3rd January 2012
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#61 | | Gear nut
Joined: Dec 2008 Location: Seattle, WA
Posts: 109
| ProjectK2R4 Studio |
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3rd January 2012
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#62 | | Gear maniac
Joined: Nov 2007
Posts: 155
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Originally Posted by stamand Here mine | I love this soo much! Where are you? Do you have a web site?
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3rd January 2012
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#63 | | Gear maniac
Joined: Nov 2007
Posts: 155
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3rd January 2012
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#64 | | Gear maniac
Joined: Jan 2011
Posts: 293
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Thats one of the nicest rooms i've seen. I love the floor. What are the approx dimensions of that live room?
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3rd January 2012
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#65 | | Gear interested
Joined: Jan 2012
Posts: 2
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As I am in Spain for the moment, I really can't take any picture of my studio at home (Norway..) BUT, I have read all the posts at "Show ur setup anno 2011", I just have to say to people who think they not have a setup to show us and people that want to produce music...
It's not the studio that makes music, it's you...
Also; A studio engineer, producer whatever, could probably make better music on a laptop, then a newbie in a $100,000 studio... Just saying.... But heey, who doesn't want a $100k studio?
HOWEVER; cheers mates!
AND A HAPPY NEW YEAR (pictures from my "studio" would appare soon as I come home..  )
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3rd January 2012
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#66 | | Gear interested
Joined: Feb 2010 Location: Paris/Oxford
Posts: 21
| Quote:
Originally Posted by mini logo Thats one of the nicest rooms i've seen. I love the floor. What are the approx dimensions of that live room? | +1 !
love the vibe of that room !
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3rd January 2012
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#67 | | Lives for gear
Joined: Nov 2004 Location: Stavenisse
Posts: 1,838
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That room mic besides the leslie, on what microphone standard is that microphone standing? Looks to be a lovely stand...
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3rd January 2012
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#68 | | Lives for gear
Joined: Jul 2008 Location: Memphis TN
Posts: 4,099
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Originally Posted by PTP Happy Newyear all!
Here's my place in an old rebuilt farm. Great place, lots of space with a high ceiling. This month, I'm going to fill the open spaces above my two X-Desks with two 500 racks filled with eq's. | I love this place. It's the closest to my own, ever thought about wheels on the racks?
__________________ I think I just ran past myself. http://www.memphisindie.com 
I won't use pitch correcting software. I use "coaching" maybe you've heard of it. It keeps working even when you don't have it on. |
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3rd January 2012
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#69 | | Lives for gear
Joined: Jan 2010 Location: Bjerkedalen
Posts: 1,999
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Super!
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3rd January 2012
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#70 | | Lives for gear
Joined: Feb 2011 Location: Chicago Subs, IL
Posts: 2,281
| Quote:
Originally Posted by stamand | I'm totally jacking your studio ideas!! 
Love your place BROTHER!! |
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3rd January 2012
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#71 | | Gear maniac
Joined: Nov 2007
Posts: 155
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Originally Posted by muziekschuur That room mic besides the leslie, on what microphone standard is that microphone standing? Looks to be a lovely stand... | It's an SE 1 stand. They're pretty cool, but they're expensive and have a few design flaws. I think they've been taken off the market to be re designed. I imagine the V2 will be killer.
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3rd January 2012
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#73 | | www.circlestudios.co.uk
Joined: May 2007 Location: UK
Posts: 2,928
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Originally Posted by Syncamorea Look who's talking! Trev, your studio is looking great! | Thanks man. Appreciate it! |
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3rd January 2012
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#74 | | Lives for gear
Joined: Feb 2011 Location: Chicago Subs, IL
Posts: 2,281
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Originally Posted by philoking This is my studio in my garage for my personal non-professional music projects.  | Very Nice!!!
Just the foam...:(
Makes me want to come by and remove it...
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3rd January 2012
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#75 | | Gear interested
Joined: Jan 2012
Posts: 1
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stamand , i register to tell you kill me
ez basement
<3
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7th January 2012
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#76 | | Gear interested
Joined: Oct 2011 Location: Paris, France
Posts: 16
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here's my setup for the new year
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7th January 2012
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#77 | | has all the gear he needs
Joined: Jan 2007 Location: Terra Firma
Posts: 7,232
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Here you are, Gents......Mad Science Audio in all it's 2012 state-of-the art finery.
I call your attention to our new Tube Hybrid Behringer mixer (just in front of our gear rack) and to our able bodied assistant, Studio Art, who is always standing by to...assist.
__________________ "The main thing is to have a gutsy approach....but use your head." Julia Child
"i was not looking at what it was doing, i just kept going till it sounded full." jamesyeah "Sometimes invisible are these glistening threads........" Janni Littlepage Leonard Scaper.......We're All Right Here |
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7th January 2012
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#78 | | Gear interested
Joined: May 2008 Location: New York, NY
Posts: 4
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7th January 2012
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#79 | | Lives for gear
Joined: Feb 2011 Location: Chicago Subs, IL
Posts: 2,281
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Wow... Nice!!! That's 100,000+++ on just console and barefoots...  One Day!!
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7th January 2012
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#80 | | Lives for gear
Joined: Feb 2011 Location: Chicago Subs, IL
Posts: 2,281
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Originally Posted by Lights I'm seeing a lot of pictures of nearfields on their sides (every picture but one has at least one pair of nearfields on their sides on this particular page of the thread), but I've been reading books on mixing and mastering and they all say that these speakers are not meant to be laid on their sides because:
1. The waveguides on the tweeters are designed to direct the high frequency sounds horizontally for a wider sweetspot and also to avoid bouncing high frequencies off the desk/console. Putting speakers on the side, especially with tweeters on the outside obliterates the sweet spot altogether and also causes more comb filtering than you'd otherwise get because it's directing the high frequency sound down at the desk and up at the ceiling instead of in a side-to-side spread.
2. When the woofers and tweeters are not vertically in alignment, you get phase shift between the two since the sound from whichever driver is closer gets to you before the other. This is extra problematic in the crossover range because most crossovers are "soft" so that some of the same frequencies are coming out both woofer and tweeter and comb filtering each other right out of the box.
I don't have a studio... just a room in my basement where I write and produce my own music (which is pretty much a money-losing endeavor), so I don't have any cred of my own, so maybe I'm overstating the issue  | There is a several dual woofer monitors and ns10's that are the exception.. DSM3/TwinB's/A77x...etc
__________________
Favorite Gear = Mac Pro 5,1, Apollo/BlackLionAudio Conversion, Dangerous Music Summing, PT9, Universal Audio's HW and UAD-2,ISA 428, Event20/30, NS10M GIK Acoustics, and more........... |
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7th January 2012
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#81 | | Gear Head
Joined: Feb 2010 Location: Austin, TX
Posts: 48
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what the wife will let me get away with in our breakfast nook: |
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7th January 2012
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#82 | | Lives for gear
Joined: Feb 2011 Location: Chicago Subs, IL
Posts: 2,281
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Originally Posted by phatjones what the wife will let me get away with in our breakfast nook:  | Awesome small room!!!!!  great job!! Take notes slutz!
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7th January 2012
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#83 | | Banned
Joined: Apr 2011 Location: Sydney
Posts: 834
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I do not care how you wish to place your monitors, for the record my are upright......ha ha ha beautiful pictures guys, I am glad their are more crazy people out their then me.
These pictures are almost as exciting as a hot naked women!!!
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7th January 2012
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#84 | | Like LightsFadeLow on FB
Joined: Oct 2010 Location: Seattle
Posts: 1,345
| Quote:
Originally Posted by DR Music Very Nice!!!
Just the foam...:(
Makes me want to come by and remove it... | Why the hate on the foam? I've been reading a lot of books and articles lately from well recognized publications (e.g. sound on Sound) that recommend foam for some applications and fiberboard for others. Are the pros wrong?
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7th January 2012
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#85 | | Lives for gear
Joined: Jun 2008 Location: Finland | |
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7th January 2012
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#86 | | Like LightsFadeLow on FB
Joined: Oct 2010 Location: Seattle
Posts: 1,345
| Quote:
Originally Posted by DR Music There is a several dual woofer monitors and ns10's that are the exception.. DSM3/TwinB's/A77x...etc | Why would the ns10s be an exception? Is there some sort of phase correction in the crossover?
Wouldn't a dual-woofer model be even worse because the comb filtering due to phase shift of sideways placement be over a far wider spectrum than just at the tweeter-woofer soft crossover? If I have two speakers producing the same frequencies but those frequencies are reaching your ear at different times that sounds really bad.
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7th January 2012
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#87 | | Like LightsFadeLow on FB
Joined: Oct 2010 Location: Seattle
Posts: 1,345
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Oh just read this about the A77x: Quote: |
The two 7” woofers are identical with that of the A7X. With their large voice coils (1.5”) and powerful amplifiers, they are capable of both very high maximum sound pressure levels as well as very deep registers. The woofers do not cover the same frequency bands: while both of them are responsible for the (sub-) bass frequencies up to about 400Hz, only one of them reproduces the midrange. This prevents interferences between the two drivers.
| So I guess they built something to intentionally work around the problem in that model for people who can't mount a speaker vertically. But it sounds like it would be used only if you had no vertical mounting option. I don't know how they solve the tweeter crossover problem. They don't speak to that.
Still wondering about the NS10.
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7th January 2012
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#88 | | Lives for gear
Joined: Feb 2011 Location: Chicago Subs, IL
Posts: 2,281
| Quote:
Originally Posted by Lights Oh just read this about the A77x:
So I guess they built something to intentionally work around the problem in that model for people who can't mount a speaker vertically. But it sounds like it would be used only if you had no vertical mounting option. I don't know how they solve the tweeter crossover problem. They don't speak to that.
Still wondering about the NS10. | The second revision of the NS10's were bases on ns10 being used this way... Even the the logo was adjusted horizontally. Your argument is right but don't apply to all monitors. I myself flip them some times so I can fully see threw the glass. TwinSoloBes are the same way 90% are used horizontal position. |
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7th January 2012
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#89 | | Like LightsFadeLow on FB
Joined: Oct 2010 Location: Seattle
Posts: 1,345
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Well I'm more academically interested in what Yamaha did or what the A77x does to support their being placed on the side. Even if each driver has a different frequency, crossovers are "soft" and there is some range of frequencies that is produced by both tweeter and the midrange/woofer drivers (depending on whether you're 2- or 3-way).
Do they actually have small delays built in the crossovers so that the closer drivers produce sound slightly later than the farther ones?
It would be funny to know if Yamaha just ignored that problem and changed the logo orientation and nothing else |
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7th January 2012
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#90 | | Gear nut
Joined: Sep 2010
Posts: 104
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Just got my C24 this week!
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