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| | #1 |
| Gearslutz.com admin | Gear that has made your work sound better?
OK, here's my 'little' list. It's kinda pricey...... I really feel the projects I have completed using this gear recently have seen a big jump in quality compaired to past work of mine. 1) (mixing) Dangerous 2 Bus (helps make my PT Mix + rig at 48k 24 bit sound better) http://www.dangerousmusic.com/2bus.html 2) (mix A/D and tracking A/D) Cranesong Hedd A/D running at 96k 24 bit (the tape / pentode process are GREAT at 96k while mixing) + Gtr recording at 48/41 during tracking http://www.cranesong.com/hedd192.html 3) Masterlink at 96k 24 bit (simply records it, plays it back & burns reference copies) http://www.alesis.com/products/ml9600/ 4) Benchmark DAC-1 D/A (lets you hear all the above clearly while mixing & tracking) http://www.benchmarkmedia.com/digital/dac1/default.asp What gear do you feel has brought YOUR work to a higher level? List yours!
__________________ Jules Add your reviews to the new reviews area! Gearslutz on Facebook Follow my GS picks on Twitter |
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| | #2 |
| Lives for gear Joined: Nov 2002 Location: Amsterdam.....The Netherlands
Posts: 593
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1. My brain (experience) 2. My monitoring/room |
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| | #3 |
| Lives for gear Joined: Jun 2002 Location: London, UK
Posts: 2,205
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API 3124 Phoenix DRS2 Al Smart C2 Neve 8024! fuuck thas it for the moment but impending purchases od Benchmark ADC1 and mytek stereo AD should hopefully end my Ad/DA woes cheers Wiggy
__________________ If i see another 'Which neve clone is better thread... im seriously gona go postal!!!!!!!" |
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| | #4 |
| Gear addict Joined: Jul 2002 Location: N.Y.C./L.I.C.
Posts: 499
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speck electronics m72 lucid ad9624 smf 15 watter jensen copper foil in oil caps in my guitars ghs burnished nickels ml |
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| | #5 |
| Moderator emeritus Joined: Jun 2002 Location: Nashville, TN
Posts: 3,152
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Wurlitzer Model 200 electric piano Hamond C-3 with Leslie cabinet Ampeg B-15 bass amp Pearl 13" and 16 inch toms (for when I want a bigger sound than my usual 10", 12" and 14" toms). The various power saws that I've been using to build the treatments that make my room sound better. |
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| | #6 |
| Lives for gear |
My list: Forums: GS and GM's place Gear: Daking comp and Daking Pre Pendulum Quartet Smart C2 D&R Orion Desk Jo |
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| | #7 |
| member no 666 Joined: Jun 2002 Location: Durham, NC
Posts: 10,110
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The Littlelabs IBP... since I started using them on a regular basis I have found that they're pretty much the only tool I absolutely don't want to live without. As always... YMMV.
__________________ CN Fletcher Professional Affiliations: R/E/P Professional Recording Engineer and Producer forums - serious hobbyists welcome SoundPure.com mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid Roscoe Ambel once said: Pro-Tools is to audio what fluorescent is to light |
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| | #8 |
| Gear nut Joined: Aug 2002 Location: LA
Posts: 125
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Little Labs IBP - Coming with me to every session now and finding a use somewhere, usually as Bass DI. I need 3 more!
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| | #9 |
| Gear nut Joined: Aug 2002 Location: LA
Posts: 125
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Woah! Simultaneous IBP postings. |
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| | #10 |
| High End Moderator Joined: May 2002 Location: Music City USA
Posts: 3,629
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1. ADAM S3As 2. ADAM S3As 3. ADAM S3As 4. CraneSong HEDD 5. CraneSong Spider 6. CraneSong STC-8 7. IBPs 8. Soundelux E47 |
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| | #11 |
| Lives for gear Joined: Mar 2003 Location: chicago
Posts: 1,025
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distressors royer r121 chandler tg2 samplitude |
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| | #12 |
| Lives for gear Joined: Jun 2002 Location: Los Angeles
Posts: 683
| On the pricey side: PT|HD & 192i/o, FATSO. On the cheap side: New strings and drum heads. On the most bang for almost no bucks side of things: Moving my guitar cab into an iso room - so I can actually hear what I'm recording. And putting a wood floor under my drums - in my small dead room, it sounds much bigger. |
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| | #13 | |
| Lives for gear | Quote:
Smart C2/SSL quad compressor has made the most significant improvement for me lately. | |
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| | #14 |
| Lives for gear Joined: Feb 2003 Location: Western North Carolina
Posts: 3,659
| Gear that has made your work sound better?
Q-Tip.... |
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| | #15 |
| Lives for gear Joined: Aug 2003 Location: New York
Posts: 587
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My new 24 input Neve 5402 Cranesong Hedd sm 57's... Telefunken solid state mic pre's |
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| | #16 |
| Gear addict Joined: Aug 2002
Posts: 397
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BA 1272 API 512C & 525 DSP4500 & DSP7000 Manley Vari-Mu & Massivo dbx 160SL LA2A TC DBmax Genelec 1031's
__________________ - AudioGaff - |
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| | #17 |
| Lives for gear Joined: Sep 2003 Location: Los Angeles
Posts: 2,559
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Without question the Cranesong HEDD used during tracking and mixing !!!!! Rob |
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| | #18 |
| Gear addict Joined: Jun 2002 Location: New York City
Posts: 368
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juniorhifikit wrote:"Also, what is the smf 15 watter - I'm on a quest for more little amps". Check it out. http://www.smfamps.com/amp_info.htm |
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| | #19 |
| Lives for gear Joined: Sep 2002 Location: Seattle USA
Posts: 2,876
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1. Soundelux Elux 251 2. GT Vipre 3. Vox AC30 TBX 4. Elektron Machinedrum |
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| | #20 |
| Lives for gear Joined: Jun 2002 Location: Lost Angeles
Posts: 4,069
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Mine: pair Royer 122's Little Labs PCP Little Labs IBP My fortress of Z Vex pedals (Fuzz Factory, Woolley Mammoth, Machine, Ohh Wah, etc) Forat F16 A Design's MP-2 Mic pre A Design's Reddi Tube DI Desper Spatializer (8 Channel) Soundreplacer, VocAlign, Nightpro EQ3D Not mine: SSL 9000J 1' ATR 2 track instead of 1/2' Studer DW Drum kits tuned to the key of the song we are working on (depends on the style I'm working on, but even then DW kits are very versitile for my needs) I'm sure I'm forgetting some. |
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| | #21 |
| Gear nut Joined: Aug 2002
Posts: 91
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TAB V76 UREI 1178 QUANTEC QRS 013 flatwounds on my ES-335 |
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| | #22 |
| Lives for gear |
Royer mics Soundelux mics Mogami/Belden cabling Hardy/Buzz/Ward Beck pre's Apogee convertors (compared to digi's dfegad) Nanosyncs clock Blue Sky 2.1 and PMC monitors O/B EQ's O/B comps O/B reverbs 2 mix through quality analog stage = NICE!!! Last edited by PlugHead; 18th February 2008 at 02:38 PM.. Reason: keeping it current |
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| | #23 |
| Motown legend Joined: Jun 2002 Location: Songwriter Gulch, Nashville TN
Posts: 10,879
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First was one of the very first LA-3a limiters that I had to sneak into work at Motown. The next increment was when I bought a pair of Rogers LS3/5a mini monitors to use at home in 1976. For the first time I KNEW what sounded like dfegad and what didn't. The next big jump was when I got the Duntech Sovereign speakers. Latest is the Benchmark DAC-1.
__________________ Bob's room 615 562-4346 Georgetown Masters 615 254-3233 Music Industry 2.0 Interview |
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| | #24 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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I'd say my summing console, the RMS Folcrom, my Trident S20 mic pre, Ramsa and Lynx Convterters, but most of all listening for about 3,000 hours to mixes by Andy Wallace Jay Baumgardner Terry Date and Jack Joseph Puig have really made my mixes sound a ton better. Steve www.blacklinerock.com |
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| | #25 |
| Jr. Gear Slut 2nd class Joined: Jun 2002
Posts: 1,901
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Can't imagine being without... 1) The new "love", an Electro-Voice EV 666, for that vintage ribbon style sound, for crooning a tune. It's smooooth. 2) Beyer M88TG, as my vocal "all-rounder". 3) Newly acquired KRK V4 monitor to mix acapella and simple vocal/guitar (or keyboard) recordings on good 'ol mono. Looking to pick up a nice used Nagra analog recorder, down the line, too. Chris |
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| | #26 | |
| Gear addict Joined: Jul 2002 Location: N.Y.C./L.I.C.
Posts: 499
| Quote:
the caps give my guitars (especially humbuckered ones) an almost silky like sound, very creamy. even with the tone pots on 10. the jensen's are very smooth through the frequencies, as opposed to bumblebees, which get kinda grainy mids. mine originally had the little ceramic caps. i gotta tell ya, at $12-13 a pop, this is one of the most reasonable & significant upgrades you can make to a guitar! unless you use no-load pots, the signal is always going through the caps, so the improvement is across the board. and the "woman tone" never sounded so good! i got them from partsconnexion.com i'm actually cosidering tryin' out the relcap tft teflon caps. they're pricey, but they are sopposedly the shite. rich was the word used to describe them. the smf 15 watter is gorgeous sounding, btw. i swapped out all the tubes for mullards, which was expensive, but SO-O-O worth it! i could never go back to the jj's, sovtek's, whatevahs... ml | |
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| | #27 |
| Gear Guru Joined: Jun 2002 Location: New York City
Posts: 14,177
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Manley Massive Passive Manley Vari-MU(mastering version) GML8200(hardware) Focusrite Blue 230 My insane racks of effects,dynamics and EQ's. Dunlavy SM1's studio monitors ProTools HD rig |
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| | #28 | |
| One with big hooves |
I guess we're talking about stuff you can't live without right? I guess that would be just about everything in the room but these hold a special place for me. Studer A80MkIIRC 1/4" 2-track UA1176 (pair) Summit EQP-200B Telefunken V672's Daking 52270 (pair)
__________________ J. 'Moose' Kahrs producer|mixer|recordist MooseAudio.com mooseaudio.bandcamp.com Quote:
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| | #29 |
| Lives for gear Joined: Sep 2003 Location: Ottawa
Posts: 917
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A few that I can think of right now: 1) ATC SCM-50a active triamp monitors...killer imaging from anywhere in the room, they really let me 'hear' a mix. 2) Schoeps KFM-6 sphere mic...this thing is sooo much fun. It sounds ridiculously good (especially through headphones, but the imaging still works well through speakers), and it's great to just bring out and just set it up in the room where everything sounds about right. Its great as a room mic, very cool as an acoustic guitar mic, eerie on choir or groups of background vocals. I'm looking forward to trying it out on piano. 3) Universal Audio UAD-1....finally a software compressor(s) that doesn't suck. hmmmm, gonna have to pick up a benchmark DAC-1.... Cheers, Kris PS: Muddy, I'm guessing you've talking about a les paul. I just got a 2001 R8 with (barf) ceramic caps in it. Do you know what value they are supposed to be (I'm guessing 22pF, but I'm not sure)? |
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| | #30 |
| Lives for gear Joined: Jan 2003
Posts: 1,124
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