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| | #61 |
| Gear addict Joined: Aug 2008 Location: Bradford UK
Posts: 309
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| | #62 |
| Gear interested Joined: Feb 2010
Posts: 27
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| | #63 |
| Gear Head | |
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| | #64 |
| Gear addict Joined: Aug 2008 Location: Bradford UK
Posts: 309
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| | #65 | |
| Lives for gear Joined: Mar 2005 Location: NYC
Posts: 2,639
| Quote:
I was gonna say Comprehensive, Easily Accesible, and Intuitive Lighting. One of my pet peeves is a control room where it's either too dark to read, or where the track lighting is causing too bright a reflection off equipment legends. And I really hate lighting controls that aren't super obvious! Don't make me go hunting for a hidden access panel built into a diffusor to find the main dimmers, and don't give me some Crestron/AMX touchpanel where I have to dig two pages down in the UI to find the lighting control. | |
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| | #66 |
| Gear maniac Joined: Jan 2012
Posts: 175
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I'm not a recording engineer, but a musician. I mostly look at the engineer's attitude and talent through past recordings. I'm not a stickler for equipment, although I expect it to be much better than what I keep at home. Also, the "vibe" the studio and room emanate is incredibly important to me. I see so many people open budget studios with consumer equipment in dinky, awful looking buildings. If it doesn't seem like a creative environment, I'm not going to bother recording there. Also, PROPERLY DONE SOUND TREATMENT. These same budget studios often have minimal treatment, and often done with improperly placed Auralex foam instead of even basic trapping. I'm certainly not an expert on sound treatment, but I understand more about the subject through online articles and a couple of books than I see applied in so-called "professional" studios. There's really no excuse for that lack of knowledge. Compared to the cost of equipment, some simple treatment isn't even expensive.
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| | #67 |
| hash connoisseur Joined: Apr 2011 Location: electric ladyland
Posts: 972
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porn
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| | #68 | |
| Lives for gear | Quote:
__________________ Minneapolis | |
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| | #69 |
| Gear interested Joined: Apr 2010 Location: Ukraine
Posts: 1
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| | #70 |
| Gear maniac Joined: Jan 2011 Location: São Paulo / Brazil
Posts: 194
| Absence of EGO !!! |
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| | #71 |
| Lives for gear Joined: Oct 2011 Location: Hertfordshire, UK
Posts: 587
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Aside from all the obvious stuff - enough room for the entire band to sit comfortably in the control room. I always seemed to end up with the rickety swivel chair!
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| | #72 |
| An actual working Pro Joined: Feb 2007 Location: Glendale, CA
Posts: 136
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I'm sure someone already said this but CLIENTS!
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| | #73 |
| Lives for gear | |
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| | #74 |
| An actual working Pro Joined: Feb 2007 Location: Glendale, CA
Posts: 136
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Ahhh... I suppose I'd still want to see clients... and high level ones at that. But, if we're talking inanimate objects... I guess a properly tuned control room would be a great place to start followed by a great sounding live room. Then some well maintained quality gear and ample parking!
__________________ ![]() Thai Long Ly Productions http://www.thailongly.com http://www.transaudiogroup.com/news/...ions-com.shtml http://www.beachbodycoach.com/tl2bass http://www.edrumsessions.com |
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| | #75 |
| Lives for gear |
Parking is always a good thing!
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| | #76 | |
| Lives for gear Joined: Jun 2002 Location: Bloomington Il
Posts: 5,188
| That's what I want to see at MY studio! Quote:
Good luck with that.
__________________ Tony Oxide Lounge Recording See the Oxide Lounge! Follow me on TWITTER! WWJMD? Come see me on the Tape Op boards! It's only inches on the reel to reel | |
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| | #77 |
| Gear maniac Joined: Jun 2005 Location: Tehran
Posts: 236
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| | #78 |
| Gear maniac Joined: Jun 2005 Location: Tehran
Posts: 236
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| | #79 | |
| Lives for gear Joined: Apr 2006 Location: Ghent, Belgium
Posts: 1,294
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As freelancer: A good acoustic in all recording rooms and control room, working equipment and an studio owner or assistant that knows how the studio works. I prefer also good musicians who can do an '1taker' over a bunch of idiots that tries all day but don't get it right...
__________________ Quote:
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| | #80 |
| Gear interested Joined: Feb 2012
Posts: 6
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Racks, MPCs, and a big console.
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| | #81 |
| Gear addict | Haha! That's funny! But in all seriousness, there is nothing better than a neve or ssl sitting in front of you! Period! I knew there would be no way of getting out of having a nice SSL What I have going for my place SSL 9056J Nice outboard (getting a ton more in 2012) Safe neighborhood (20 min to downtown) Ground level in/out no stairs or elev. Decent food closeby There's actually a really nice 4 star Hilton 10 mins away Clean bathroom Wood everywhere(1974) 2 sets of mains and 2 sets of nearfields Ambient lighting (just added) All gear just recently serviced NO train (not anywhere near enough that it would be a problem) We all have access to great engineers, just because of this forum, and I'd like to think some of us know what we are doing, so there should not be any excuses.... EMT 140 Profools HD AND Tape Wifi Cable Good ventilation system New headphone system I think I've covered all the basics of what any normal recording mix session would need.... And dare I say A stripper pole in the live room... Ha!
__________________ Inside a Dream........................ ![]() Dungeon of Noise Recording Studio Alsip, IL Located in the Former ARS studios location. One of Chicago's oldest recording rooms in operation. 708.629.0599 312.933.0113 Black Raven Solid State Logic 9056J Master Console ![]() Protools HD 24 Track Analog Www.DungeonOfNoise.com www.myspace.com/Dungeonofnoisestudio Contact: DungeonOfNoiseStudio@gmail.com |
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| | #82 |
| Lives for gear Joined: Dec 2005 Location: A stoned throw from ground zero
Posts: 5,768
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That ALL my gear is STILL where I left it!
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| | #83 |
| Gear addict Joined: Dec 2009 Location: Germany
Posts: 342
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First of all I'd like to be treated friendly. Helpful, supportive and I'd like to get the impression that the engineers/producers actually put some elbow grease into helping achieve my goals. I expect talent without arrogance. And I'd rather have only a small choice of high end outboard gear but a guy who knows how to use it than the other way around.
__________________ We're not in this alone. |
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| | #84 | |
| Lives for gear | Quote:
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| | #85 |
| Lives for gear Joined: Feb 2011
Posts: 639
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| | #86 |
| Gear maniac Joined: Dec 2004 Location: NC
Posts: 284
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Things that I, but apparently nobody else, would like to see: 1. reverb chamber 2. harpischord 3. celeste 4. vibraphone 5. xylophone 6. timpani |
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| | #87 |
| Gear nut Joined: Feb 2012 Location: London
Posts: 107
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Daylight... aircon... plate... in that order |
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| | #88 |
| Lives for gear Joined: Nov 2008 Location: Boca Raton, FL
Posts: 2,700
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If I'm going to use the studio, it has to offer something that I don't already. Being that I have drumsets, cabs, amps, guitars and basses galore as well as a good room and monitoring, it's very rare that I'd be interested in another facility. If I didn't have a facility, it would be a helpful nature from a solid musician who's just as strong on the musician side of things who can see the project through without me wanting to kill him after it. Very rare down here in South Florida.
__________________ Julian Ear Candy Studios www.earcandystudios.com It's the indian, not the arrow... |
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| | #89 |
| Gear Guru Joined: Nov 2005 Location: S.Carolina
Posts: 11,482
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I am not sure if I wanna see anyones Plug selection.
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| | #90 |
| Lives for gear | |
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