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| | #1 |
| Gear nut Join Date: Jan 2005
Posts: 130
| Grunge Bass Tone how do you get that old fat rolling dirty bass tone!?? I'm currently running my bass through a U5 D.I. Which has been great, but its a little to clean some times. I've been listening to some old grunge and loving there tone, but have no clue how they achieved it. So i clipped together a couple sound bites and uploaded them. I hoping some of you experts could lend an ear. The three clips are different tones, but they all that that rumbly fatness that im looking for, especially the first one. Can it be achieved using a D.I. and pedal method? Or do we have to bring a cab into the scenario, and if so a specific amp? speaker??? mics?? strings?? pics... color of lava lamp in the room!?? |
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| | #2 |
| Gear addict Join Date: Mar 2006 Location: SF Bay Area
Posts: 404
| I think most of that is the player and the bass. BUT...I like to do a two DI thing. One kinda dirty DI like the little Summit Tube DI and one cleaner one like a avalon or focusrite or even a country man. Mix the two and bam all sorts of colors and tones. The summot also has variable impedence to help shape the tone a bit more. Of course given time and space a amp and a DI are pretty good as well! =) |
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| | #3 |
| Lives for gear | I find that I can get great results with either Amplitube or Guitar Rig. I also track through a Sansamp PSA-1, with a DI split to run the plug-in. |
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| | #4 |
| Lives for gear Join Date: Jun 2005
Posts: 2,307
| big muff and an ampeg rig |
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| | #5 | |
| Lives for gear Join Date: Sep 2003 Location: California
Posts: 1,018
| Quote:
This is THE answer to my personal bass tone. Fender P or J > big muff > Ampeg SVT classic with 8x10s = huge rock tone... ERic
__________________ http://www.thesleepoverdisaster.com (my Band) http://www.myspace.com/thesleepoverdisaster It is a very mixed blessing to be brought back from the dead. Kurt Vonnegut | |
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| | #6 | |
| Lives for gear Join Date: Jun 2005
Posts: 2,307
| Quote:
yes sir..it's a thing of beauty | |
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| | #7 |
| Lives for gear Join Date: Mar 2006 Location: North Attleboro, MA
Posts: 1,940
| for the big, dirty, round rock and roll bass tone, i like: p-bass clean di track through blackface 1176, input at 3 o clock, output at 1 o clock, attack at setting "5", release at "7", then set the ratio for the amount of sludge you want. all button for all of the sludge. |
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| | #8 | |
| Gear nut Join Date: Jan 2005
Posts: 130
| Quote:
Now with out the rig, and something like a d.i. box can you get a similar tone? Or even using a smaller set up and something like a Hotplate to attenuate on a smaller cab. My problem is i have an apartment studio. I can put my guitar amps in there with a THD hotplate and get decent results, but a giant bass amp will still carry all the way through the building... any thoughts? | |
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| | #9 |
| Lives for gear Join Date: Dec 2003 Location: London
Posts: 2,653
| You could try a Sansamp Bass DI for that SVT type grind, and get a pedal like the Woolly mammoth, or the Fulltone bass Fulldrive (less gain than big muff... but it works realy well... Very amp-like distortion/overdrive) I'm talking Stone Temple Pilots/King's X/Geddy Lee/Billy Sheehan/Timmy C territory. I have an Ibanez Phathed which has a good range of tones from nice fat smooth OD to horrible gnarly industrial clank..., plus it has the clean signal underneath the distortion. I plug it into the Sansamp. If you do use a big muff I'd split the signal so you can blend the amp sound plus fuzz otherwise it will get messy! I
__________________ :: my band is called protoangel . My guitars: Atkin OM (sitka spruce top walnut back: sweet mids):: Atkin Small Jumbo (cedar top, rosewood back: big bottom, sparkly top):: Jap Tele with fat frets (rude and fat):: . My amps: 1973 Hiwatt DR504::Framus Dragon ... Latest purchases Kel Audio HM-2d TC Electronic Nova System, Chameleon Labs 7602Digi 002 + PTLE |
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| | #10 |
| Lives for gear Join Date: Apr 2003 Location: Gävle, Sweden
Posts: 566
| The Sansamp Bass DI is nice. Remember that you can use it as a stomp box between your bass and amp too. You'll be surprised what it can do to the sound. I also have had great results with an old MXR Micro Amp box which I used to get high enough levels to overload the input of the amp. Don't forget to use a tube amp. Ampeg and Mesa Boogie are great. |
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| | #11 |
| Lives for gear Join Date: Dec 2005 Location: Orlando
Posts: 1,180
| ...not going to argue with the big muff suggestion... |
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| | #12 | |
| Gear maniac Join Date: May 2005 Location: Canada
Posts: 280
| Quote:
Bingo. | |
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| | #13 |
| Lives for gear | yepo, and after the big muff and ampeg, wouldn't hurt to record it with a 421 through a Neve pre, into an 1176...
__________________ _________________ "What is a crossfire hurricane & why wasn't I born in one?" Randy Wright http://www.myspace.com/djui5 |
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| | #14 |
| Lives for gear Join Date: Sep 2003 Location: California
Posts: 1,018
| just the other day I used a 421 and a d12 at the same time- both thru neves. It was an accident, I was only going to use one, but when I heard the 2 together I was super stoked! My new favorite setup. ERic
__________________ http://www.thesleepoverdisaster.com (my Band) http://www.myspace.com/thesleepoverdisaster It is a very mixed blessing to be brought back from the dead. Kurt Vonnegut |
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| | #15 |
| Gear nut Join Date: Feb 2006
Posts: 116
| big muff'll do it. or any sort of fuzz. |
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| | #16 |
| Lives for gear Join Date: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,684
| Izotope Thrash sounds cool. Jason
__________________ most important gear I own are my ears! visit my band www.apparatusmusic.com www.myspace.com/apparatusnumetal |
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| | #17 |
| Lives for gear Join Date: Jan 2004 Location: New York
Posts: 1,598
| the answer is: mic an AMP
__________________ William Wittman Producer/Engineer (Cyndi Lauper, Joan Osborne, The Fixx, The Outfield...) |
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