Best Parallel Drum hard compressor vst
loscolorados
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#1
6th March 2012
Old 6th March 2012
  #1
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Thread Starter
Best Parallel Drum hard compressor vst

which is your favorite vst compressor, for that hard, fat, parallel compression for drum buss???
RiF
#2
6th March 2012
Old 6th March 2012
  #2
RiF
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Waves CLA76 bluey or Bomb Factory bf76 (yes, really!), both in all-button mode, of course.
#3
6th March 2012
Old 6th March 2012
  #3
Gear interested
 
andrewsamuel's Avatar
Quote:
Originally Posted by loscolorados View Post
which is your favorite vst compressor, for that hard, fat, parallel compression for drum buss???
IK Multimedia Tracks3 Black 76 has lots of character and can get pretty hard.

For something a bit cleaner Sonalksis SV315Mk2 is very musical and versatile.
#4
6th March 2012
Old 6th March 2012
  #4
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DoctorG's Avatar
 

Waves CLA 1176 Black does this well
#5
6th March 2012
Old 6th March 2012
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GMK
#6
6th March 2012
Old 6th March 2012
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GMK
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quite fond of Steinberg's "Vintage Compressor" myself!
#7
6th March 2012
Old 6th March 2012
  #7
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edwonbass's Avatar
 

Blockfish seems to pull a drum buss together for me.
GMK
#8
6th March 2012
Old 6th March 2012
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GMK
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Quote:
Originally Posted by edwonbass View Post
Blockfish seems to pull a drum buss together for me.
Blockfish also a wonderful little compressor! Likes been driven hard as well I've always felt.
#9
6th March 2012
Old 6th March 2012
  #9
Gear interested
 
DirtyChus's Avatar
 

Lets try with Cytomic "The Glue", is must-have comp plug-in for paralel compression with drum bus!
#10
6th March 2012
Old 6th March 2012
  #10
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Blockfish. Done. Oldie but goodie and it's like instant gratification on a parallel drum buss or on room drums. Can't go wrong. And it's free too

I have yet to find the time to try out Bootsie's Thrillseeker, but based on his description and his previous experience with saturation, I have high hopes that it may work well in this application, if it can generate enough distortion. But if it doesn't do the job, I don't care because Blockfish does the job great.
loscolorados
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#11
6th March 2012
Old 6th March 2012
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Thread Starter
well im interested in drum destroying in parallel, I see that most of you use 1176 compressor emulations.
#12
6th March 2012
Old 6th March 2012
  #12
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fastlanestoner's Avatar
 

Believe it or not - variety of sound density. Amazingly squishy
#13
6th March 2012
Old 6th March 2012
  #13
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There are many options but I like the Softube FET compressor. It is yet another 1176 style compressor but has a variable detection feature and wet/dry mix right on the unit.
bee
#14
6th March 2012
Old 6th March 2012
  #14
bee
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Quote:
Originally Posted by loscolorados View Post
well im interested in drum destroying in parallel, I see that most of you use 1176 compressor emulations.
I'd look into the Soundtoys Deluxe Devil Loc.
Quote
1
#15
6th March 2012
Old 6th March 2012
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Quote:
Originally Posted by Gigazaga View Post
There are many options but I like the Softube FET compressor. It is yet another 1176 style compressor but has a variable detection feature and wet/dry mix right on the unit.
+1!
#16
6th March 2012
Old 6th March 2012
  #16
Gear Head
 

Most frequently I use the UAD Fatso Jr plugin or the Waves SSL Buss Compressor, depending on what sounds best for the track. Love the UAD stuff (who doesn't?).
#17
6th March 2012
Old 6th March 2012
  #17
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Ergo's Avatar
 

SSL's LMC compressor does a good job of smashing drum tracks.
loscolorados
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#18
6th March 2012
Old 6th March 2012
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Thread Starter
how you guys set up attack and relese when you want this fat drums?
RiF
#19
17th March 2012
Old 17th March 2012
  #19
RiF
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I go for a shorter release to let the drums pump heavily which stretches the sustain (and most of the time I do not send OH's to the parallel bus). And I go for a fast attack to really squish it.
I go more or less the other way round on the (non-parallel) drum bus: slight (2-3 dB of GR) SSL quad-style compression with longer (30ms) attack and longer release just to hold the kit together a bit.
loscolorados
Thread Starter
#20
18th March 2012
Old 18th March 2012
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Thread Starter
Quote:
Originally Posted by RiF View Post
I go for a shorter release to let the drums pump heavily which stretches the sustain (and most of the time I do not send OH's to the parallel bus). And I go for a fast attack to really squish it.
I go more or less the other way round on the (non-parallel) drum bus: slight (2-3 dB of GR) SSL quad-style compression with longer (30ms) attack and longer release just to hold the kit together a bit.
what about parallel compression GR, how much DB you push it?

what you think about putting drum channels bus, parallel compressed drum buss and bass guitar to one group, and then add this glue together compression stuff 2,3 DB of GR, 30 ms attack and musical relese?

Would it be overkill to glue drum bus, and then again glue drum bass with parallel drum and bass guitar?
#21
18th March 2012
Old 18th March 2012
  #21
Gear nut
 

stillwell audio rocket. everytime.
#22
18th March 2012
Old 18th March 2012
  #22
Interesting. I like the Stillwell Bad Buss Mojo. Another go to is UAD DBX160, especially because the output gain is so dirty.
#23
18th March 2012
Old 18th March 2012
  #23
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jordanvoth's Avatar
I used to use the Rocket, Blockfish and now I just use the Decapitator.
#24
18th March 2012
Old 18th March 2012
  #24
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WunderBro Flo's Avatar
Abbey Road TG set to limit and time constant 1
Quote
1
#25
18th March 2012
Old 18th March 2012
  #25
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E.rOk.stA's Avatar
 

Quote:
Originally Posted by bee View Post
I'd look into the Soundtoys Deluxe Devil Loc.
+1 I can't believe no one else put this. With crush and crunch all the way up it pumps harder than Paul Reubens in a porno theatre.

This fits the OP's specific request.
Quote
2
#26
19th March 2012
Old 19th March 2012
  #26
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VST Dynamics...

SK
#27
19th March 2012
Old 19th March 2012
  #27
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Quote:
Originally Posted by loscolorados View Post
what about parallel compression GR, how much DB you push it?

what you think about putting drum channels bus, parallel compressed drum buss and bass guitar to one group, and then add this glue together compression stuff 2,3 DB of GR, 30 ms attack and musical relese?

Would it be overkill to glue drum bus, and then again glue drum bass with parallel drum and bass guitar?
i often have 20-25 db GR with parallel compression!depends on the signal and plugin/gear of course! but really really much!
#28
19th March 2012
Old 19th March 2012
  #28
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Robbiehouston's Avatar
 

+1 or even +10 for decapitator. Even though is isn't actually a compressor. For parallel processing, settings don't really matter. Just keep tweaking till it cuts through in a super nasty way. Then find the right level.
#29
19th March 2012
Old 19th March 2012
  #29
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taherbert's Avatar
If I want it crazy Audio Damage Rough Rider (Freebie). It pumps like crazy and adds girth. It doesn't do subtle.

For most applications, UAD Neve 33609 is really nice in parallel to add punch.
loscolorados
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#30
19th March 2012
Old 19th March 2012
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Thread Starter
Quote:
Originally Posted by WunderBro Flo View Post
Abbey Road TG set to limit and time constant 1
good idea, i will try
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