR) SSL quad-style compression with longer (30ms) attack and longer release just to hold the kit together a bit.
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18th March 2012
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#20 | | Lives for gear
Joined: Jan 2011
Posts: 629
Thread Starter | Quote:
Originally Posted by RiF I go for a shorter release to let the drums pump heavily which stretches the sustain (and most of the time I do not send OH's to the parallel bus). And I go for a fast attack to really squish it.
I go more or less the other way round on the (non-parallel) drum bus: slight (2-3 dB of GR) SSL quad-style compression with longer (30ms) attack and longer release just to hold the kit together a bit. | what about parallel compression GR, how much DB you push it?
what you think about putting drum channels bus, parallel compressed drum buss and bass guitar to one group, and then add this glue together compression stuff 2,3 DB of GR, 30 ms attack and musical relese?
Would it be overkill to glue drum bus, and then again glue drum bass with parallel drum and bass guitar?
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18th March 2012
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#21 | | Gear nut
Joined: Mar 2004 Location: brooklyn, ny
Posts: 126
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stillwell audio rocket. everytime.
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18th March 2012
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#22 | | Gear maniac
Joined: Aug 2007
Posts: 192
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Interesting. I like the Stillwell Bad Buss Mojo. Another go to is UAD DBX160, especially because the output gain is so dirty.
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Vancouver, BC
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18th March 2012
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#23 | | Toronto Maple Leafs fan
Joined: Nov 2009 Location: Winnipeg MB
Posts: 2,069
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I used to use the Rocket, Blockfish and now I just use the Decapitator.
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18th March 2012
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#24 | | Lives for gear
Joined: Nov 2003 Location: VIE
Posts: 2,940
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Abbey Road TG set to limit and time constant 1
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18th March 2012
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#25 | | Lives for gear
Joined: Mar 2008 Location: 'da Pitts, PA
Posts: 2,937
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Originally Posted by bee I'd look into the Soundtoys Deluxe Devil Loc. | +1 I can't believe no one else put this. With crush and crunch all the way up it pumps harder than Paul Reubens in a porno theatre.
This fits the OP's specific request.
__________________ Quote:
Originally Posted by patsilva Anyone Swap Digi 003 tubes? Is this even possible ? Anyone out there do it and if so what kind of results you get ? | www.wordofmoufrecordings.com |
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19th March 2012
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#26 | | Gear nut
Joined: Dec 2007
Posts: 146
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VST Dynamics...
SK
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19th March 2012
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#27 | | Lives for gear
Joined: Nov 2011 Location: Vienna
Posts: 1,369
| Quote:
Originally Posted by loscolorados what about parallel compression GR, how much DB you push it?
what you think about putting drum channels bus, parallel compressed drum buss and bass guitar to one group, and then add this glue together compression stuff 2,3 DB of GR, 30 ms attack and musical relese?
Would it be overkill to glue drum bus, and then again glue drum bass with parallel drum and bass guitar? | i often have 20-25 db GR with parallel compression!depends on the signal and plugin/gear of course! but really really much!
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19th March 2012
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#28 | | Gear Head
Joined: Jul 2011
Posts: 70
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+1 or even +10 for decapitator. Even though is isn't actually a compressor. For parallel processing, settings don't really matter. Just keep tweaking till it cuts through in a super nasty way. Then find the right level.
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19th March 2012
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#29 | | Gear maniac
Joined: Jul 2010 Location: Durham, NC
Posts: 201
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If I want it crazy Audio Damage Rough Rider (Freebie). It pumps like crazy and adds girth. It doesn't do subtle.
For most applications, UAD Neve 33609 is really nice in parallel to add punch.
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19th March 2012
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#30 | | Lives for gear
Joined: Jan 2011
Posts: 629
Thread Starter | Quote:
Originally Posted by WunderBro Flo Abbey Road TG set to limit and time constant 1 | good idea, i will try |
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