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Doing some multi amp recording and need a good ABY box.

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Old 13th January 2012   #1
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Doing some multi amp recording and need a good ABY box.

Hey folks. I have a session coming up where I'm going to recording some guitar and I'm looking for a good ABY box.

Basically the signal I'm looking to do is

Guitar player - ABY/Signal Splitter - Amp 1 and DI 1 + Amp 2 and DI 2

I know all I need to do this is an ABY box but I'm sure some are better than others. Any suggestions?
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Old 13th January 2012   #2
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Someone just recently posted this same question.

The Morley ABY has never giving me a moment's trouble. Built like a tank, and does what it's designed to do.
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Old 13th January 2012   #3
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Does it allow you to play through both amps at the same time? Some of the ones I've been seeing are switches.
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Old 13th January 2012   #4
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Howdy, this is my first post and I hope it's helpful!

I like this thing: Lucas Deceiver

And this one too:Little Labs PCP

I've used them both and won't hesitate to use them again. They won't f*** up your guitar sound.

If the above tools are too expensive, you can use a Boss tuner pedal as a ghetto splitter by using both outputs at the same time.
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Old 13th January 2012   #5
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I use a Radial Switchbone in my setup, and it works nicely. It has the option to isolate one output, and offers polarity flip which is often needed when running 2 amps in a Y configuration.

If you don't have polarity invert options you can always reverse the speaker leads on one of the amps, by that's not always an easy or quick option.

Cheers

Kris
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Old 13th January 2012   #6
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two distorted amps without a buffered splitter puts a different impedance load on the gtr pickups making the tone underpowered basically

radial have a proper buffered device just out - that's the on i'd buy

Radial Bones Twin-City ABY Amp Switcher Guitar Pedal at Gear4Music.com
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Old 13th January 2012   #7
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I use a radial big shot, entirely passive. If you're ok with a little output level loss when both channel are used, its quite clean and easy to use. Also transformer isolated and built like a german tank. (french ones fall appart).
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Old 13th January 2012   #8
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Quote:
Originally Posted by kennybro View Post
Someone just recently posted this same question.

The Morley ABY has never giving me a moment's trouble. Built like a tank, and does what it's designed to do.
Yeah. It'll do A, B or A+B.
Morley Pedals - ABY Switching/Routing

The Radials mentioned are also well built, and do the job. And they've got more cool switches. Your choice.
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Old 14th January 2012   #9
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Lower output is fine as the gain can always be adjusted at the amp/console. My main concern is tone changing. Anyone have issues with tone changing?

Also when you guys are talking about phase why would this be an issue if the amps speakers are going to be in separate rooms?

Thanks
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Old 14th January 2012   #10
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Quote:
Originally Posted by drumzalicious View Post

Also when you guys are talking about phase why would this be an issue if the amps speakers are going to be in separate rooms?

Thanks
Not really an issue if the amps are in different rooms...as long as you polarity reverse one of the mic's (assuming here that one of the amps is reverse polarity). In the same room though you'll need to fix this problem before the signal hits the amps (or at the speaker).

Cheers

Kris
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Old 14th January 2012   #11
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Originally Posted by DrFrankencopter View Post
Not really an issue if the amps are in different rooms...as long as you polarity reverse one of the mic's (assuming here that one of the amps is reverse polarity). In the same room though you'll need to fix this problem before the signal hits the amps (or at the speaker).

Cheers

Kris
Ah so we're referring to the actual cabinets themselves being out of phase with one another. Gotcha.

Any other things I should be aware of?
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Old 14th January 2012   #12
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+1 LL PCP

or a custom made switcher
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Old 15th January 2012   #13
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I also have the Radial Bigshot ABY and it's great. I use it between my Bandmaster and Dr. Z for recording, my Bandmaster and a Showman for live, or just one amp for live.

Transformer iso and 180 degrees phase flip is great for when you have 2 amps going - out of phase isn't an issue.

The More expensive Radial gives you buffered I/O and lights, but I haven't had an issue with tone through my setup with the Radial Bigshot. Worth trying out with your gear and if you don't like it, return it.
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Old 15th January 2012   #14
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piggy

Pigtronix Keymaster perhaps ?
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Old 16th January 2012   #15
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cool thanks folks. Looks like its the Radial Big Shot
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Old 9th February 2012   #16
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Got the Radial Big Shot and will be using it with a guitar player for a session Friday. Would you guys who have used it recommend putting his pedal board between the guitar and the Big Shot as a buffer? We're going to be doing distortion and such.
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Old 9th February 2012   #17
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Yes. I have mine at the end of the pedalboard and usually go between a clean Fender and a cruncher EL84 like my Dr. Z.

You could have it so that you have some pedals on A, some on B or a mixture if you really wanted different chains. I like having all my pedals available for use with either amp (or both) so end of the pedalboard works for me.

Which brings me to - 1/2 the time, I'm leaving it on both - having 2 different amps brings something to the party. Mic both amps up and record to 2 tracks; now you can bring one amp up for verses, the other for choruses. Fun stuff - learned the trick from an old article on Dean DeLeo of STP.
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Old 9th February 2012   #18
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Quote:
Originally Posted by nedorama View Post
Yes. I have mine at the end of the pedalboard and usually go between a clean Fender and a cruncher EL84 like my Dr. Z.

You could have it so that you have some pedals on A, some on B or a mixture if you really wanted different chains. I like having all my pedals available for use with either amp (or both) so end of the pedalboard works for me.

Which brings me to - 1/2 the time, I'm leaving it on both - having 2 different amps brings something to the party. Mic both amps up and record to 2 tracks; now you can bring one amp up for verses, the other for choruses. Fun stuff - learned the trick from an old article on Dean DeLeo of STP.
The plan is to record both amps at once. Did you notice a big difference going guitar-box-amps vs guitar-pedals-box-amps?

Mainly wondering about tone not really volume
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Old 9th February 2012   #19
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Little Labs also has the STD, I've been using and liking it. Basically a line driver, uses mic cables if you need more length. Mercenary link:

Mercenary Audio - Little Labs Signal Transmission Device Mercenary Edition
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Old 9th February 2012   #20
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Guitar/box/amps will lose you some high end, especially if you're using single coils like P90s or Fender pickups. Humbucker will be much harder to hear a change. All you need is a simple buffer, like a Boss TU2 tuner, or any buffered pedal, or ANY pedal that's turned on between guitar and splitter.
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Old 20th February 2012   #21
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Reporting back. The session ended up coming out great. The way we did the recording was

Guitar (Gibson Les Paul) - Box - 2 Amps. One was an Egnater the other a Randall. There was a slight hum coming from the Randall that we couldn't get rid of. It was pretty quiet so it wasn't an issue. Didn't really notice any terrible sound change from the 2nd amp (the Randall). Ended up boosting the highs on the amp just a bit anyway to get desired tone.

In the end I'd suggest this little box to anyone looking for a similar solution. Great price and the stuff came out sounding great.
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