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Becoming one with Gear part 1
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Old 3rd April 2006   #1
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Becoming one with Gear part 1

I have many tips for you. Ask me anything about instruments, mics, rooms, effects, whatever you want.

I worked up in a studio for quite some time as an engineer.

Choose your work carefully. Never work on music you don't like is rule number one. You will make it worse out of your own desire to smash the lead singer in the face because you hate his voice and attitude. Pick people you admire and can learn something from musically. Go to see lots of bands and find out who is good and can't afford the expensive recording people in your area. Work for peanuts to get a reputation for yourself. Only take on one song to begin with so that you can back away without much of a loss if the experience makes you feel badd in your abdominal area.

If you just want to record yourself as an artist, Listen a lot to what you love, whether that be the sound outside your window at night or the other artists you admire. Listen all the time to yourself after you record yourself and imagine in your mind what adjustments you can make to get the sounds you make on instruments and with gear to kind of breathe by itself like it is it's own living thing belonging to it's own fantastic world you could make your music live inside of and then try to imagine how to create that world with the palette of sounds you are developing and are going to find using the best gear for your needs.

You need to figure out what tools are best for the job you are doing. That is the hardest thing to do because there are way too many tools available and there are sooooo many things that are compelte junk and a waste of time which are marketed and hyped up very well by posters on this forum and other millions of places on the internet and in the media.

You don't need a lot of gear to make amazing recordings. But you do need to spend a lot of time trying things and experimenting until you discover what your ears like. Then you should delete the rest immediatley. Getting rid of gear and options and possibility is just as important as having the options and possibilities that you are left with once you have decided what tools to put in your toolbox. The combination of tools you have chosen will force you into being creative and developing permutations of combinations of using that gear as the years go on. The only criteria you should have for all your gear is that it is all timeless and can be used effectively for years and years without a feeling of the gear keeping you locked into a time warp.

Don't try to live out the good ol days...they are gone and you are bald now and Jenny Williamson married some guy that she met in her senior year at college so you are never going to see her beaver....sorry but move forward.

You must choose your tools carefully and then never put any new tools in your toolbox. I mean it folks. you are all too obsessed with flavor of the week new and improved this and that.

Work with what you have and you will develop your own language of music and your own personality and voice based on that set of options that will be unlike anyone else's. As soon as you start adding flavor of the week new products, you drift and veer off the path you have chosen for yourself and now you are headed down the path that many others are currently on locked into trends and the never ending imaginary non-existent quests for "the perfect sound". Truth is, the perfect sound is not in any peice of gear. It's in your head and it doesn't matter what gear you own. You can create that perfect sound with what you have if you have chosen wisely.

Take a year out of your life to audition as much gear as you can. Ask what is worth your time if you want. Tell yourself what your vision is and send yourself out on a journey to discover the magical ingredients that will guide you the rest of your musical life.

It's not hard. If you feel tired and un-moved emotionally by the music you have created using a certain peice of gear after using it non stop for 2 days, get rid of it and move on to the next thing on your list of curiosities.

Remember, there is a lot of hoooey. And what I mean is, there are a lot of young guys around that have this complex of needing to be self-actualized through their gear purchases of flavor of the week expensive mic preamps and other things that they bought with the line of credit they got or the student loan they got from the government or the money that they made at the high paying job they got through a friend or family member and these people think because they have some collection of new fandangled mic preamps that they know everything and they are speaking the words of God when they start giving opinions about what is good and what is bad in thems of gear and how to setup mics and compressors, even though they have never used the gear before last week and they even sucker other young folks that come in here that don't know much into all of a sudden treating them like they are like the official experts on the gearslutz forum and that everyone should listen like they are readin' the gospel.

I will not speak to you from the perspective of a preacher on a podium hyping you on a new peice of gear unless I have used it and can without hesitation promise you that it is in fact going to do what I say it will do and give you more than half a lifetime of useful sounds and a relationship that will grow over the years.

I will preach about finding a path and taking it. I will stimulate your mind to get you searching for your own identity and that is what I do for myself everyday.

Our world is mostly comprised of sheep who follow the popular group. Most of those people live a life that is unsatisfying and chase themselves around in circles until they die.

You may be talented or have many platinum productions and you may be good looking. You may have a really hot girlfriend or a lot of money and gear but we are all going to die. Don't forget that we are all the same and nothing will change that. Everybody poops and everybody dies.

Gear is something special that each person has to develop a rapport with. Whether that be a really expensive Reverb or even a cheap toilet seat thing that does something you like and keeps giving you ideas and helping you to be a creator.

Honour your tools. Give them names and pray to them that they will keep giving to you for many years. They have a soul just like an instrument does. You are an instument too. They have a voice and that voice needs to be heard. Let them sing when it's their turn. When you get stumped talk to your gear and ask it for help. This works as gear you have given a good chance to prove itself will want to help you and honor you as well.
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Old 4th April 2006   #2
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Anything to add?
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Old 4th April 2006   #3
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**EDITED**
I posted a reply, originally, but then decided it was a stupid idea to reply to this.
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Old 4th April 2006   #4
3 + infractions, forum membership suspended.
 
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don't you guys work up there?
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Old 4th April 2006   #5
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Quote:
Originally Posted by echo unit
Everybody poops and everybody dies.


Ahhh... NOW I get it!
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Old 4th April 2006   #6
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Quote:
Originally Posted by timmcallister
Ahhh... NOW I get it!

That is the only thing that stuck with me, too.
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Old 4th April 2006   #7
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Being from Greenland... My, what perfect English you have...

how do you translate

*********sayswhat... ?
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Old 4th April 2006   #8
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Thanks Echo, I find your posts helpful.
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Old 4th April 2006   #9
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Quote:
Originally Posted by echo unit
Whether that be a really expensive Reverb or even a cheap toilet seat thing that does something you like and keeps giving you ideas and helping you to be a creator.
You just gave me an idea. Excuse me for a couple of minutes. I'm feeling "creative".


but yeah, I think there's waaaaaaaaaaay too much emphasis on gear.

Mic preamps especially.

Anyone got any songs?
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Old 4th April 2006   #10
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Well said. Good advice. Thanks for taking the time to contribute. David
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Old 4th April 2006   #11
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Quote:
Originally Posted by max cooper
Anyone got any songs?
Can I trade them for a 1073?
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Old 4th April 2006   #12
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when do we get part 2 ????

I'm itching to read it!!!!
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Old 4th April 2006   #13
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I can't wait to read it either. I'm waiting on my Germanium to arrive and I'd like to know how to "become one" with the 1/4 input without hurting myself. Echo unit...what kind of lubrication do you use?
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Old 4th April 2006   #14
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I enjoyed reading! I think life is a learning process and you will make all sorts of mistakes before you can keep it simple. I sometimes dream of better gear when I can't get the feeling or sound I'm hunger for.

I agree you need to find good working tools and arrange a good working environment.

Keep posting!
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Old 4th April 2006   #15
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Does anyone own a Woodchipper...?
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Old 4th April 2006   #16
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Quote:
Originally Posted by echo unit
Don't try to live out the good ol days...they are gone and you are bald now and Jenny Williamson married some guy that she met in her senior year at college so you are never going to see her beaver....sorry but move forward.
Yeah, but her daughter is hot!
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Old 4th April 2006   #17
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Quote:
"Listen all the time to yourself after you record yourself and imagine in your mind what adjustments you can make to get the sounds you make on instruments and with gear to kind of breathe by itself like it is it's own living thing belonging to it's own fantastic world you could make your music live inside of and then try to imagine how to create that world with the palette of sounds you are developing and are going to find using the best gear for your needs."
holy moly that is a long sentence...oh wait.....................THAT'S THE BIGGEST RUN ON I HAVE EVER SEEN!!!!!...................CRAP....................RUN FOR YOUR LIVES!!!!!
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Old 5th April 2006   #18
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Happy that I could make some sense for some folks and entertaining for others.

Part two is in the works. I will try to work on my run-ons. Sorry for that.

For Part three I am thinking of asking you folks to give me a topic to write about that would be of interest to you.

Any suggestions would be wonderful.
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Old 5th April 2006   #19
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Quote:
Originally Posted by echo unit
Happy that I could make some sense for some folks and entertaining for others.

Part two is in the works. I will try to work on my run-ons. Sorry for that.

For Part three I am thinking of asking you folks to give me a topic to write about that would be of interest to you.

Any suggestions would be wonderful.

I would like to read about analog summing and why it's soo KEWL!

THX!
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Old 5th April 2006   #20
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Quote:
Originally Posted by echo unit
Happy that I could make some sense for some folks and entertaining for others.
Is there anyone here that didn't laugh at this?
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Old 5th April 2006   #21
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I guess Echo Unit has earned some emnity with his provocative style of posting, but is what he wrote worth cutting to pieces? Seems like the guy is coming from the heart.
Echo Unit: I can't think of a good suggestion for a topic, but can you tell us who the girl in your atavar is? I really hope she isn't a pornstar.
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Old 5th April 2006   #22
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Quote:
Originally Posted by David Herbert
Echo Unit: I can't think of a good suggestion for a topic, but can you tell us who the girl in your atavar is?
Is it Jenny Williamson?
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Old 5th April 2006   #23
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Albert, ya little monkey-headed guy, yer right- it is Jenny Williamson!
Albert's little monkey is my second favorite atavar, behind (you guessed it) Echo Unit. Both in one thread? This thread rocks! David
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Old 5th April 2006   #24
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Quote:
Originally Posted by David Herbert
I guess Echo Unit has earned some emnity with his provocative style of posting, but is what he wrote worth cutting to pieces?
Yes, it's worth cutting to pieces. Have you read his posts elsewhere? Look up the ones about the new Toft Console and line 6. He's a jerk.
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Old 5th April 2006   #25
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Actually some good advice, Echo.

Unfortunately, some don't have the luxury of choosing the project or people with whom they wish to work. After a recent project from hell (final details posted soon...), I have decided to limit my projects strictly to professional projects. I'm lucky I have that luxury.

Equipment: Yes, get to know your equipment. I have a lot of equipment and I like to isolate one piece a week and dig down deep into it. Read the manual (again) and really try it out on different things. If I'm focusing on a preamp, for example, I'll take my entire mic cabinet and run it through the pre while recording various instruments. This last bit is VERY important. There was a recent thread bashing the Neumann TL-103. I noticed that most of the people doing the bashing were only using it on voice, and most often their own. Try your mics on a bass, or a conga, or a tambourine...anything that makes a noise usually used in the context of a song. Find out what mic works with what pre on what instrument. That way you are 75% there when the band walks through the door.

I play synths, as well, and will focus on one instrument in the same way. I'll read the manual (again!) and go in and tweak with my ears wide open. "How is this sound built up?", "What happens if I adjust THIS parameter?" Aha!!

Someone posted recently that we should be called "sound sculpters" instead of "sound engineers". Well, get to know your hammer and chisel. And stay organized and focused in your chiseling!!!

This process is part of my ongoing learning/remembering ritual that leads to an improved workflow when I start to create or record. It's analogous to a musician practicing his/her rudiments in order to overcome any technical hangups that may interfere with his/her performance of a piece.


You can read more in my series of books:
"Zen and the Art of Mic Selection"
"Zen and the Art of Preamp Selection"
"Zen and the Art of Cable Selection"
"Zen and the Art of Plugin Tweaking"
"Zen and the Art of Choosing Your Clients"
"Zen and the Art of Getting Paid for your Work"
"Zen and the Art of Getting Over Long-Lost Vagina"
"Zen and the Art of Wondering Why Fletcher is so Rude"
"Zen and the Art of Run-on Sentences"
"Zen and the Art of Bashing a Piece of Equipment you've Never Tried"
"Zen and the Art of Bashing/Praising a Piece of Equipment you have/haven't and Loving/Hating it due to the Name and/or Number of Knobs On/Not On the Front Panel."

Published by BS Forlaget A/S

As always,
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Old 5th April 2006   #26
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Hey !! I know you, didn't you teach at my high school?
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Old 5th April 2006   #27
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Quote:
Originally Posted by Albert
Is it Jenny Williamson?

Perhaps its this woman?

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Old 5th April 2006   #28
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Here's a tip that's not all touchy feely babble.

Learn some electronics so you now how these "mystery boxes" work. A Nascar driver knows far more about the innards of his car than most of you know about the stuff you're using. I call it the winning edge.

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Old 5th April 2006   #29
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Quote:
Originally Posted by Jim Williams
Here's a tip that's not all touchy feely babble.

Learn some electronics so you now how these "mystery boxes" work. A Nascar driver knows far more about the innards of his car than most of you know about the stuff you're using. I call it the winning edge.

Jim Williams
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If you are referring to my "Zen and the Art of..." series, Jim, that was my lame attempt at humor. I haven't written any new age books on the use of recording equipment. Or perhaps it referred to the advice that preceeded it. Just trying to make a positive contribution.

I realize you are passionate about us knowing the inner workings of the equipment we use. I myself have a real interest in learning electronics to know about the hows and whys of what makes it all do what it does. I also have an interest in learning Japanese to see how a language based on symbols to express ideas instead of sounds functions. But I just don't have the time.... At this point in my life, at any rate... It IS possible for someone to make excellent art with tools without knowing their inner workings. Is a master carpenter able to repair his power saw if it burns out? I play a pretty good trumpet but am not about to learn the skills needed in order to repair or roll my own. Bob Moog was the first to admit that he couldn't play ("create art with") the intruments that he built, he just knew if it sounded good or bad. Why must we who create the art absolutely know the inner workings of our tools? You'd then be out of business! We need you and your talented breathren to develop and practice your trade so we can develop and practice ours.

You are lucky to have both the skills to build and the skills to use recording equipment. Some of us have chosen slightly different paths....
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Old 6th April 2006   #30
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Here's a shock for you. It's not luck, it's hard work. Nothing comes to those that don't work for it. Self imposed ignorance isn't helpful to anyone. Crack a book tonight instead of the turning on the tube. Start with "Music Engineering" by Harry Olsen. Believe me, it won't hurt you but it might help.

Jim Williams
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