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| | #1 |
| Gear Head Joined: Jul 2010 Location: 2nd room to the right
Posts: 69
Thread Starter | What do you guys think the next logical step would be? Equipment wise
So here's what I have to work with so far: Mics: Beta 52a Beta 56a Beta 57a SM 57 x2 SM 58 x2 SM 137 x2 Sm7b AT 4033 AT 2020 AT 2021 EV RE320 AKG C2000 AKG C1000 Sennheiser e906 Samson C03 ![]() A CAD drum kit pack that I don't care at all about, but it's sitting there in the studio. Front end: Focusrite saffire Pro40 Line 6 UX8 via spdif to the saffire for a grand total of 10 inputs... A pair of Yamaha HS50m Have a fairly decent amount of plugins, compter hardware is ok, room acoustics are barely ok, but we are planning of moving out of our current space, so investing in more treatment is not my primary goal here for now. Have an ok collection and access to of guitars, basses, amps, drums, cymbals and just about anything you need to play rock, from vintage Gibsons, Teles, Gretsch, Acoustics, and around probably 50-60 stompboxes of all sizes and colors. Now here's the deal, what piece would you upgrade next. I have around a thousand bucks to burn right now (not much I know), I'm thinking getting an Octopre or a Digimax, or even a 2nd Pro40 and ditching the UX8, or just keep it to fill rack space, people coming in seem to dig racks and shiny lights and stuff like that. Our room isn't that big but bands seem to dig the fact that they can track all live, i could use the extra ins. We do mostly rock indie kinda stuff, some metal also. Mics are probably out of the question, I'm constantly buying mics, so I know sooner or later the locker will grow. Please take into account I'm not in the US and we don't get many products here, and importing as an individual most of the times ends up in taxes actually being as much as the piece you are buying. So I'm stuck with local retail, going up to the US to pick up a 1000 dollars piece is just not worth it. So shoot, what do you think? |
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| | #2 |
| Gear Head Joined: Dec 2011
Posts: 72
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dude just save the money till you have more. if you have a good computer and plugs, the next step will be monitors, DA converter mics and outboard - this stuff adds up quickly - don't worry about the bling lights - just do a good job. I would say maybe look at going up to at least 16 inputs, but then depends on what music you do. gearlust is like a drug - don't spend money unless it's REALLY needed
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| | #3 |
| Gear Head Joined: Jul 2010 Location: 2nd room to the right
Posts: 69
Thread Starter | IceWood Studios: Think you misread. I don't want bling or shiny lights, that was an irony. And yeah going up to 16 Ins was what I resorted to as my first option. Monitors are listed there too, not the fanciest ones but they get the job done. We do rock, indie, metal stuff.
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| | #4 |
| Lives for gear Joined: Feb 2009
Posts: 3,204
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How do you find the SM137s on overheads? I'm guess for indi rock you could probably upgrade your sound with a more high end pair of overheads. Then again ... do you use drum replacement software? The money might be better spent on high end samples ... |
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| | #5 |
| Gear Head Joined: Jul 2010 Location: 2nd room to the right
Posts: 69
Thread Starter |
I think they are ok, nothing more, nothing less, a bit bright, which is nice for some stuff. I have a couple of 414's on my to do list for this year, but for now gotta work with what I have. Drum replacement is not really my thing, unless we're talking super technical metal and stuff like that, but haven't have one of those bands in the studio yet. I do have some pretty cool bass drum samples which I have used along with Drumagog in the past. |
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| | #6 |
| Banned |
Dude I would say save more money and look at getting some new monitors!
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