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Tons of Summing Mixer Options

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Old 11th April 2006   #1
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Tons of Summing Mixer Options

Some have very few or no buttons others have more features than a real mixer.
And the price range is from $1000 Folcrom to $3800 SPL Mix-Dream.

Isn’t the whole idea of a summing mixer is to “do all in the box” and "simply sum the busses"?
Why have all the expensive bells and whistles if the box is integrated into a patchbay?
Just curious?
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Old 12th April 2006   #2
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Summing rack mixers are a quickly dying transitional fad. Don't bother with them!

We are on our way back to using Mixing boards just like everyone used to. I still can't figure out why everyone got rid of their analog mixers. They always make a better mix then any other device. That's why they call a mixing board, a mixing board. No one I know has ever called their personal computer a mixing board. Mixing is for Mixing boards, effects are for effects processors, computers are for storing and retreiving and editing data. Mixing is a musical engagement, performed by a mixing engineer with the right tools which include a mixing board. Computer programmers/editors cannot mix music because they are not mixing engineers and they don't know how to use mixing boards. Just like drummers don't know how to play guitar the way guitarist do because they don't own or play a guitar unless they are both of these things. If you are a mixing engineer than surely you must use a mixing board as without one you cannot consider yourself to be a mixing engineer. A mixing engineer's most important tool is a mixing board.

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Old 12th April 2006   #3
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And throw away the benefits of track and effects automation? I don't think so.

Control surfaces give you a fader in your hands, if that makes you feel better.
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Old 12th April 2006   #4
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Quote:
Originally Posted by Kalite Marka
Isn’t the whole idea of a summing mixer is to “do all in the box” and "simply sum the busses"?
Why have all the expensive bells and whistles if the box is integrated into a patchbay?
Just curious?
for me the biggest advantage of a summing box is to use analog gear, saving unnecessary ADA conversions. if i need pre fader analog stuff, then i use inserts, but if pre fader isn't necessary, there's the summing box.
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Old 12th April 2006   #5
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Yes, the main benefits beside running through so many analog circuits is the routing on a console. If you're using mults on say a kick and you want 3 tracks, you can do it many ways with a console and only use one converter output, but on a summer you need 3 outputs or a patchbay with parallels in it. I guess it depends on how you prefer to mix hey.
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Old 12th April 2006   #6
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Quote:
Originally Posted by aevan
Yes, the main benefits beside running through so many analog circuits is the routing on a console. If you're using mults on say a kick and you want 3 tracks, you can do it many ways with a console and only use one converter output, but on a summer you need 3 outputs or a patchbay with parallels in it.
my choice would be a nice sounding analog console with total reset capability + mono/stereo channels so as not to take up too much space - funny, i used to have a euphonix and sold it, but the unintuitive vibe and sound just didn't do it for me. the sound didn't bug me half as much as the unintuitive vibe.

i like my ITB + analog rig better, and have become too used to being able to switch songs at the snap of a finger. guess that's why they say the grass is always greener...
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Old 12th April 2006   #7
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Quote:
Originally Posted by Hershal Pearlma
We are on our way back to using Mixing boards just like everyone used to.
Exept they wil be called "summing boards" or "summing consoles"


Also, the next generation will have some hybrid functions. Say 16 faders and 16 virtual faders on a touch sensitive LCD screen that will replace your montir and be used for editing as well.


Without making a judgement, summing via math and summing via electricity passing over wires and mashing all together is different and part of the reason that I think you are right in believing that we will not be limited mixing in the box.
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Old 12th April 2006   #8
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Quote:
Originally Posted by Kalite Marka
Why have all the expensive bells and whistles if the box is integrated into a patchbay?
Just curious?
One the reasons I went for the Phoenix N16 was that it has pan control for each input. For me thats all I require in a summing amp, so that I can mix mono and stereo tracks.

But everyone's situation is different, and I'm sure some people would argue that level control is more important than pan.
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Old 12th April 2006   #9
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Quote:
Originally Posted by Hershal Pearlma
Summing rack mixers are a quickly dying transitional fad. Don't bother with them!

We are on our way back to using Mixing boards just like everyone used to. I still can't figure out why everyone got rid of their analog mixers.

For me, I'm selling my Mackie Desk because I always have about 50 tunes on the go at once and its too much hassle to reset the levels all the time. But I don't like mixing entirely ITB, so I have a few high quality analogue processors and a summing amp to mix with.

When I can afford an SSL AWS900 I'll buy one, but until then I don't think reverting to another mid-priced console will help my situation.
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Old 12th April 2006   #10
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Before long, programs like Sonar will have "virtual analog mix busses" modeled (ie SSL, Neve) and analog summers will be a thing of the past. e
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Old 12th April 2006   #11
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Quote:
Originally Posted by radiant
Before long, programs like Sonar will have "virtual analog mix busses" modeled (ie SSL, Neve) and analog summers will be a thing of the past. e
not if you have outboard gear.
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Old 2nd May 2006   #12
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http://www.gearslutz.com/board/showt...835#post699835

take a listen to track 3, it was done with a Folcrom and Trident S20.
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Old 2nd May 2006   #13
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Quote:
Originally Posted by radiant
Before long, programs like Sonar will have "virtual analog mix busses" modeled (ie SSL, Neve) and analog summers will be a thing of the past. e

This is quite true. I'm not sure if you were being facetious, but I would be willing to bet that this will happen within the next few years.
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Old 2nd May 2006   #14
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The Phoenix and the Chandler are probably at the top of the summing heap.
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Old 2nd May 2006   #15
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Quote:
The Phoenix and the Chandler are probably at the top of the summing heap.
Interesting that they both make some of the better-respected plugins out there these days as well...and the Phoenix especially is designed to emulate the "sound of analog"...

-Duardo
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Old 2nd May 2006   #16
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Quote:
Originally Posted by Duardo
Interesting that they both make some of the better-respected plugins out there these days as well...and the Phoenix especially is designed to emulate the "sound of analog"...

-Duardo
isnt the plug-in "phoenix" made by cranesong?
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Old 2nd May 2006   #17
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Whoops, yes, I'm sorry, I wasn't paing close attention and when I saw the word "Phoenix" I associated it with Cranesong but was actually thinking about the Spider. Sorry about that.

Still, interesting that both of those plugins come from companies known for their analog gear.

-Duardo
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