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| | #1 |
| Gear Head Joined: Jun 2011 Location: Chattanooga, TN
Posts: 74
Thread Starter | Drum Isolation on a Track
Is it possible to completely isolate a drum on a track without any bleed through? I didn't know if it was through mic technique or if I have to go back and edit out the drum bleed on say a snare track and then mix in the room mics to make it sound more natural. Thanks for the help. Sorry if this is too basic of a question.
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| | #2 |
| Lives for gear Joined: Dec 2007 Location: New York/St. Petersburg
Posts: 715
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iGate
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| | #3 |
| Lives for gear |
You could use a gate, or strip silence in the DAW. But do you really NEED to? On a multi-miced drumkit there will always be some bleed. How good or how bad it is depends largely on the drummer's skill in balancing his instrument.
__________________ André ___________________________________________ "Recording exactly what a musician hears turns out to be a really big deal." Bob Olhsson "Who cares about efficiency, when we're talking about music?" Rupert Neve "it'll sound different through a microphone, anyway" Keith Carlock "no room, no boom!" Michael Wagener |
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| | #4 |
| Lives for gear |
If you're going for a natural sound, you could start with the room mics and add the spot mics only where you need more immediate punch. In this case, the bleed they carry will be less obnoxious
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| | #5 |
| Gear Head Joined: Jun 2011 Location: Chattanooga, TN
Posts: 74
Thread Starter |
Is it better to use a gate or strip silence? Do I need to totally remove all of the bleed? Does it make the track sound unnatural? I have seen some other tracks that I have worked with that have the snare and kick totally isolated. I'm trying to figure out if this is common practice and how to best do this without making it sound over processed. |
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| | #6 |
| Lives for gear Joined: Jun 2011 Location: Nashville
Posts: 743
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| | #7 |
| Gear Guru Joined: Jun 2004 Location: NYC
Posts: 14,163
| That is an artistic choice. Depends on what you're going for. There cannot be a hard answer.
__________________ To doubt everything or to believe everything are two equally convenient solutions; both dispense with the necessity of reflection. -Henri Poincare |
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| | #8 |
| Lives for gear Joined: Mar 2007 Location: Ontario, Canada
Posts: 1,136
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I'd always just used gates with, say 14db of gain reduction and manually automated the threshold... I was fooling myself into thinking this was more 'natural'. Then I started seeing webinars of well-known engineers and webcasts etc etc with their sessions. They strip out bleed on tom tracks all the time!! So I tried it. It's saved me a lot of time and to be honest it sounds just as good or better. As for kick, I often sample for my rock projects. Something that stuck with me, even tho it probably shouldn't have, is when Dave Pensado had Micheal Brauer on and he asked "what's ur go-to for kick" (when asking his favourite gear or something) and Micheal said "Gimme a sample... jk!". haha I dunno if he was kidding, but he seemed to give it as an honest answer. On snare, I go song-by-song or project-by-project. Whatever works for the song. Gate, no gate, sample, no sample, both, all. But the best is when you mic it right and the drummer plays well. Then your drum sound just is there and you try to not mess it up! |
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| | #9 | |
| Gear Head Joined: Jun 2011 Location: Chattanooga, TN
Posts: 74
Thread Starter |
Do you totally replace the snare or kick with a sample? Or mix in the sample with the original and then group together the sample and original for mixing later? Quote:
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| | #10 | |
| Lives for gear Joined: Mar 2007 Location: Ontario, Canada
Posts: 1,136
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Snare, I do everything. I often start out by trying to get the sound I want from the real drum. If there is a ton of bleed that can't be worked with, I'll try blending. If I'm lucky enough to have a sample of the drum I'll use that rather than another drum. However, if I think the drum needs more bottom/top/ring/etc, I'll reach for a sample that has it and blend that in. I've found that Trigger has helped speed things up quite a bit for my workflow. It's also really easy to experiment with different drum sounds if I'm looking for a specific sound. YMMV! | |
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